On Agate Hill: A Novel

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Overview

A dusty box discovered in the wreckage of a once prosperous plantation on Agate Hill in North Carolina contains the remnants of an extraordinary life: diaries, letters, poems, songs, newspaper clippings, court records, marbles, rocks, dolls, and bones. It's through these treasured mementos that we meet Molly Petree.

Raised in those ruins and orphaned by the Civil War, Molly is a refugee who has no interest in self-pity. When a mysterious benefactor appears out her father's past to rescue her, she never looks back.

Spanning half a century, On Agate Hill follows Molly’s passionate, picaresque journey through love, betrayal, motherhood, a murder trial—and back home to Agate Hill under circumstances she never could have imagined.

Editorial Reviews

From Barnes & Noble
The story of orphan Molly Petree emerges from a dusty box discovered in an abandoned North Carolina plantation house. The box contains the vestiges of a life that began in Reconstruction days and continued deep into the 20th century, registering the efforts of a heroic woman determined to salvage her few chances. Lee Smith, the author of Fair and Tender Ladies, unwraps this personal saga through ephemera, notes, and court records. In sum, these washed-up pieces become a carefully modulated character portrait of a brave woman. Notable literary fiction.
Atlanta Journal Constitution
"Smith is such a beautiful writer, tough and full of grace, that soon you are lost in the half-light of Molly's haunted landscape, listening to the voices of the ghosts, wishing they'd let you stay longer."—The Atlanta Journal-Constitution
Boston Globe
"On Agate Hill, as lyrical and haunting as an Appalachian ballad, casts a powerful charm."—The Boston Globe
New York Times Book Review
“She is nothing less than masterly. . . . Smith brings to [her work] an ear for speech and voice that most other writers can only envy.” —The New York Times Book Review
USA Today
"The the willful Molly is no hot-house flower, and her determination to live her own life—for better or worse—is the driving force of this powerful novel."—USA Today
Donna Riftkind
… Smith, who is a subtly intrepid and challenging storyteller, never allows her narrative to slip into kitsch, stereotype or melodrama. On the contrary, she uses these archetypes as touchstones, a bit like iconic movie images, to trigger the reserves of a reader's emotional memory: Here's the same delight that A Little Princess once brought, and there's the unapologetic pleasure of Gone With the Wind. It's not coincidental that Smith refers to Molly, even in her old age, as perennially childlike, for this is a book that seeks to rejuvenate the rapt early reader in us all.
— The Washington Post
Roy Hoffman
Young Molly's narration is so deft that her pen sometimes feels too conspicuously guided by the hand of the author. And her voice jars with that of a present-day character Smith uses in passages that awkwardly frame the diary…Gradually, though, with lyric intensity, Smith's inventive storytelling overcomes these misjudgments and, as Molly enters the fussy but rigorous Gatewood Academy, her age catches up with her literary style…"Love lives not in places nor even bodies," Molly writes much later in life, "but in the spaces between them." On Agate Hill works best when her appealing voice, at its most natural and ardent, fills those spaces.
—The New York Times
Publishers Weekly
Following her 2001 Southern Book Critics Circle award-winning novel, The Last Girls, Smith's 10th novel chronicles the post-Civil War life of a precocious Southern orphan using a slapdash patchwork of journal entries, letters, poems, recipes, songs, catechism and court records. Molly Petree, the daughter of a slain Confederate soldier, begins a diary on her 13th birthday in May 1872, near Hillsborough, N.C., at Agate Hill, the plantation of her legal guardian, Uncle Junius Hall. Seeing herself as "a ghost girl wafting through this ghost house," Molly falls under the spiteful devices of Selena, the scheming housekeeper, who marries a terminally ill Junius to inherit the plantation. Under Selena's watch, Molly is neglected, mistreated and raped before Simon Black, who fought alongside Molly's father, rescues her and enrolls her in the Gatewood Academy, where she becomes "an educated, fancy woman." After graduating, Molly marries sweet-talking Jacky, but tragedy dogs her: Jacky dies a particularly miserable death, their baby dies and when Molly returns to Agate Hill, she finds it in ruins. Molly's story is moving, but Smith's structure the narrative's pieces are the contents of "a box of old stuff" found during Agate Hill's renovation is needlessly contrived. (Sept. 19) Copyright 2006 Reed Business Information.
