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On a Night Like This

On a Night Like This

3.8 6
by Ellen Sussman

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- On a Night Like This was published in Warner hardcover (0-446-53141-3) in 2/04, an excerpt of which was published in the San Francisco Chronicle. It received early accolades from such notable authors as Pam Houston, Lalita Tademy, Amanda Eyre Ward, and Katherine Weber.
- Ellen Sussman imbues this heartbreaking tale with the same emotional intensity as Anita


- On a Night Like This was published in Warner hardcover (0-446-53141-3) in 2/04, an excerpt of which was published in the San Francisco Chronicle. It received early accolades from such notable authors as Pam Houston, Lalita Tademy, Amanda Eyre Ward, and Katherine Weber.
- Ellen Sussman imbues this heartbreaking tale with the same emotional intensity as Anita Shreve's Sea Glass (Little, Brown and Company, 4/02), Elizabeth Berg's Open House (Ballantine, 2001), and Sue Miller's While I Was Gone (Ballantine, 1999).
- On a Night Like This is the kind of timeless love story and commercial novel that will appeal to audiences in the trade paperback format.
- Ellen Sussman is the winner of short story contests in both Redbook and Paris Transcontinental.
- Available as a Time Warner AudioBook.

Editorial Reviews

Publishers Weekly
In Sussman's heart-wrenching debut, two former high school classmates take a second chance at love, despite one partner's terminal cancer. Resisting the impulse to descend into bathos, Sussman shows remarkable restraint in her depiction of a love affair that transforms a dying woman's last days into a celebration of life. When Luke Bellingham, an acclaimed screenwriter in his 40s, agrees to become "Finder of Lost Souls" for his 25th high school reunion, the only lost classmate he really wants to find is the enigmatic Blair Clemens, whose gang rape at 17 inspired his Oscar-winning screenplay, Pescadero. Suffering from writer's block and his wife's sudden desertion, Luke is thrilled to discover that Blair lives near him in San Francisco. Bohemian Blair is now a single mom as well as chef of a chic restaurant, but beginning a relationship is definitely not on her agenda when she agrees to reconnect with Luke after first meeting his cute dog, Sweetpea. All she wants to do is work, have no-strings sex with her ever-randy ex-hippie landlord and enjoy what's left of her life with her teenage daughter, Amanda. At their initial meeting, the immediately smitten Luke informs her, "On a night like this, I could fall in love," and Blair, frightened by her own attraction, quickly retorts, "Don't bother... I'm dying." The novel's elegant denouement and Sussman's fluid treatment of tough moments make this a keeper for fans of high-caliber weepies. Agent, Elyse Cheney. (Feb. 10) Copyright 2004 Reed Business Information.
Kirkus Reviews
Dying woman finds true love before it's too late-in a so-so debut. Blair Clemens lives a semi-bohemian life in San Francisco, working as a chef to support herself and teenaged daughter Amanda. While Blair is something of a free spirit, at least as far as sleeping with men casually is concerned, she and Amanda-whose father was a brief affair during Blair's hippie youth-are devoted to each other. Amanda doesn't appear to have or need friends among her peers and displays no typical adolescent ambivalence toward her mother. Shortly after Blair learns she has incurable melanoma, she receives a phone call from Luke Bellingham. Luke is a successful screenwriter who's been living for three months as a recluse in his mountain cabin since his wife left him without warning. Recruited by his and Blair's prep-school reunion committee to track "lost souls" (missing alumni), he puts Blair first on his list because, while he never knew her well-he was handsome and popular, she a scholarship student outsider-he based his Academy Award-winning script on the story everyone in their town knew about her rape. Now the chemistry between her and Luke is immediate. Amanda is wary, although she loves his dog, but Luke begins to win her over too. Then Luke's ex-wife Emily reappears, pregnant, and wants her husband back. Sensitive and responsible man that he is, Luke is torn, but no reader will doubt his choice. Conveniently, he discovers that Emily-actually the most complex character here-is lying about the paternity of her baby, and though he moves in with Blair and Amanda, he and Blair face yet another trial. Amanda reads a short story he's written about a man's attraction to a teenaged girl, and she confusesfiction with fact. After Luke proves his innocence, the three settle into his mountain cabin to await Blair's demise. Good sex scenes in an otherwise run-of -the-mill pseudo-literary romance. Agent: Elyse Cheney/Sanford J. Greenburger Associates

