Pulitzer Prize-winner Huxtable (Frank Lloyd Wright)-architecture critic for the Wall Street Journal and formerly for the New York Times-presents her penetrating and tough-minded criticism spanning half a century, including several pieces never before published. Centering largely on modernism, its masters and "its discontents," the volume opens with an overview of the past four decades, including startlingly powerful pieces on the late '60s urban decay and the '90s reinvention of architecture by Alvaro Siza, Frank Gehry and Christian de Portzamparc. Subsequent sections cover such architectural icons as the new Bibliothèque Nationale in Paris ("the most awesomely perverse building I have ever seen") and the new MoMA (where "there is no repose"). Huxtable's highly influential essays on the cultural history of the skyscraper and the World Trade Center site are remarkable. Three charming, short pieces on the critic's personal landmarks, from the Beaux Arts building she grew up in to the Colt Firearms Building near Hartford, Conn., conclude this collection of learned analyses, fluent and exuberant. 25 b&w illus. (Nov.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
On Architecture: Collected Reflections on a Century of Changeby Ada Louise Huxtable
For more than half a century, Ada Louise Huxtable's keen eye and vivid writing have reinforced to readers how important architecture is and why it continues to be both controversial and fascinatingmaking her one of the best-known critics in the world. On Architecture collects the best of Huxtable's writing from the New York Times, New York/i>/i>… See more details below
For more than half a century, Ada Louise Huxtable's keen eye and vivid writing have reinforced to readers how important architecture is and why it continues to be both controversial and fascinatingmaking her one of the best-known critics in the world. On Architecture collects the best of Huxtable's writing from the New York Times, New York Review of Books, Wall Street Journal, and her various books. In these selections, Huxtable examines the twentieth century's most important architectural masters and projects, cataloging the seismic shifts in style, function, and fashion that have led to the dramatic new architecture of the twenty-first century.
This important new anthology features more than 100 short essays spanning the career of noted and influential architecture critic Huxtable. Most of the pieces originally appeared in the New York Times when Huxtable was its architecture critic, but there are also more recent essays from the New York Review of Books and the Wall Street Journal. What makes this volume important is Huxtable's retrospective organization. The theme that runs throughout is the "transformation of modernism." Opening chapters on each decade from the 1960s to the 1990s reflect the architectural Zeitgeist of the times. In the second half, Huxtable assembles essays examining iconic buildings and the works of the masters of modernism-Le Corbusier, Mies van der Rohe, Alvar Aalto, Louis Kahn, Walter Gropius, and Frank Lloyd Wright. She devotes a whole section to essays about the World Trade Center, and her 1966 piece is all the more prescient given our historical perspective. Although the essays span a career lasting more than 35 years, none of them seems dated. If your library does not own any of Huxtable's work, this is the one to add to your collection. Highly recommended.
Herbert E. Shapiro
“On Architecture, a career-spanning collection of articles and essays, demonstrates that she has always pursued her mission with reason, elegance and wisdom. Huxtable's work remains the gold standard of criticism--and not just the architectural variety--because she brings to the job a rare combination of aesthetic certitude and roving curiosity … Review by review, essay by persuasive essay, she erects an impressive structure supported by the force of sheer reasonableness. She applauds economy but detests cheapness, appreciates expressivity but abhors showiness, and above all demands that a building make sense. For a colleague less than half her age, it is awesome to observe her pronouncing judgment on elements of New York City that have come to seem immemorial.” New York Times Book Review
“For all of Huxtable's palpable love of the art of design, she never loses sight of architecture's uniquely high stakes. Whether the topic is tall towers or building ornamentation, Frank Gehry or Donald Trump, the backdrop is the real-world implications of what takes shape. Huxtable never played the role of detached observer, the intellectual who looks with contempt on how and where most Americans live…From the start, Huxtable has expressed this better than anyone else. If we're lucky, she'll do so for some time to come.” San Francisco Chronicle
“She can not only make us feel a great loss when a fine building is demolished, she can make us see how valuable it is when a fine new building goes up. To her readers she conveys her own sense of architecture's fundamental importance: ‘Architecture is remaking our world. Its rewards are personal and universal in a way no other art can match. Its joys are common to us all.'” American Scholar
“The release of On Architecture: Collected Reflections on a Century of Change by Ada Louise Huxtable is cause for joy. As a crusading architecture critic for The New York Times in the 1960s and '70s, and the first full-time architecture critic at any newspaper in the United States, Ms. Huxtable invented architecture criticism as we know it. In the process she brought architecture out into the public consciousness with articles that were invested with an unflappable moral authority. Read here, they seem as sharp and piercing today as ever.” New York Times
“Open almost any page and you may be amazed that architecture can excite such passion, such righteous indignation and such sassy turns of phrase.” Dallas Morning News
“America's premier architectural critic values the architecture of a good sentence as much as that of a well-made building…Having defined architecture as the quest to unite efficiency with beauty, Huxtable follows suit in her gracefully incisive essays, enriching our understanding of how architecture embodies our dreams and defines our world.” Booklist (starred review)
“Pulitzer Prize-winner Huxtable presents her penetrating and tough-minded criticism spanning half a century, including several pieces never before published…[A] collection of learned analyses, fluent and exuberant” Publishers Weekly (starred review)
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Meet the Author
Ada Louise Huxtable, former New York Times critic, winner of the first Pulitzer Prize for Distinguished Criticism, and MacArthur and Guggenheim Fellow, is currently the architecture critic for the Wall Street Journal. She is recognized as the founder of contemporary architectural journalism. Her books include The Unreal America: Architecture and Illusion, Kicked a Building Lately? and, most recently, a short biography of Frank Lloyd Wright for the Penguin Lives series. She served for many years on the juries of the Pritzker Architecture Prize and the American Committee of the Japanese Praemium Imperiale. She lives in New York City and Marblehead, Mass.
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