"Old Hungarian Fairy Tales" are stories adapted by the Baroness Emmuska Orczy. Young readers will find much to delight them in these adaptations of old Hungarian fairy tales. Some of the stories have points of similarity with some of the folk and fairy tales of other peoples, but they will be none the less interesting to children for that, while the circumstance renders them rather more interesting to those of the elders who care in any way for the study of comparative folklore. The Baroness Orczy said that the tales are such as are told find a
"Old Hungarian Fairy Tales" are stories adapted by the Baroness Emmuska Orczy. Young readers will find much to delight them in these adaptations of old Hungarian fairy tales. Some of the stories have points of similarity with some of the folk and fairy tales of other peoples, but they will be none the less interesting to children for that, while the circumstance renders them rather more interesting to those of the elders who care in any way for the study of comparative folklore. The Baroness Orczy said that the tales are such as are told find a source of fresh wonder and delight in the book.
She has done her work in a most successful fashion. The tales are told with that simple directness which all children love, while the delicate illustrations plentifully scattered throughout the work are all that can he wished for. To the younger children this book will provide a very real treat.
*****
An excerpt from the beginning of the first story:
"Uletka and the White Lizard" ("Uletka a kilencz törptéknél.")
IN a certain country there dwelt a prince whose name was Elkàbo. He had a dear little daughter called Uletka, who was a most sweet child. She and her father lived quite alone in an old castle with four towers, that stood in a beautiful glade in the centre of a great forest.
Uletka was a most dainty and lovely little maid, her wings — she had wings, being related to a fairy — had grown quite strong, and glistened in the sunshine, reflecting all the colours of the rainbow. So sweet and graceful was little Uletka, that perhaps you would imagine she had no faults. Unfortunately she had one, which a wicked and revengeful fairy, who was offended with Nastia, her mother, had endowed her with, and this was the dreadful fault of Curiosity.
This wicked fairy, whose name was Mutà, had done even worse than this. She it was who had lured poor Nastia to destruction. In the forest was a great lake, overshadowed by trees, and covered over with water-lilies and lotus, while round its edge grew tall rushes. One day, when Nastia was walking by the shore of this lake, Mutà hid herself in the water, and calling out for help, pretended she was in danger of drowning. Nastia crept out on the great leaves of the water-lilies and grasped Mutà's hands, whereupon the spiteful fairy dragged her down to the bottom. Poor Nastia could not swim, besides which, Mutà held both her hands. She tried to struggle and to call for help, but it was useless, and thus she drowned. Prince Elkàbo, her husband, and all the neighbours, searched for her everywhere, and when they reached the edge of the lake they saw her body floating far off among the lotus flowers. As they watched she slowly changed into a most beautiful snow-white water-lily.
Elkàbo wept bitterly, and even the birds ceased to sing. A kingfisher, who was sitting on a flag-leaf, cried out to him that it was the work of the wicked fairy, Mutà. Then Elkàbo mounted his horse and quickly sought audience of the Queen of the Fairies, who lived at the furthest end of the country in a palace of crystal that had been erected among the mountains. He told her and all her courtiers, wise men and magicians, what misfortune had befallen him. Mutà's evil deed excited general indignation throughout the court, and the Queen ordered that the fairy should be transformed into a white lizard, which her head magician immediately proceeded to do. Then Her Majesty decreed that if Elkàbo could catch the lizard, he might be allowed to retain it captive until his little daughter, Uletka, who was then a baby, should release it with her own hands. In the event of this happening not even the Fairy Queen herself could prevent Mutà from resuming her natural form, together with her evil powers.
So Elkàbo returned home and searched day and night, travelling far and wide, until, at last, far away in Japan, he found the white lizard, hidden away under a cluster of orchids. He captured it and fastened it in a little cage made of silver wire, and every day he fed it himself, and would let no one else come near it. But as time went on Elkàbo grow afraid that Uletka might open the cage, as she was such a very inquisitive little girl. So he built a small tower near the edge of the lake, and there hung the cage, and every day he went down to the tower and fed the lizard with his own hands. The key of the tower he always wore suspended from his neck by a little gold chain, and no one but himself knew the secret of the tower by the lake.
Now Uletka was excessively curious, and often she would wander round the tower and turn the handle of the door, and fret because she always found it locked. She dared not ask her father any more about it, for she had done so once, and then she thought that she never had...
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