Old Ideas

Old Ideas

3.5 7
by Leonard Cohen
     
 

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Leonard Cohen, has always possessed a droll, self-effacing sense of humor. He expresses it on the opening track of Old Ideas in the third person: "I love to speak with Leonard/He's a sportsman and a shepherd/He's a lazy bastard/Living in a suit...." It's just of the typical Cohen topical standards on offer here: spiritual yearning, struggle, love, loss, lust,

Overview

Leonard Cohen, has always possessed a droll, self-effacing sense of humor. He expresses it on the opening track of Old Ideas in the third person: "I love to speak with Leonard/He's a sportsman and a shepherd/He's a lazy bastard/Living in a suit...." It's just of the typical Cohen topical standards on offer here: spiritual yearning, struggle, love, loss, lust, and mortality are all in abundance, offered with the poet's insight. He is surrounded by friends on Old Ideas. Patrick Leonard, Dino Soldo, and Anjani Thomas get production and co-writing credits. Sharon Robinson, Dana Glover, Jennifer Warnes, and the Webb Sisters all appear on backing vocals. Cohen mixes up the musical forms more than he has in the past. The loungey electronic keyboards on "Going Home" are balanced by Glover's female backing chorale, an acoustic piano, and Bela Santelli's violin. The sly, minor-key Gypsy jazz groove on "Amen" is played by a banjo, violin, and Cohen's guitar; it tempers his searing lyric, which posits the notion that the totality of love, divine or otherwise, can only truly be achieved when the object of desire has seen his worst, metaphorically and literally. "Show Me the Place" finds Cohen once again adopting the Protestant hymnal as directly as he did on "Hallelujah" -- albeit more quietly -- and wedding it to his simple, direct melodic sensibility. The song is a prayer, not for redemption, but to enter the cloud of spiritual unknowing before his demise, to discover the terrain where suffering itself is birthed. Warnes' gorgeous backing vocals, piano, guitar, and violin accompany his beneath-the-basement, cracked-leather baritone in delivering the song with conviction and vulnerability. Cohen's live band joins him on "Darkness," where he evokes, musically, his love of both late-'40s R&B and gospel, even as he frankly discusses the inevitable entrance into the big goodnight. He also revisits the spartan sound of his early career with "Crazy to Love You," written with Thomas, on which his only accompaniment is his acoustic guitar. Here, he wrestles with an unwanted but nonetheless nagging attachment to erotic desire. "Come Healing" is another gospel-ized hymn, with Glover's vocals, church organ, violin, and Cohen's nearly croaking vocal; he sings with reverence: "O see the darkness yielding/That tore the light apart/Come healing of the reason/Come healing of the heart...." "Banjo" is a country-blues that gives the songwriter a chance to indulge his love for Hank Williams while reflecting on Hurricane Katrina as Soldo's New Orleans-inspired horns add a haunted effect to the tune. Cohen speaks not only for himself, but the ghosts of restless spirits wandering in his vision. "Lullabye"'s lyrics, accompanied by a high lonesome harmonica and a whispering jazz organ to counterintuitively offer an attempt at comfort to the disconsolate. "Different Sides," with its slow, loopy groove, is a basic shuffle that addresses unresolved conflict in lust and law (spiritual and carnal), bringing Old Ideas to a close with an ironic tension. Here Cohen meets his well-worn topics head-on. He doesn't sound weary; he accepts them for what they are--all aspects of the same thing: life itself.

Product Details

Release Date:
01/31/2012
Label:
Sony
UPC:
0886979867123
catalogNumber:
798671
Rank:
7548

Related Subjects

Tracks

Album Credits

Performance Credits

Leonard Cohen   Primary Artist,Guitar,Vocals
Jennifer Warnes   Vocals
Ed Sanders   Guitar,Vocals
Roscoe Beck   Bass,Musical Direction
Neil Larsen   Percussion,Piano,Cornet,Keyboards,Synthesizer Bass,Hammond B3
Patrick Leonard   Musician
Bob Metzger   Guitar
Dino Soldo   Horn,Musician
Chris Wabich   Drums
Dana Glover   Vocals
Jordan Charnofsky   Guitar
Webb Sisters   Vocals
Hattie Webb   Vocals
Charley Webb   Vocals
Sharon Robinson   Vocals,Synthesizer Bass
Rafael Bernardo Gayol   Drums
Bela Santelli   Violin
Robert "OBM" Koda   Violin

Technical Credits

Leonard Cohen   Arranger,Composer,Programming,Cover Design,Drawing
Jennifer Warnes   Arranger
Ed Sanders   Arranger,Producer,Engineer
Patrick Leonard   Arranger,Composer,Programming,Producer,Engineer
Dino Soldo   Producer,Engineer
Anjani   Composer,Producer
Leanne Ungar   Engineer
Michelle Rice   Management
Mark Vreeken   Engineer
Dana Glover   Arranger
Michael Petit   Booklet Design
Webb Sisters   Arranger
Robert Kory   Management
Sharon Robinson   Arranger
Jesse String   Engineer

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Old Ideas 3.6 out of 5 based on 0 ratings. 7 reviews.
kevincorcoranjr More than 1 year ago
As a young adult in a generation cluttered with white noise, it's a pleasure to have someone like Mr. Cohen still writing and recording... keeping the tradition of lounge-room lullabies alive. As I listen to this new cd, I imagine his voice as a cowboy telling a story over beautiful melodies of various instruments and background singers. Such a treat to have such a unique artist still putting all his effort towards his love of music. Thanks, Cohen.
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Anonymous More than 1 year ago
Much of the album is talking. Sounds like funeral music