Product Details

Warner Books (NY)
Publication date:
Edition description:
Product dimensions:
5.25(w) x 8.00(h) x 0.75(d)

Read an Excerpt

On a Night Like This

By Ellen Sussman

Warner Books

Copyright © 2004 Ellen Sussman
All right reserved.

ISBN: 0-446-53141-3

Chapter One

Blair lifted the man's arm and slid out from under him. She tucked a pillow back in her place, and he embraced it easily. She smiled at that. Men. She gathered her clothes from the floor and tucked them under her arm, picked up her shoes, stopped in the doorway. She looked back at the man, his long, lean body curled away from her, his hair a tousled mess, his face half buried in the pillow. I could climb back into bed and stay there awhile, she thought. She closed the door quietly behind her.

The hallway of his apartment was dark and she slid her hand along the wall until she found a light switch, flicked it on, squinted in the sudden brightness. She hadn't looked at the clock. Had she slept all night or only an hour or two?

She headed down the hall, drowsily dropped a shoe, which thudded on the hardwood floor. Another door opened and a woman appeared, pajamaed and sleep-rumpled. Blair recovered her shoe, stood and shrugged, naked, too slow to cover herself up.

"Are you a roommate or a wife?" Blair asked.

The woman peered at Blair. Someone without her glasses. "Roommate," she mumbled.

"Good," Blair said. "Go back to sleep. I'm leaving."

"Where's Perry?"

Perry. That was his name.

"Sleeping. Sorry I woke you."

The woman plunged back into the darkness of her room. Blair continued on down the hall.

She found the kitchen, dropped her clothes and shoes on the old pine table, grabbed a glass and poured herself water from the tap. She drank, then opened the fridge. Filled the glass with white wine, sipped at it, took it with her back to the table. Microwave clock read 11:45. She had barely slept. Amanda would still be awake, maybe waiting for her. She found a phone, curled into a chair at the table, dialed and drank.

"Hey," Amanda said into the phone.

"I'm sorry," Blair told her. "I'm late."

"Or early," Amanda told her. "I thought maybe you'd crawl in sometime tomorrow."

"I don't crawl, Amanda."

"Then you'd tango home. Who's the guy?"

"Maybe I'm at the library. Studying for a master's degree in quantum mechanics."

"You coming home?"

"Did you get worried? Damn, I should have called."

"I didn't get worried. I'm not a baby."

"What did you eat for dinner?"

"I finished the lasagna."

"Damn you. I've been dreaming about that lasagna."

"I'll make you some eggs."

"You go to sleep."

"I'm not tired."

Blair smiled. "OK, then I'd love a mushroom omelette. With cheese. Tons of cheese."

She hung up the phone, took one last swig of wine, pulled herself up and out of the chair. When she half-turned, pulling her sweater over her head, she saw someone standing in the doorway.

"You scared me," she said. Perry. Naked and watching her. She reached for her jeans, pulled them on. Stuffed her bra and underpants into her backpack.

"Who was that? Your boyfriend?"

Blair smiled, shook her head. "My daughter," she said. "Sixteen years old. Waiting for her mom to come home and tuck her in."

"You're some teenager's mom?"

"That I am." She slipped her feet into her shoes and turned toward him.

"You can't stay?" he asked.

"I don't stay," she said. "Something you should know about me."

"Too bad," he said, covering her hand with his own.

Blair put her hand on his chest, pressed her palm into him. "But I had fun. Tell me where we are. How I get home. That sort of thing."