Library Journal
Former beauty queen Tuscany Miller gave up her dissertation on "Beauty Shop Culture in the South: Big Hair and Community" to get married. When her disastrous marriage ends, Tuscany discovers a young girl's diary in the attic of her father's bed-and-breakfast, a rundown postbellum plantation called Agate Hill. Tuscany's letters to her former doctoral advisor alternate with entries from this diary, kept by young Molly Petree, a Civil War orphan in North Carolina driven from her home, Agate Hill, by the Yankees and handed 'round from relatives to finishing schools until her 18th year. Molly's own diary and the diaries of her teachers and friends form a patchwork quilt of Molly's life from birth to death. Placed in Gatewood Academy by a benefactor, headstrong, beautiful, and independent Molly wins the affection of her fellow pupils and scorns the hypocrisy of the founders of the academy. Upon graduation, she heads for a mountain school and falls in love with a fun-loving, guitar-picking holler man until mysterious circumstances end the relationship. In the end, Molly returns to Agate Hill to live out her life surrounded by memories. Smith has worked her magic yet again; her rollicking humor, keen sense of place, deft characterizations, and raucous storytelling bring to life yet another set of memorable people and places. Highly recommended.-Henry L. Carrigan Jr., Lancaster, PA Copyright 2006 Reed Business Information.
Kirkus Reviews
The story of a self-described "ghost girl" who survives the Civil War devastation that claims her family is told in the North Carolina author's rich, complex 12th novel (after The Last Girls, 2002). Spirited orphan Molly Petree's diary and correspondence describe her childhood at Agate Hill plantation, raised among the large extended family of her Uncle Junius Hall, a well-meaning patriarch too passive to resist tenant farmer's widow Selena Vogell, who installs herself as housekeeper, marries him and emerges triumphant, as Agate Hill's occupants disperse-among them adolescent Molly, claimed as the ward of her late father's best friend and battlefield companion Simon Black. Molly's student years at highfalutin' Gatewood Academy are revealed through the diaries of its unstable headmistress Mariah Snow and her sensible sister, teacher Agnes Rutherford, who'll accompany Molly on the next leg of her journey: to the one-room Bobcat School in the "Lost Province" of western North Carolina near the Tennessee border, where Molly seeks escape from Simon Black's recurring reappearances by agreeing to marry a "rich boy" she doesn't love. Fate then intervenes in the person of lusty country singer Jacky Jarvis, and, as his first cousin BJ discloses, Molly's blissful union with Jacky endures despite a wrenching succession of stillborn children (their tiny graves "Just a row of rock babies up on the mountain like a little stone wall"), until he is murdered and Molly stands accused of the crime. Her story ends back on Agate Hill, once again in her diary's words, as she nurses Simon Black during his last days, and finally learns the true nature of his claim on her. An authentic American saga,bittersweet as an Appalachian ballad, peopled with wonderfully vivid characters, so brilliantly constructed we never even notice the quilt-like artfulness of its design. One of those books you can either roam contentedly around in for days, or devour at once, in a rush of pure pleasure. Take your pick.
Raleigh News and Observer
"On Agate Hill is a masterpiece and may come to be considered a more important novel than even Smith's wonderful Fair and Tender Ladies. . . . Somebody should give a copy of this book to a member of the Nobel committee."

