O'Hurley Born: The Last Honest Woman / Dance to the Piper


#1 New York Times and USA Today bestselling author Nora Roberts presents the O'Hurleys, a dynasty of dazzling talent and sizzling passion.

The Last Honest Woman
If sex sells, then so do lies—especially when the truth is revealed. And cynical journalist Dylan Crosby knew that the just-a-simple-widow routine Abby O'Hurley was giving him wasn't anything close to the truth. There...

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#1 New York Times and USA Today bestselling author Nora Roberts presents the O'Hurleys, a dynasty of dazzling talent and sizzling passion.

The Last Honest Woman
If sex sells, then so do lies—especially when the truth is revealed. And cynical journalist Dylan Crosby knew that the just-a-simple-widow routine Abby O'Hurley was giving him wasn't anything close to the truth. There was a story there. All he had to do was turn on the charm, turn down the lights and she would whisper all her secrets. Unless she uncovered his first…

Dance to the Piper
Maddy O'Hurley shone in the spotlight. Her passion for dancing set the stage aflame and left no one in her audience unaffected—including business mogul Reed Valentine. But Reed wasn't used to burning— not for anything or anyone. And he wasn't about to let the ruthless business skills he'd honed be affected by wild passion. So was he prepared to fight fire with fire?

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Product Details

  • ISBN-13: 9780373285921
  • Publisher: Silhouette
  • Publication date: 9/28/2010
  • Series: O'Hurley Series
  • Format: Mass Market Paperback
  • Pages: 475
  • Sales rank: 246,003
  • Product dimensions: 6.94 (w) x 11.28 (h) x 1.20 (d)

Meet the Author

Nora Roberts is the number-one New York Times-bestselling author of more than 190 novels, including The Search, Black Hills, Tribute, High Noon, and many more. She is also the author of the bestselling futuristic suspense series written under the pen name J.D. Robb. Roberts has more than 400 million copies of her books in print.


Not only has Nora Roberts written more bestsellers than anyone else in the world (according to Publishers Weekly), she’s also created a hybrid genre of her own: the futuristic detective romance. And that’s on top of mastering every subgenre in the romance pie: the family saga, the historical, the suspense novel. But this most prolific and versatile of authors might never have tapped into her native talent if it hadn't been for one fateful snowstorm.

As her fans well know, in 1979 a blizzard trapped Roberts at home for a week with two bored little kids and a dwindling supply of chocolate. To maintain her sanity, Roberts started scribbling a story -- a romance novel like the Harlequin paperbacks she'd recently begun reading. The resulting manuscript was rejected by Harlequin, but that didn't matter to Roberts. She was hooked on writing. Several rejected manuscripts later, her first book was accepted for publication by Silhouette.

For several years, Roberts wrote category romances for Silhouette -- short books written to the publisher's specifications for length, subject matter and style, and marketed as part of a series of similar books. Roberts has said she never found the form restrictive. "If you write in category, you write knowing there's a framework, there are reader expectations," she explained. "If this doesn't suit you, you shouldn't write it. I don't believe for one moment you can write well what you wouldn't read for pleasure."

Roberts never violated the reader's expectations, but she did show a gift for bringing something fresh to the romance formula. Her first book, Irish Thoroughbred (1981), had as its heroine a strong-willed horse groom, in contrast to the fluttering young nurses and secretaries who populated most romances at the time. But Roberts's books didn't make significant waves until 1985, when she published Playing the Odds, which introduced the MacGregor clan. It was the first bestseller of many.

Roberts soon made a name for herself as a writer of spellbinding multigenerational sagas, creating families like the Scottish MacGregors, the Irish Donovans and the Ukrainian Stanislaskis. She also began working on romantic suspense novels, in which the love story unfolds beneath a looming threat of violence or disaster. She grew so prolific that she outstripped her publishers' ability to print and market Nora Roberts books, so she created an alter ego, J.D. Robb. Under the pseudonym, she began writing romantic detective novels set in the future. By then, millions of readers had discovered what Publishers Weekly called her "immeasurable diversity and talent."

Although the style and substance of her books has grown, Roberts remains loyal to the genre that launched her career. As she says, "The romance novel at its core celebrates that rush of emotions you have when you are falling in love, and it's a lovely thing to relive those feelings through a book."