They had met at a bar. He had driven them back to his place. She hadn't paid attention to anything except his slow voice, his hand on her thigh, the soft blur of streetlights from her tequila high.

"I'll drive you," he said.

"No," she told him. "I'll find a cab. Go on back to sleep."

"That's it?" he asked.

"You mean, are we now formally engaged? I don't think so."

He smiled. "I mean, can we try this one more time?"

"Maybe. Give me your phone number."

"You don't give out yours?"

"Smart man."

He walked to the kitchen counter, pulled out a drawer, rifled through, found a business card, which he passed to her. He was comfortable being naked-she liked watching him.

"I'll call you," she said.

"Maybe," he told her, smiling.

She pulled her backpack onto her back, headed toward the door. She looked back at him, blew him a kiss. He was watching her.

"Do you always do this?" he asked.

She stopped, leaned back against the door, suddenly tired. She waited.

"Is this what men do? And you do it better?"

"No," she said.

"Been burned too many times?" he asked.

"No," she said.

"I give up."

"I'm dying," she told him. "It's easier this way."

Neither spoke for a moment. It was the first time she said it. Something in her chest tightened. Blair leaned over, placed his business card on the side table by the front door.

"AIDS?" he asked, and she could imagine his mind flashing: Condom, we used a condom, hallelujah for condoms.

She shook her head. "I wouldn't do that to you," she said. "Just cancer. Nothing to be scared of."

"Except relationships," he told her.

"Right," she said. "Everyone's a therapist these days. Gotta run. It's been grand."

She opened the door, walked out, pulled it closed behind her.

Blair caught the last bus to the Haight, walked a couple of blocks, turned down her street. On the edge of the Haight, on the edge of a park, on the edge of elegance. She lived in a rented cottage behind a mansion. A dilapidated mansion in the middle of finely refurbished Victorians, most graced with pastel colors, hers boasting a loud, honking purple. The neighbors hated it. Of course. Which was Casey's plan.

Casey sat on his front steps, smoking a joint at midnight. She wasn't surprised. Her landlord had inherited money and the mansion; he coasted through life, women and drugs. She put up with him because she loved the cottage.

"Come join me," he called out before she turned down the driveway toward her haven.

"Gotta go. Amanda's waiting."

"One hit," he urged. "You'll sleep better."

Couldn't argue with that. Blair walked down the path to the front patio, joined him, midstep.

"Where were you?" he asked, passing the joint.

"None of your business," she said, taking in a good, long hit of the pot.

"Sex," he said. "I can smell it."

"You're disgusting," she told him. She took another hit.

Blair looked through the darkness toward her cottage, her daughter inside, making omelettes. She stood. "I gotta go. Amanda's making me an omelette."

"Can I join you? I'll bring wine."

"No." She started off, across the ruined grass of the front yard.

"Are you sick?" Casey called out.

Blair stopped, turned around.

"How'd you know?"

"I don't know. A hunch. Maybe that's the smell."

"You're smart for a rich kid."

"What's wrong, Blair?"

"I'm going to die?" she said. But somehow it came out as a question this time. How do you answer a question like that? She shook her head-it still sounded as if the words had been formed in someone else's mouth. "Thanks for the smoke."

She turned and headed back behind the house, following a string of white Christmas lights that she used to line the path from the driveway to her cottage, tucked in the far corner of the backyard. The cottage was really a tiny apartment over a garage, but it was built in 1910, all in pine-walls, floors, ceiling-and was graced by a tree that hung over and around the house, making it feel more tree house than garage.

"I'm sick," she muttered to herself, trying a different take. No. That's beside the point. I'm dying is the point. "I'm dying" is what she needed to tell her daughter.

She climbed the wooden stairs to the cottage and caught the pungent smell of sautéed onion and garlic, saw Amanda's willowy shadow against the white curtain in the tiny kitchen, heard the African-drumming CD that Amanda listened to late at night with the lights dimmed low; she paused for a moment before turning the doorknob. Not yet, she thought. Not tonight.