—Donald Harrington, The News and Observer

The Atlanta Journal-Constitution
"Smith plays with authorial antecedents and literary references from Charlotte Bronte, Faulkner and Milton, and there are echoes of Dickens and Henry James.
. . . In On Agate Hill, author Smith is in full command of her talent for strong stories and evocative characters, and her always fine, shining prose is extra-pearly here. . . . Lee Smith has never written a lousy book; she may never have written a lousy sentence. And so, to declare this novel her best yet--well, that's saying something. On Agate Hill is more ambitious than Family Linen and more exquisitely crafted than Oral History. . . . Smith is such a beautiful writer, tough and full of grace, that soon you are lost in the half-light of Molly's haunted landscape,
listening to the voices of the ghosts, wishing they'd let you stay longer."

—The Atlanta Journal-Constitution

The Washington Post
"Set among the ashes of the Civil War, Lee Smith's new novel brings a dead world blazingly to life. . . . A book that seeks to rejuvenate the rapt early reader in us all. . . . [Lee Smith] is a subtly intrepid and challenging storyteller."
Washington Post Book World

Product Details

  • ISBN-13: 9781565125773
  • Publisher: Algonquin Books of Chapel Hill
  • Publication date: 9/18/2007
  • Edition description: Reprint
  • Pages: 384
  • Sales rank: 421,921
  • Product dimensions: 5.54 (w) x 8.18 (h) x 1.09 (d)

Meet the Author

Lee Smith
Lee Smith

Lee Smith is the author of fifteen previous books of fiction—three collections of short stories and a dozen novels. The recipient of the 1999 Academy Award in Fiction from the American Academy of Arts and Letters, she lives in Hillsborough, North Carolina.

Read an Excerpt

Dear Diary,
This book belongs to me Molly Petree age thirteen today May 20 in the year of our Lord 1872, Agate Hill, North Carolina. I am an orphan girl. This is my own book of my own self given to me by the preachers wife Nora Gwyn who said, This little diary is for you my dear unfortunate child, to be your friend and confi dent, to share all your thoughts and deepest secrets for I know how much you need a friend and also how much you love to read and write. I do believe you have a natural gift for it. Now it is my special hope that you will set down upon these pages your own memories of your lovely mother and your brave father, and of your three brothers as well, and of all that has befallen you. For I believe this endeavor might help you, Molly Petree. So I urge you to take pen in hand commencing your diary with these words, Thy will be done O Lord on Earth as it is in Heaven, Amen.

Well, I have not done this!

And I will not do it either no matter how much I love pretty Nora Gwyn who looks like a lady on a fancy plate and has taught me such few lessons as I have had since Aunt Fannie died. NO for I mean to write in secrecy and stelth the truth as I see it. I know I am a spitfire and a burden. I do not care. My family is a dead family, and this is not my home, for I am a refugee girl.

I am like the ruby-throated hummingbird that comes again and again to Fannies red rosebush but lights down never for good and all, always flying on. And it is true that often I feel so lonesome for all of them that are gone.

I live in a house of ghosts.

I was born before the Surrender and dragged from pillar to post as Mamma always said until we fetched up here in North Carolina after Columbia fell. Our sweet Willie was born there, into a world of war. He was real little all waxy and bloody, and Old Bess put him into a dresser drawer while the fires burned red outside the windows. Mamma used to tell it in that awful whisper which went on and on through the long hot nights when she could not sleep and it was my job to wet the cool cloths required for her forehead which I did faithfully. I loved my mamma. But I was GLAD when she died, I know this is a sin. I have not told it before. But I am writing it down anyway as Nora Gwyn said and I will write it all down every true thing in black and white upon the page, for evil or good it is my own true life and I WILL have it. I will.

I am the legal ward of my uncle Junius Jefferson Hall who is not really my uncle at all but my mothers first cousin a wise and mournful man who has done the best he could for us all I reckon. We arrived here during the last days of the War to a house running over all ready thus giving Uncle Junius more than thirty people on this place to feed, negro and white alike. Uncle Junius used to be a kind strong man but he is sick and seems so sad and lost in thought now since Fannie died.

This is his wife my dear aunt Fannie who is recently Deceased it has been seven months now, and the baby inside her born dead and backward.

I will NEVER have a baby myself! I sat out in the passage all night long on a little stool and listened to Fannie scream then moan then watched them run in and out, the negros and old Doctor Lambeth who stayed here for three days all told. He is a skinny old man with a horse that looks just like him. He came riding in at a dead run with his long gray hair streaming out behind him under his high black hat. He has always been Uncle Junius best friend. At first I did not get to see the baby though Old Bess thrust him out the door past me wrapped in a bloody cloth then Liddy took him away and washed him and wrapped him again in a clean white sheet like a little bundle of laundry. They put him on the marble top table in the parlor.

What is his name? I ventured to ask Uncle Junius once when he came out of the bedroom but he cursed and said, He has no name Molly, he is dead.

But then Mister Gwyn the preacher arrived and said, Now Junius, you must give him a name, for I cannot baptize him without a name, and he cannot enter the Kingdom of Heaven without baptism.

So then they unwrapped him, and I got to see him finely, pale blue but perfect, he looked like a little baby doll.

Mister Gwyn dipped his hand in the special water in the rose china bowl and touched the babys little blue head and blessed him saying, Lewis Polk Hall, I baptize you in the name of the Father and of the Son and of the Holy Ghost, Amen. Amen, Uncle Junius said, Amen, then gave a great sob and rushed over and knelt down and kissed the babys little cheek then went straight back into the bedroom.