Good To Know

Roberts still lives in the same Maryland house she occupied when she first started writing -- though her carpenter husband has built on some additions. She and her husband also own Turn the Page Bookstore Café in Boonsboro, Maryland. When Roberts isn't busy writing, she likes to drop by the store, which specializes in Civil War titles as well as autographed copies of her own books.

Roberts sued fellow writer Janet Dailey in 1997, accusing her of plagiarizing numerous passages of her work over a period of years. Dailey paid a settlement and publicly apologized, blaming stress and a psychological disorder for her misconduct.

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    1. Also Known As:
      J. D. Robb; Sarah Hardesty; Jill March; Eleanor Marie Robertson (birth name)
    2. Hometown:
      Keedysville, Maryland
    1. Date of Birth:
    2. Place of Birth:
      Silver Spring, Maryland

Read an Excerpt

It wasn't going to be an ordinary day. Now that the decision had been made, it would be a long time before things settled down to the merely ordinary again. She could only hope she was doing the right thing.

In the quiet, animal-scented air of the barn, Abby saddled her horse. Maybe it was wrong to steal this time in the middle of the day when there was still so much to be done, but she needed it. An hour alone, away from the house, away from obligations, seemed like an enormous luxury.

Abby hesitated, then shook her head and fastened the cinch. If you were going to steal, you might as well go for the luxurious. Because it was something her father might have said, she laughed to herself. Besides, if Mr. Jorgensen really wanted to buy the foal, he'd call back. The books needed balancing and the feed bill was overdue. She could deal with it later. Right now she wanted a fast ride to nowhere.

Two of the barn cats circled, then settled back into the hay as she led the roan gelding outside. His breath puffed out in a cloud of mist as she double-checked his cinch. "Let's go, Judd." With the ease of long experience, she swung herself into the saddle and headed south.

There would be no fast ride here, where the snow and mud had mixed itself into a slushy mire. The air was cold and heavy with damp, but she felt a sense of anticipation. Things were changing, and wasn't that all anyone could ask? They kept to a fast walk, with both of them straining for what always seemed just out of reach. Freedom.

Perhaps agreeing to be interviewed for this book would bring some portion of it. She could only hope. But the doubts she'd lived with ever since the arrangements had been made still hovered. What was right, what was wrong, what were the consequences? She'd have to assume the responsibility, no matter what occurred.

She rode over the land she loved yet never quite considered her own.

The snow was melting in the pasture. In another month, she thought, the foals could play on the new grass. She'd plant hay and oats, and this year—maybe this year—her books would inch over into the black.

Chuck would never have worried. He'd never thought about tomorrow, only about the next moment. The next car race. She knew why he'd bought the land in rural Virginia. Perhaps she'd always known. But at the time she'd been able to take his gesture of guilt as a gesture of hope. Her ability to find and hold on to thin threads of hope had gotten her through the last eight years.

Chuck had bought the land, then had spent only a few scattered weeks on it. He'd been too restless to sit and watch the grass grow. Restless, careless and selfish, that was Chuck. She'd known that before she'd married him. Perhaps that was why she'd married him. She couldn't claim he'd ever pretended to be anything else. It was simply that she'd looked and seen what she'd wanted to see. He'd swept into her life like the comet he was and, blinded with fascination, she'd followed.

The eighteen-year-old Abigail O'Hurley had been stunned and thrilled at being romanced by the dramatic Chuck Rockwell. His name had been front-page news as he'd raced his way through the Grand Prix circuit. His name had been in bold type on the scandal sheets as he'd raced his way through the hearts of women. The young Abigail hadn't read the tabloids.

He'd spun her into his life in Miami, charmed and dazzled her. He'd offered excitement. Excitement and a freedom from responsibilities. She'd been married before she'd been able to catch her breath.

Though a light drizzle was falling now, Abby stopped her horse. She didn't mind the rain that dampened her face and jacket. It added another quality she'd needed that morning. Isolation. A coward's way, she knew, but she'd never thought herself brave. What she had done—what she would continue to do—was survive.

The land curved gently, patched with snow, misted with a fog that hovered over it. When Judd pawed the ground impatiently, she patted his neck until he was quiet again. It was so beautiful. She'd been to Monte Carlo, to London and Paris and Bonn, but after nearly five years of day-to-day living and dawn-to-dusk working, she still thought this was the most beautiful sight in the world.