She pushed the door open, breathed in, smiled. The small pine-walled living room was tented with lilac-dyed muslin billowing from the ceiling-Blair always felt like she was entering her own exotic harem.

"Amanda, my sweet girl!" she called.

Amanda appeared in the doorway, boxer shorts, cotton camisole, untamed red curls, beaming. "You better be hungry."


Blair dropped her bag on the floor, beelined for her daughter. She ruffled her hair, planted a kiss on her ear.

"You got taller," she said, looking her kid straight in the eye.

"Since this morning?"

"Yeah. I think you beat me. Finally."

"Turn around."

They turned back-to-back, butt-to-butt, head-to-head. Exactly the same height. But Amanda was fair-skinned and her mother dark, and Amanda's body was narrower, her bones sharper. She looked like she was about a minute away from becoming a woman, having shed her child's body only seconds before.

"You didn't sneak past me," Blair said, patting their heads together. "Yet."

They moved toward the table, a battered wood schoolteacher's desk, which sat in the middle of the tiny room that served as their dining room. Blair dropped, exhausted, into one of the wooden chairs.

"I'll get dinner," Amanda said. There was barely room in the kitchen for both of them.

Blair watched her daughter. She somehow felt she could see Amanda in all her incarnations-she was the joyous five-year-old, the headstrong eight-year-old, the surly twelve-year-old, and now this, the lovely young woman-in a flash of an eye. Even now, with a tattoo peeking above her tank top, she was Blair's baby. A few months ago, Amanda had come home with rove tattooed on her chest, just below her collarbone. Blair used to think she knew her daughter completely, knew every expression, every gesture. Rove? What did it mean? Was this Amanda's first hint of mystery?

"My boss said I can work an extra night at the café if I want to," Amanda said.

"You want more work?" Blair asked. "Why?"

"I want the money."

"You don't need the money. When was the last time you bought new clothes?"

Amanda owned two pairs of jeans-one red and the other lime green-and an odd assortment of bowling shirts, Hawaiian shirts, tuxedo shirts-whatever she found at the vintage clothing store down the street. She looked like a kid playing dress-up, the clothes always too big for her, bound around her waist by bejeweled belts. She looked like no other kid at her high school, and Blair was proud of her for it.

"I buy CDs," Amanda said. And help pay the rent, Blair thought. She grabbed her daughter's hand as she passed by and pulled her close.

"You're too grown up, my girl," Blair said.

"I like working there," Amanda said. "And when it's quiet, I can get my homework done."

"How about parties, friends, goofing off?" Blair asked while Amanda set the table.

"Yeah, right," Amanda said.

"Is it my fault?" Blair asked. "If I didn't love you so much, you'd go have fun somewhere else."

Amanda leaned over and placed her fingers on her mother's lips. "Stop worrying about me," she told her.

"Could you bring me a glass of wine, sweetheart?"

The wine appeared, already poured and waiting. Blair took it from Amanda and grinned. When Amanda turned back into the kitchen, Blair closed her eyes, squeezing them tight. Not pain. Just too much noise in her head.

"Do you eat lunch by yourself at school?" Blair asked.


"I'm curious. I hated lunch at school. It was the most miserable time."

"I read a book," Amanda said quietly. "It doesn't matter."

"It does matter, sweetheart," Blair told her. "You need to talk to someone."

"I talk to you."

Blair watched Amanda in the kitchen, moving from pan to bowl to silverware drawer to stove, her hands always moving, every gesture as graceful as a dance.

"You're not lonely?" Blair asked quietly.

"No, Mom. I'm fine. I hate school. OK? But work's fine and then I come home."

"I know," Blair said.

"Dinner," Amanda announced, presenting the pan with a grand swoop of her arm. A perfect omelette.

