Oh What a Slaughter: Massacres in the American West: 1846--1890

Overview

Here are the true stories of the West's most terrible massacres—Sacramento River, Mountain Meadows, Sand Creek, Marias River, Camp Grant, and Wounded Knee, among others. These massacres involved Americans killing Indians, but also Indians killing Americans and, in the case of the currently hugely controversial Mountain Meadows Massacre in 1857, Mormons slaughtering a party of American settlers, including women and children.

McMurtry's evocative descriptions of these events ...

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Oh What a Slaughter: Massacres in the American West: 1846-1890

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Overview

Here are the true stories of the West's most terrible massacres—Sacramento River, Mountain Meadows, Sand Creek, Marias River, Camp Grant, and Wounded Knee, among others. These massacres involved Americans killing Indians, but also Indians killing Americans and, in the case of the currently hugely controversial Mountain Meadows Massacre in 1857, Mormons slaughtering a party of American settlers, including women and children.

McMurtry's evocative descriptions of these events recall their full horror, and the deep, constant apprehension and dread endured by both pioneers and Indians. By modern standards the death tolls were often small—Custer's defeat in 1876 was the only encounter to involve more than two hundred dead—yet in the thinly populated West of that time, the violent extinction of a hundred people had a colossal impact on all sides. Though the perpetrators often went unpunished, many guilty and traumatized men felt compelled to tell and retell the horror they had committed. Nephi Johnson, one of the participants in the Mountain Meadows Massacre, died crying "Blood, blood, blood!"

McMurtry's powerful prose captures the gritty essence of this tumultuous and pivotal era, and the fascinating and remarkable men and women-American and Indian, celebrated and forgotten-who shaped the West, and would kill to keep it.

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Editorial Reviews

From the Publisher
"As always, superbly written." —-Kirkus
Publishers Weekly
Pulitzer Prize-winning novelist McMurtry (Lonesome Dove) recounts six Western frontier massacres in this meandering mixture of memoir, literary criticism, jeremiad and history. "In most cases," McMurtry acknowledges, "the only undisputed fact about a given massacre is the date on which it occurred." Rightly enough, such disputes don't keep him from approaching these subjects with strong opinions. "Whites killed whites" at Mountain Meadows (1857); "a camp of one hundred percent peaceful Indians" was attacked at Sand Creek (1864). At Marias River (1870), Blackfeet Indians "dying anyway" of smallpox were slaughtered, and at Camp Grant (1871) "all the people killed-excepting one old man and a `well-grown' boy-were women and children." McMurtry's easygoing voice and hop-and-skip pace leave comprehensiveness to the many books to which he refers, but his own volume would have been stronger, and more accessible to readers unfamiliar with frontier history, if it had been organized more systematically. As is, the book feels tossed off, and his passing references to contemporary massacres-in Rwanda, New York and Iraq, for example-don't add much resonance. Agent, Andrew Wylie. (Dec.) Copyright 2005 Reed Business Information.
Library Journal
Noted novelist McMurtry makes another nonfiction foray, this time studying several of the 19th-century massacres that occurred between native tribes of the American West and the white settlers who were moving there. He focuses on six massacres in particular: those that took place at Sacramento River (1846), Mountain Meadows (1857), Sand Creek (1864), Marias River (1870), Camp Grant (1871), and Wounded Knee (1890). He selected these as "the famous massacres," each resulting in more than 100 dead, a toll of violence notable in its day. His goal here is not to lay blame or dispute the facts and conclusions he relates from other writers-almost the only universally agreed element of each massacre is the date on which it happened-but to capture the essence of the event and offer a few comments and conjectures. This he does in a very relaxed style that makes readers feel that they are having a conversation with the author. While academic libraries are likely to have the previous studies used and cited by McMurtry, his book is a good introduction for lay readers and high school students. Recommended for public libraries. [See Prepub Alert, LJ 8/05.]-Stephen H. Peters, Northern Michigan Univ. Lib., Marquette Copyright 2005 Reed Business Information.
Kirkus Reviews
A suitably cheerless tour of several 19th-century massacres, guided by the increasingly gloomy master of all things Wild West. Having written of Blue Duck, the Texas Rangers, Billy the Kid and others handy with a gun, McMurtry (The Colonel and Little Missie, 2005, etc.) is well versed in the business of slaughter: "What massacres usually do," he writes by way of welcome, "is reduce human beings to the condition of meat, though the bits of meat will be less tidily arranged than the cuts would normally be in a decent butcher shop." Such is the spirit in which McMurtry visits the site of the Mountain Meadows Massacre, where, in 1857, a mixed group of Mormons and Paiute Indians slaughtered 140 westbound settlers from Arkansas, both to get at their fat cattle and to chase away "gentiles" from Utah. The male settlers were shot by Mormons, the females and children bludgeoned by Paiutes; either way, they wound up as "in effect a meat mountain." So, too, did the unfortunate "peace Indians," Cheyenne mostly, who were butchered at Sand Creek in 1864 by white militiamen led by a thunderous fundamentalist preacher; and so too did the Apaches slaughtered at Camp Grant, Ariz., in 1871, by a mob of white vigilantes, Hispanic ranch hands and even Indians; and so, too, did the unfortunate Sioux massacred in the snows of Wounded Knee in 1890, who believed that their Ghost Dance would keep away the bullets. (Interestingly, McMurtry remarks, similar ideas were afoot all over the world, always arrayed against white imperialists.) If McMurtry has a thesis, it is to show that the nervous doctrine of the preemptive strike seems always to be a precursor to massacre-a doctrine "President George W. Bush has recentlyrevived." But it needs no real thesis; the mayhem speaks for itself. Minor McMurtry, but, as always, superbly written: dark reading for a Western campfire surrounded by ghosts. Agent: Andrew Wylie/Wylie Agency
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Product Details

