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When Alun Weaver and his wife, Rhiannon, a famous beauty in her day, move into a quiet retirement community, they find it peopled by friends from former days. Suddenly all the ambitions and energies, overgrown like weeds with years, burst ...
When Alun Weaver and his wife, Rhiannon, a famous beauty in her day, move into a quiet retirement community, they find it peopled by friends from former days. Suddenly all the ambitions and energies, overgrown like weeds with years, burst out afresh. In Amis' hands the results are predictably funny.
Amis received the Booker Prize, Britian's highest literary honor, in 1986 for THE OLD DEVILS.
Winner of the 1986 Booker Prize
“Kingsley Amis’s most ambitious book is neither a sendup nor an exercise in some established genre. It sets forth a large cast of characters rendered in depth as well as on the surface. The Old Devils is also Mr. Amis’s most inclusive novel, encompassing kinds of feelings and tone that move from sardonic gloom to lyric tenderness.” —The New York Times
“The talk is also exceedingly sharp and funny, and it brings the characters to life as only pungent dialogue can. His prose is as tart as ever, which is of course good news, but the softening effect of his feelings for his old devils is even more welcome. More than in any of his previous novels, Kingsley Amis has allowed himself to show a bit of heart; it becomes him.” —Jonathan Yardley, The Washington Post
The book is, of course, highly comic in parts, but it is not a cosy read. The comedy has a crematorium whiff, dealing with such unmentionable topics as death, old age, hate, the ghastliness of marriages, the awfulness of the Welsh and the decay of the flesh.” – The Times, London
“For long time admirers of the Amis of Lucky Jim and after, The Old Devils is welcomed evidence that the master remains masterful, able now to conjoin the mischievous with the mellow. As always, he is an insightful guide through the terrain where what is said is not meant and what is felt is not said, but where much of life is lived.” – The Los Angeles Times
“The old, robust masculine tradition of British comedy from Fielding and Smollett continues in our own vernacular.” – V.S. Prichett, The New Yorker
Posted October 26, 2012
This book started off jolly good. I thought I was going to have fun. However, it quickly got mired in almost incomprehensible dialog and narration. Then there would be a good chapter. This went on and off the rest of the book. I almost dreaded resuming it, and I was happy to finish it. Not a thrill to read.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.