The rain splattered down, promising to make the dirt roads that crisscrossed her land all but unmanageable. If the temperatures dropped that night, the rain would freeze and leave a slick and dangerous sheen of ice over the snow. But it was beautiful. She owed Chuck for this. And for so much more.

He'd been her husband. Now she was his widow. Before he'd burned himself out, he'd singed her badly, but he'd left her two of the most important things in her life: her sons.

It was for them she'd finally agreed to let the writer come. She'd dodged offers from publishers for more than four years. That hadn't stopped an unauthorized biography of Chuck Rockwell or the stories that still appeared from time to time in the papers. After months of soul-searching, Abby had finally come to the conclusion that if she worked with a writer, a good writer, she would have some control over the final product. When it was done, her sons would have something of their father.

Dylan Crosby was a very good writer. Abby knew that was as much a disadvantage as an advantage. He'd poke into areas she was determined to keep off-limits. She wanted him to. When he did, she'd answer in her way, and she'd finally close that chapter of her life.

She would have to be clever. With a shake of her head, she clucked to her horse and sent him moving again. The trouble was, she'd never been the clever one. Chantel had been that. Her older sister—older by two and a half minutes—had always been able to plan and manipulate and make things happen.

Then there was Maddy, her other sister, younger by two minutes and ten seconds. Maddy was the outgoing one, the one who could usually make her own way through sheer drive and will.

But she was Abby, the middle triplet. The quiet one. The responsible one. The dependable one. Those titles still made her wince.

Her problem now wasn't a label that had been pinned on her before she could walk. Her problem now was Dylan Crosby, former investigative reporter turned biographer. In his twenties he'd unearthed a Mafia connection that had eventually crumbled one of the largest mob families on the East Coast. Before he'd turned thirty he'd unhinged the career of a senator with an unreported Swiss bank account and aspirations to higher office. Now she had to handle him.

And she would. After all, he would be on her turf, under her roof. She would feed him information. The secrets she wanted kept secret were locked in her own head and her own heart. She alone had the key.

If she'd learned nothing else as the middle daughter of a pair of road-roving entertainers, she'd learned how to act. To get what she wanted, all she had to do was give Dylan Crosby one hell of a show.

Never tell the whole truth, girl. Nobody wants to hear it. That's what her father would have said. And that, Abby told herself with a smile, was what she'd keep reminding herself of over the next few months.

A bit reluctant to leave the open road and the rain, Abby turned her horse and headed back. It was almost time to begin.

Dylan cursed the rain and reached out the window again to wipe at the windshield with an already-drenched rag. The wiper on his side was working only in spurts. The one on the other side had quit altogether. Icy rain soaked through his coat sleeve as he held the wheel with one hand and cleared his vision with the other. He'd been mad to buy such an old car, classic or not. The '62 Vette looked like a dream and ran like a nightmare.

It probably hadn't been too smart to drive down from New York in February, either, but he'd wanted the freedom of having his own car—such as it was. At least the snow he'd run into in Delaware had turned to rain as he'd driven south. But he cursed the rain again as it pelted through the open window and down his collar.

It could be worse, he told himself. He couldn't think of precisely how, but it probably could. After all, he was finally going to sink his teeth into a project he'd been trying to make gel for three years. Apparently Abigail O'Hurley Rockwell had decided she'd squeezed the publisher for all she could get.

A pretty sharp lady, he figured. She'd snagged one of the hottest and wealthiest race car drivers on the circuit. And she'd hardly been more than a kid. Before she'd reached nineteen she'd been wearing mink and diamonds and rolling dice in places like Monte Carlo. It was never much strain to spend someone else's money. His ex-wife had shown him that in a mercifully brief eighteen-month union.

Women were, after all, born with guile. They were fashioned to masquerade as helpless, vulnerable creatures. Until they had their hooks in you. To shake free, you had to bleed a little. Then if you were smart, you took a hard look at the scars from time to time to remind yourself how life really worked.

Dylan struggled with the map beside him, held it in front while steering with his elbows, then swore again. Yes, that had been his turn. He'd just missed it. With a quick glance up and down the stretch of rain-fogged road, he spun into a U-turn. The wipers might be pitiful, but the Vette knew how to move.