Nora Gwyn held the baby for a long time while the servants and some of the neighbor people came in to see him, then they laid him out on the table again with dimes on his eyes and a little white lace dress that somebody had brought him. Uncle Junius had named him for his oldest boy Lewis that served in the Twenty-second North Carolina Regiment under Colonel Pettigrew. Now he is dead, and Uncle Junius is old, and Fannie was old too, she did not have any business with any more babys, Old Bess said. Babys are always dangerous but it is even more dangerous when you are old. But everybody except me wants them, it is hard to see why.

The things that people really want are the most like to kill them, it seems to me, such as war and babys.

More and more people came. They sat in the parlor and gathered outside on the piazza and all over the yard in the shade of the trees. Why do they keep coming? I asked Liddy in the kitchen but she just wiped her face and gave me some parched corn and said, Here, go on, take little Junius down to feed the chickens. Little Junius is a snivelly little boy who looks like he is about a hundred years old. I got his hand and took him out the door and down the hill to the henhouse where all the chickens came running. He threw out the corn like it was a job of work.

Then I heard hammering from inside the barn.

So after he finished feeding the chickens little Junius and I went into the big barn to find Virgil there making something, with Washington helping him. Washington is Liddys son and my best friend on this place, he is milk coffee color with gray eyes and a big smile. Virgil and Old Bess came all the way from South Carolina with Mamma. Old Bess is what they call a griffe negro but Virgils face is as round and shiny black as that globe our uncle Harrison brought back from the Cape of Good Hope, I believe you call it obsidian. Virgil is real old now, but he can still make anything.

By then it was late late afternoon and the sunlight fell through the golden dust to make a shining block in the air and a shining yellow square like a magic carpet on the old barn floor where Washington sat planing a long piece of wood. Yellow dust flew everywhere. A little wooden box sat on the straw beside him. Virgil was fitting two wide planks together up on the sawhorses.

What are you doing out here Missy? he said.

That is her coffin, isnt it? I asked him. Nobody told me, I said.

Dont nobody have to, Virgil said.

Junius held tight to my hand and looked all around the barn like he had never seen it before. He is four years old.

The time will come when it come, Virgil said. He reached into a deep pocket of his overalls. Here now Washington, see can you teach this here little white boy something.

Washington jumped up and Virgil gave him the leather bag full of marbles. Washington whooped. Come on, he said, and got Junius other hand and led us both to a level spot just outside of the door in the shade of the big hickory tree. This ought to do us, Washington said, so we all sat down in the crackly leaves as it was November. Then he took a board and scraped off the leaves and made a round place in the dirt, then used the edge of the board to draw a big deep circle around it. All right now, Washington said. Then he put all the marbles down in the middle of the ring. They were mostly made from the agate and quartz on the hill, but one was sort of silver and one was greeny gold, and another blue as the sky.

Little Junius clapped his hands.

Now this how you do it, Washington told him. He picked up a white marble and held it cupped in his fingers with his thumb behind it. I picked up a clay marble and held it the same way. Junius reached over and got the blue one but he couldnt hold it in his little hand like we were doing so he started to cry.

Now thats all right, Washington said. You dont got to do that honey. Why looky here. You can just roll it. He showed little Junius how to roll it to hit the others and Junius got the hang of it right away.

As for me, I am just as good as a boy at everything.

So we sat there in the dirt playing marbles for the rest of the afternoon until the sun went down in a red ball of fire, and color spread across the whole big sky. I could smell leaves burning someplace. A little cold wind came up.

It got dark in the barn but Virgil kept on hammering. Its about time for supper now aint it? he called finely, and the minute he said it, I was just starving.

I pulled little Junius up by one hand and Washington pulled the other and like that we walked kicking leaves up the hill to the house where they were laying out little Junius mother in the bedroom and big Junius was beating his head bloody on the brick kitchen wall behind the house. We walked right past him into the kitchen.

I bet yall are hungry aint you? Liddy said. She set us all down at the table and gave us some chicken and dumplings out of the big black pot. We ate like wild animals as Fannie used to say. It was nice and warm in the kitchen with that big fire glowing. Here honey dont you want some more? Liddy asked and even little Junius ate another whole plateful. I dont know if he knew his mamma was dead or not.