"Bravo," Blair said. She was a chef; her daughter had learned well. And she shared with her the appreciation of good food.

Amanda slid the omelette onto Blair's plate.

"You eating?" Blair asked.

"Lasagna," she said. "I told you."

"How many nights will you work?" Blair asked. She tasted her omelette while they talked.

"It's up to me. I can match the nights you work so we can be home on the same nights."

"I might quit the restaurant," Blair said, though she hadn't thought about that yet. Her mind was racing through too many things-money, illness, leaving her daughter, and now this idea: leaving her work.

"Quit cooking? Why?"

"Burnout. I'm exhausted."

"Since when? What are you talking about?"

Blair got up from the table. She turned, looking for somewhere to go.

"I've got to pee," she said, heading into the bathroom.

She shut the door behind her and leaned back against it. Pressed hard against the spot where her mole had been, under her bra strap, the mole that scraped and bled and healed and scraped and bled. Until finally she showed her doc during a routine physical and the good doctor cut the mole, tested the mole and pronounced her dead on arrival. Melanoma. Advanced stage. Why the hell didn't you do anything about this?

Because I was busy. Because I've got a daughter and a crazy job and not enough money. Because I don't pay attention to the details.


"Coming." She flushed the toilet and splashed water on her face. Opened the door. Sat down at the table. Knew that Amanda was watching her. She had told the doc, "I can accept dying. For me. But not for my daughter. She's got no one else."

"The omelette's delicious," Blair said, staring at it.

"You had a doctor's appointment this afternoon," Amanda said.

"You don't miss much. You're a pain in the butt."

"My specialty."

"Yeah, I had a doctor's appointment."


"I've got some bug. Some virus. The doctor wants me to take a break from cooking for a while."

"What is it?"

"A virus. I just need to rest some. And I need to eat omelettes. That's the magic cure."

Blair picked up her fork and started eating. Her stomach was rototilling and she could barely swallow her food. Amanda still watched her.

"You're lying," Amanda said.

"I'm not lying," Blair barked. "Don't accuse me of lying. I'm sick. You think I'm happy about it? You think I want to stop cooking after all these years?"

Amanda's chair banged back against the wall and she was gone. The door to her room slammed shut just as the chair clattered to the floor. Blair pushed her plate away and dropped her head to the table.

The good doctor had said, "Do you have family?"

"No. My parents died years ago."

"There's a support group at the hospital."

"I don't need a support group," Blair had said.

"You're not alone in this," the doctor said. "You have to think about your daughter."

"That's all I can think about." Blair had walked out. Leaving prescriptions for pain that would come.


Excerpted from On a Night Like This by Ellen Sussman Copyright © 2004 by Ellen Sussman. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

Pam Houston
Take a deceived man who thinks he doesn't want to live, and introduce him to a woman who thinks that if she has enough sex she might not have to die, add a good kid and a great dog, a wicked humor and a clean prose style and you have a novel that's hard not to read in one sitting.
Lalita Tademy
ON A NIGHT LIKE THIS is thoughtful, graceful and poignant, full of tenderness and toughness, blessed by a powerful sense of place, balancing the redemption of love against the terror of illness.