  • ISBN-13: 9781400151950
  • Publisher: Tantor Media, Inc.
  • Publication date: 12/28/2005
  • Format: MP3 on CD
  • Edition description: MP3 - Unabridged CD
  • Product dimensions: 5.30 (w) x 7.40 (h) x 0.60 (d)

Meet the Author

Larry McMurtry

Larry McMurtry is the author of twenty-nine novels, including the Pulitzer Prize–winning Lonesome Dove.

Michael Prichard is a professional narrator and stage and film actor who has played several thousand characters during his career. An Audie Award winner, he has recorded well over five hundred books and has earned several AudioFile Earphones Awards. Michael was also named a Top Ten Golden Voice by SmartMoney magazine.

Biography

Back in the late 60s, the fact that Larry McMurtry was not a household name was really a thorn in the side of the writer. To illustrate his dissatisfaction with his status, he would go around wearing a T-shirt that read "Minor Regional Novelist." Well, more than thirty books, two Oscar-winning screenplays, and a Pulitzer Prize later, McMurtry is anything but a minor regional novelist.

Having worked on his father's Texas cattle ranch for a great deal of his early life, McMurtry had an inborn fascination with the West, both its fabled history and current state. However, he never saw himself as a life-long rancher and aspired to a more creative career. He achieved this at the age of 25 when he published his first novel. Horseman, Pass By was a wholly original take on the classic western. Humorous, heartbreaking, and utterly human, this story of a hedonistic cowboy in contemporary Texas was a huge hit for the young author and even spawned a major motion picture starring Paul Newman called Hud just two years after its 1961 publication. Extraordinarily, McMurtry was even allowed to write the script, a rare honor for such a novice.

With such an auspicious debut, it is hard to believe that McMurtry ever felt as though he'd been slighted by the public or marginalized as a minor talent. While all of his books may not have received equal attention, he did have a number of astounding successes early in his career. His third novel The Last Picture Show, a coming-of-age-in-the-southwest story, became a genuine classic, drawing comparisons to J. D. Salinger and James Jones. In 1971, Peter Bogdonovich's screen adaptation of the novel would score McMurtry his first Academy award for his screenplay. Three years later, he published Terms of Endearment, a critically lauded urban family drama that would become a hit movie starring Jack Nicholson and Shirley MacLaine in 1985.