That was seven months ago, and things around here have gone to hell in a handbasket ever since. Nora Gwyn and Mister Gwyn do not know the half of it. But they have come only to say good bye to Uncle Junius as they are moving to Tennessee where Mister Gwyn will be the headmaster at a new boys school, old sourpuss Presbyterian he has got a poker up his ass as Selena says.

Uncle Junius and Mister Gwyn and Nora Gwyn are sipping sherry wine in the parlor down below me as I write. Now dont you want to know where I am? For you could never find me in a million years. This is my number one hiding place in all the world, a cubbyhole right in the heart of the house yet invisible and unknown to all. Come see. Nora Gwyn says you will be my friend and now you will be my guest, I have never had one before.

But first you will have to come out here to Agate Hill so you will be riding up from the Haw River on the road and then along our dusty lane with trees and fields on either side. The land will rise as you come up and up, yet so slowly that it will surprise you to turn and look back to see the countryside spread out like a dreamy quilt below you now, orchards and woods and overgrown fields with piled-up rock walls between them. White quartz rocks stand out in the fields. You can find agate and fools gold too at the very top of the rise behind the house where I often climb though I am not allowed to.

I love to sneak down the back stairs in the night time and run across the yard from tree to tree and up the rocky path to lie on the big flat rock which stays warm from the sun long into the night. I call it my Indian Rock. I love to lie there flat on my back and let the wind blow over me which is not like any other feeling ever felt by anybody else in the world I am sure of it, known only by me and now by you, my friend of this diary. Sometimes the moon is so bright it is nearly like day and casts shadows among the rocks. One time I fell asleep on my rock and slept there all night long until King Arthur started crowing in the dawn, THEN I had to skedaddle. Liddy and Old Bess both saw me from the kitchen door but they did not tell, they gave me a corn pone and sent me on my way.

I am like a ghost girl wafting through this ghost house seen by none. I truly think I would blow away save for this piece of fools gold I keep here in my pocket for good luck. Often I take it out and turn it this way and that in the sun just to see it shine. Mamma loved gold jewelry but I am not a thing like Mamma. I am NOT. I like rocks instead. All of her jewelry is gone to the Yankees now except for a few pieces which Selena has wheedled out of Uncle Junius. I have to say, it kills me to see Mammas jade ring from the Orient on the little finger of Selenas fat hand and the coral bead necklace around her neck, I wish it would choke her dead.

Anyway you will come up the lane past the falling down sawmill and the gin and the two big barns one empty now, and then you will ride into the grove of cedar trees where it is always dark and the soft needles rustling. It smells good in there too. When you come out you will be here at Agate Hill plantation which was never a real plantation at all in Mammas opinion, not even before the War, not such as Perdido which she left behind in South Carolina.

This house was once white of course but now the paint has peeled off leaving the old brown wood which I like better anyway. The top piazza is held up by plain square posts while the floor of the one below is made from great flat stones brought in long ago from the fields. The top piazza is another place I love for it is there I often sit rocking and reading or dreaming or watching a thunderstorm roll across the land with its lightning that stands like a tree in the sky and its corn wagons rolling. Th is is what Virgil calls the thunder.

Myself I love a thunderstorm better than anything. Sometimes I will run to the top of the hill to whirl around and around on my Indian Rock in the wind, it is like a dance I can not stop. The smell of the lightning goes into your nose and down your whole body. Old Bess says if you get hit by lightning yet live you will have special powers, well I could use some of those. So I dont care if I get hit or not. Many times I have got wet clear through and been scolded for it though lately nobody cares.

Table of Contents

CONTENTS

Letter from Tuscany Miller

Agate Hill 5
Notes from Tuscany

Paradise Lost 129
Further Notes from Tuscany

Up on Bobcat 217

Plain View 273

Another Country 311
Final Notes from Tuscany

Acknowledgments 365

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See All Sort by: Showing 1 – 20 of 26 Customer Reviews
  • Posted September 26, 2010

    more from this reviewer

    Good Book for history lovers!