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On a Night Like This 3.9 out of 5 based on 0 ratings. 7 reviews.
Guest More than 1 year ago
In San Francisco, Blair Clemens works as a chef while raising her teenaged daughter Amanda by herself. The two female Clemens are best friends, resulting in neither having pals their age. Blair is contented with her life mostly because of Amanda. However, her harmonious life collapses when Blair learns that she is dying from melanoma for she fears for her cherished daughter....................................... Since his wife Emily deserted him, screenwriter Luke Bellingham has hidden in the mountains. However, his prep school reunion committee assigns him to find 'lost souls' so that they can attend the gala. His first missing alumni is Blair because though they ran in different circles, he wrote an Academy Award-winning script based on the true story of her being raped. Surprisingly Luke and Blair hit it off and he begins to win over the suspicious Amanda. However, a pregnant Emily demands he take her back. Will he choose his spouse and their unborn child or will he opt for a dying woman and her teenage daughter though secrets revealed later will make his selection much easier............................... This is a solid relationship drama starring three delightful protagonists who readers will like and hope for a miracle to occur. Though Ellen Sussman makes the difficult choice too easy for the ethical Luke and a subplot involving a teen-adult romance script adds nothing, the overall tale is a powerful character study. Fans will feel for empathy for the trio, but especially towards Blair as she nears death in an upbeat manner because she now knows adult love and that he cares deeply for her beloved Amanda.............................. Harriet Klausner
Anonymous More than 1 year ago
eak321 More than 1 year ago
I've read a lot of unentertaining, poorly written books lately, so when I started reading ON A NIGHT LIKE THIS and found myself really enjoying it, I thought it was a fluke. I originally picked up this book because I read that it was about two people meeting up who went to high school together, but never really knew each other. This subject alone interested me. The more I read, though, the more twists and turns were added. The novel became so much more than I originally thought it would be. I became entranced with the story and was eager to see where it was going. I was surprised at the levels of detail and background that went into writing this book. I applaud Ellen Sussman for her character development and plotlines. I truly came to care about each of the main characters. They felt "real" to me, which is the highest accomplishment I can bestow upon a writer. I continued reading and it just got better and better until the very end when I was suddenly disappointed...because it ended. I wanted to continue reading about Sussman's engaging main characters (Luke and Blair) and even all the supporting characters like Blair's daughter, Amanda; Luke's wife, Emily; Blair's boss, Daniel; Blair's landlord; and even Sweetpea, Luke's faithful dog. I look forward to reading future books by Ellen Sussman. She's definitely got talent and knows how to capture her readers' heads...and hearts.
Guest More than 1 year ago
After reading an excerpt on the internet, I immediately obtained a copy and read it in one day. Ellen Sussman's first novel is definitely a 'page turner' and a very worthwhite read. The characters were memorable and the story had me hooked from the very beginning. Ellen, keep writing books like this and I'll keep reading them. Thanks again for such a great story.
Guest More than 1 year ago
A seasoned performer, Barbara Goodson, has many outstanding voice overs to her credit in both film and television (most notably the Emmy-Award winning Winnie the Pooh). She gives a poignant performance of this story about the right love at the wrong time. Another veteran of Winnie the Pooh, Michael Gough, has done outstanding work on many animated programs, and is the recipient of a pair of awards for Los Angeles theatre productions. His reading is full-bodied and strong as he brings the words of our hero to life. Once listeners hear, 'On a night like this, I could fall in love...,' they'll not soon forget him. Luke Bellingham is 25 years out of high school and successful - at least as a screenwriter. His love life's a bit out of sync as his wife recently left him. It fall to Luke to find the missing among his high school classmates as preparations are made for the 25th reunion. First on his list is Blair Clemens, a woman who has been much on his mind over the years. Blair is now a single mom who is dying of cancer. She has a 16-year-old daughter, and works as a chef at an upscale restaurant. Although Luke and Blair have not seen each other in all of the passing years, once they do meet again the attraction is instantaneous and undeniable. For Blair it seems here's the brass ring at last. But, should she catch it knowing she won't be able to hold it for very long? Get out the tissues to listen to this one. - Gail Cooke
Guest More than 1 year ago
A beautifully written page-turner of a love story. On a Night Like This is a sad and funny and wonderful story of a woman¿s love for her daughter and her acceptance of herself.
Guest More than 1 year ago
I'll admit it - I did FINISH this book, but not without rolling my eyes too many times to count while reading it. There are so many cheesy ups and downs in this book that by the end I didn't care if everyone hated each other and never made up. This amidst grammatical errors! Is there a more frustrating thing to find in published materials? Do yourself a favor a read a book with more substance!