That year, McMurtry published what many believe to be his definitive novel. An expansive epic sweeping through all the legends and characters that inhabited the old west, Lonesome Dove was a masterpiece. All of the elements that made McMurtry's writing so distinguished -- his skillful dialogue, richly drawn characters, and uncanny ability to establish a fully-realized setting -- convened in this Pulitzer winning story of two retired Texas rangers who venture from Texas to Montana. The novel was a tremendous critical and commercial favorite, and became a popular miniseries in 1989.

Following the massive success of Lonesome Dove, Larry McMurtry's prolificacy grew. He would publish at least one book nearly every year for the next twenty years, including Texasville, a gut-wrenching yet hilarious sequel to The Last Picture Show, Buffalo Girls, a fictionalized account of the later days of Calamity Jane, and several non-fiction titles, such as Crazy Horse.

Interestingly, McMurtry would receive his greatest notoriety in his late 60s as the co-screenwriter of Ang Lee's controversial film Brokeback Mountain. The movie would score the writer another Oscar and become one of the most critically heralded films of 2005. The following year he published his latest novel. Telegraph Days is a freewheeling comedic run-through of western folklore and surely one of McMurtry's most inventive stories and enjoyable reads. Not bad for a "minor regional novelist."

Good To Know

A miniseries based on McMurtry's novel Comanche Moon is currently in production. McMurtry co-wrote the script.

The first-printing of McMurtry's novel In a Narrow Grave is one of his most obscure for a rather obscure reason. The book was withdrawn because the word "skyscrapers" was misspelled as "skycrappers" on page 105.

McMurtry comes from a long line of farmers and ranchers. His father and eight of his uncles were all in the profession.

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    1. Hometown:
      Archer City, Texas
    1. Date of Birth:
      June 3, 1936
    2. Place of Birth:
      Wichita Falls, Texas
    1. Education:
      B.A., North Texas State University, 1958; M.A., Rice University, 1960. Also studied at Stanford University.

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Sort by: Showing all of 7 Customer Reviews
  • Posted March 24, 2012

    more from this reviewer

    McMurtry left me puzzled as to why he wrote this slim book. He d

    McMurtry left me puzzled as to why he wrote this slim book. He does cite other sources but seems to have done little original research of his own. He seems to lack real perspective about the violence that followed the settling of the frontier. The victims of these massacres deserve more than this .I have enjoyed his Western novels but this book feels hasty and thrown away.

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  • Anonymous

    Posted May 27, 2008

    A Bit Disorganized

    I learned a bit from reading the book, but I view myself as fairly well read on the topic. Those not already familiar with the the massacres in the West must have been lost. Mr McMurtry assumes that his audience already knows the background and many details of the events. I can imagine that many of his fans were disappointed.

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  • Anonymous

    Posted August 10, 2006

    Not what I expected

    The authors train of thought drifted in and out through out the book. He repeats himself many times each chapter( example: how many times did we have to be told that Kit Carson may or may not have been remoresful about his part in the killings?)He also went into other massacres he said he would not be covering and to me seemed to leave a lot to be desired in the ones he did cover. I really did expect more and I will be using his references to increase my understanding of the Massacres.

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  • Anonymous

    Posted December 29, 2005

    Good, but poorly organized

    While this book was informative and thought-provoking, I cannot understand why the author bothered to seperate the book into chapters. Each chapter is meant to deal with a specific historical incident, but McMurtry drifts off into comparison and discussion with other incidents detailed in the book, that eventually, it was difficult to keep up with his train of thought.

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    Posted August 5, 2010

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    Posted June 28, 2011

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  • Anonymous

    Posted July 19, 2012

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