    The story was very good but I kept wishing I could get closer to the main character Molly Petree. Her story is told first from her own childhood diary, then from the journal of a headmistress from her post-civil war school and Molly's letters to a lost childhood friend, then from another teacher's notes (who later became a close friend of Molly's) and THEN court documents, and finally you return to Molly's diary (Molly now being an elderly woman). I think I would have loved any of the stories in the novel alone, but on a whole they seemed to melt away and I never felt as if they had closure or purpose. The book read more like a documentry, which is probably what the author intended...and in saying that she did keep my interest. It is NOT a love story as stated on the front of the novel and I felt extemely cheated as I would have LOVED a novel on Molly and Jacky's life and love. Most of the book was extremely depressing, very little to smile about! No happy ending...but a good read, especially for history lovers! Author is very good on her history!

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  • Anonymous

    Posted May 19, 2010

    Agate Hill

    I liked this book overall for the interesting way in which the main character's story is told-using journal entries and letters. This style offers many different prespectives of the same event or person and allows the author to switch voices. I could have done without the letters/input of the Tuscany Miller character and did not find her neccessary to the plot line.

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  • Anonymous

    Posted August 6, 2009

    Read everything written by Lee Smith

    One of the best writers of our time, and sure to be recognized as one of the best Southern writers of all time.

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  • Posted May 6, 2009

    more from this reviewer

    Very Good Story

    I enjoyed this novel very much. The character were vivid and well defined. I found the storyline interesting, with all kinds of twists and turns. I would definitely recommend this book to anyone that like historical novels.

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  • Posted April 30, 2009

    more from this reviewer

    I Also Recommend:

    Interesting story

    I'm a big fan of historical fiction. I picked this up from B&N.com as a bargain book. The story itself was very interesting but the way the story was setup was rather odd and the distractions about the Narrarators personal life were unneccesary. I wish this book had been broken up and possibly written in more than one book. The author moved so fast through each stage of the main character's life it was almost hard to get attached and the character herself was rather cold and distant. The book was worth it at the bargain price. Ultimately a decent read but you'll finish the book not really all that atached to the characters which in my opinion is what makes the difference between and "okay" book and a great read.

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  • Posted March 29, 2009

    more from this reviewer

    SIMPLY PUT....A GREAT READ!

    I enjoyed this book immensely. There was never a boring interlude throughout this story. Strong characterizations for the period based around the life of a strong girl who overcame such a difficult life. Tragedy, love, loss, betrayals - the works. We follow her life from childhood through old age. This is a book I will definitely read again and I look forward to now searching for other titles from this author.

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  • Anonymous

    Posted November 29, 2008

    Wonderful!

    Awesome. Couldn't put it down. The best book I have ever read.

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  • Anonymous

    Posted February 21, 2007

    A Southern Reading Woman

    Reluctantly, I just finished On Agate Hill. The literary emphasis is the adept development of the characters. Closely following the amazing characterization is the strength of the southern setting after the Civil War into the following century. There is humor, sadness and loss, and an architypal strong woman of the South. The lyrical prose was a pleasure to read aloud at times with my gentle southern drawl. Lee Smith is a master of imagery and endless rich detail. Loved it.

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  • Anonymous

    Posted November 17, 2006

    Couldn't Put it Down

    This book is one of the best books of the year!! I loved it!! It was very easy to become involved in the lives of the characters and you just had to find out what happens next. I loved the way the lead character's story is told through a diary and letters. A must read!!

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  • Anonymous

    Posted November 7, 2006

    Final, a nice story!

    I truly enjoyed this story. I typically read very heavy topics, or Oprah choices, which all can be a tiny bit depressing. This was a clean, wonderfully written story about love and hardships. I enjoyed the diary entries, and the explicit details. Well done!

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  • Anonymous

    Posted October 3, 2006

    Classic Lee Smith with a Brave Twist

    In On Agate Hill, Lee Smith provides her trademark mix of humor and tragedy, all bottled up in the spunky personnage of Molly Petree. Though the events of Molly's life closely mirror those of many of Smith's heroines, her story is set against a new narrative background: North Carolina in the years following the Civil War. This saves the story from seeming tired, and kept my curiosity alive. The plot drags in some places and Tuscany Miller seemed to me a flippant and unnecessary distraction, but overall, this is the sort of work where I think Smith is at her best.

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    Posted February 13, 2012

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    Posted July 16, 2011

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    Posted May 24, 2010

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    Posted July 1, 2009

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    Posted February 21, 2010

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    Posted August 23, 2009

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    Posted February 17, 2009

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    Posted August 16, 2010

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    Posted March 23, 2009

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See All Sort by: Showing 1 – 20 of 26 Customer Reviews

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