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Of a Time

Editorial Reviews

All Music Guide - J. Allen
To most of the world, the first official Strawbs album (discounting a previous Sandy Denny collaboration released only in Denmark years later) was a self-titled 1969 release that showed the British band to be focused on folk-rock with a sideline in slightly psychedelic pop. However, if history had worked out a little differently, the public would have been given a much more eclectic first impression of the Strawbs. The first sessions for the record took place in London in 1968 with future Elton John producer Gus Dudgeon at the helm, with arrangements by future David Bowie/T. Rex producer Tony Visconti. In keeping with the open-ended spirit of the era, Dudgeon, Visconti, and ...
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Editorial Reviews

All Music Guide - J. Allen
To most of the world, the first official Strawbs album (discounting a previous Sandy Denny collaboration released only in Denmark years later) was a self-titled 1969 release that showed the British band to be focused on folk-rock with a sideline in slightly psychedelic pop. However, if history had worked out a little differently, the public would have been given a much more eclectic first impression of the Strawbs. The first sessions for the record took place in London in 1968 with future Elton John producer Gus Dudgeon at the helm, with arrangements by future David Bowie/T. Rex producer Tony Visconti. In keeping with the open-ended spirit of the era, Dudgeon, Visconti, and the band decided on an expansive, try-anything aesthetic, perhaps aiming to end up with their own little Sgt. Pepper's in the process. The results proved a little too left-field for the label's liking. A&M intervened, and a number of tracks were dropped, replaced with more "appropriately" produced tunes. Of a Time presents the original sessions in their entirety (plus a generous helping of extras), giving us a tantalizing view of what might have been. Among the songs deemed unfit for public consumption by A&M: "And You Need Me" could have come off the Zombies' Odessey and Oracle, while "Ah Me, Ah My" features the sort of orchestrated music hall moves eventually perfected by the Kinks. "Just the Same in Every Way" has a swinging, mod-jazzy feel, complete with bluesy piano licks. The strings-and-bongos arrangement of "Whichever Way the Wind Blows" borders on Martin Denny-esque exotica, and the tongue-in-cheek "Sweetling" features a full-on swing band with brass ablaze. In retrospect, it's hard to say whether the original version of the album would have been hailed as an inspired musical mélange or dismissed as an unfocused flop, but regardless, it makes for a fascinating listen decades after the fact.
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Product Details

  • Release Date: 7/31/2012
  • Label: Witchwood Media
  • EAN: 5065000199548
  • Catalog Number: 2054
  • Sales rank: 93,266

Album Credits

Performance Credits
The Strawbs Primary Artist
Dave Cousins Acoustic Guitar, Banjo, Vocals
Tom Browne Readings
Nicky Hopkins Piano
John Paul Jones Electric Bass
Ron Chesterman Double Bass
Ray Cooper Percussion, Marimbas, Vibes
Jack Emblow Accordion
Tristan Fry Timpani
Tony Hooper Acoustic Guitar, Vocals
Andy Newmark Drums
Alan Parker Guitar
Ronnie Verrell Drums
Tony Visconti Recorder
Kenny Baker Trumpet
Nosrati & His Band Oud, Santoor, Kaman
Technical Credits
Dave Cousins Composer, Producer, Liner Notes
Gus Dudgeon Producer
Tony Hooper Composer
John Iles Engineer
Lionel Ross Orchestra Leader
Tony Visconti Musical Director
John Mackswith Engineer
Graham Semark Engineer
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