He couldn't imagine the Chuck Rockwell he'd followed and admired choosing to settle in the backwoods of Virginia. Maybe the little woman had talked him into buying it as some sort of hideaway. She'd certainly been hibernating there for the past few years.

Just what kind of woman was she? In order to write a thorough biography of the man, he had to understand the woman. She'd stuck with Rockwell like glue for nearly the first full year on the circuit, then she'd all but disappeared. Maybe the smell of gas and smoking tires had annoyed her. She hadn't been in the stands for her husband's victories or his defeats. Most importantly, she hadn't been there when he'd run his last race. The one that had killed him. From the information Dylan had, she'd finally shown up at the funeral three days later but had hardly spoken a word. She hadn't shed a tear.

She'd married a gold mine and turned a blind eye to his infidelities. Money was the only answer. Now, as his widow, she was in the position of never having to lift a finger. Not bad for a former singer who'd never made it past hotel lounges and second-rate clubs.

He had to slow the Vette to a crawl to make it down the slushy, rut-filled lane marked by a battered mailbox with Rockwell painted on the side.

Obviously she didn't believe in spending much money on maintenance. Dylan wiped his window again and set his teeth against each jarring bump. When he heard his muffler scrape, he stopped cursing the rain and started cursing Abigail. The way he saw it, she had a closetful of silk and fur but wouldn't shell out for minimal road repair.

When he saw the house, he perked up a bit. It wasn't the imposing, oppressive plantation house he'd been expecting. It was charming and homey, right down to the rocker on the front porch. The shutters on the windows were painted Colonial blue, providing a nice contrast to the white frame. A deck with a double railing skirted the second floor. Though he could see the house needed a new paint job, it didn't look run-down, just lived-in. There was smoke trailing up from the chimney and a bike with training wheels leaning on its kick-stand under the overhang of the roof. The sound of a dog's deep-throated barking completed the scene.

He'd often thought of finding a place just like this for himself. A place away from crowds and noise where he could concentrate on writing. It reminded him of the home he'd had as a child, where security had gone hand in hand with hard work.

When his muffler scraped the road again, he was no longer charmed. Dylan pulled up behind a pickup truck and a compact station wagon and shut off his engine. Dropping his rag on the floor mat, he rolled up his window and had started to open the door when a mass of wet fur leaped on it.

The dog was enormous. Maybe it had meant to give a friendly greeting, but in its current bedraggled state, the animal didn't look too pleasant. As Dylan gauged its size against that of a small hippo the dog scraped two muddy paws down his window and barked.


Both Dylan and the dog looked toward the house, where a woman stood near the porch steps. So this was Abigail, he mused. He'd seen enough pictures of her over the years to recognize her instantly. The fresh-faced ingenue in the pits at Rockwell's races. The stunning socialite in London and Chicago. The cool, composed widow by her husband's grave. Yet she wasn't precisely what he'd expected.

Her hair, a honey blond, fell across her forehead in wispy bangs and skimmed her shoulders. She looked very slender, and very comfortable in jeans and boots and a bulky sweater that bagged at her hips. Her face was pale and delicate through the rain. He couldn't see the color of her eyes, but he could see her mouth, full and un-painted as she called to the dog again.

"Sigmund, get down now."

The dog let out a last halfhearted bark and obeyed. Cautious, Dylan opened the door and stepped out. "Mrs. Rockwell?"

"Yes. Sorry about the dog. He doesn't bite. Very often."

"There's good news," Dylan muttered, and popped his trunk.

As he pulled out his bags, Abby stood where she was while her nerves tightened. He was a stranger, and she was letting him into her home, into her life. Maybe she should stop it now, right now before he'd taken another step.

Then he turned, bags in hand, and looked at her. Rain streamed from his hair. It was dark, darker now wet and plastered around his face. Not a kind face, she thought immediately as she rubbed her palms on her thighs. There was too much living in it, too much knowledge, for kindness. A woman had to be crazy to let a man like that into her life. Then she saw that his clothes were drenched and his shoes already coated with mud.

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Sort by: Showing all of 3 Customer Reviews
  • Posted October 25, 2011


    Great follow up to the 1st O'Hurley book ~ Recommend you read them in order, as it would be helpful. Nora Roberts does it again!

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    Posted April 18, 2011

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    Posted January 17, 2011

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