On Art and Artists: An Anthology of Diderot's Aesthetic Thought / Edition 1by John S. D. Glaus, Denis Diderot
Pub. Date: 12/13/2010
Publisher: Springer Netherlands
Chance ordained that Denis Diderot was not only a philosopher, playwright and writer, but also a salonnier. In other words, an art critic. In 1759, his friend Grimm entrusted him with a project that forced him to acquire “thoughtful notions concerning painting and sculpture” and to refine “art terms, so familiar in his words yet so vague in/i>… See more details below
Chance ordained that Denis Diderot was not only a philosopher, playwright and writer, but also a salonnier. In other words, an art critic. In 1759, his friend Grimm entrusted him with a project that forced him to acquire “thoughtful notions concerning painting and sculpture” and to refine “art terms, so familiar in his words yet so vague in his mind.
Diderot wrote artistic reviews of exhibitions – Salons – that were mounted bi-annually by the Académie Royale de Peinture et de scultpure. These reviews, published in the Correspondence littéraire, were Diderot’s unique contribution to art criticism in France. He fulfilled his task of salonnier on nine occasions, despite misgivings of his own enthusiasm and self-confidence.
Compiled and presented by Jean Seznec, this anthology helps the contemporary reader to familiarize himself with Diderot’s aesthetic thoughts in all its greatness. It includes eight illustrations and is followed by texts from Jean Starobinski, Michel Delon, and Arthur Cohen. On Art and Artists has been edited and translated by John S.D.Glaus who is an amateur dix-huitièmeiste. His current project is the translations of the remaining Diderot Salons.
- Springer Netherlands
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- 6.40(w) x 9.30(h) x 1.00(d)
Table of Contents
Preface.- Introduction; Jean Seznec.- Definitions.- Beauty.- Genius and inspiration.- Views on sculpture.- Views on architecture.- The conditions of art.- Emulation and the virtue of public exhibitions.- Luxury.- The collectors.- Climate and costume.- The positive philosophical intellect.- The ruin of the state.- Criticism.- Can a literary person be an art critic?.- The idea and the way to do it. Diderot purveyor of subjects.- Qualities of a critic.- Opinion and posterity.- History.- The great style.- Paganism and Christianity.- Modern history.- Allegory.- The process of description.- The countryside.- The qualities of a landscape artist.- Artificial nature: Boucher.- Nature and history.- Battles, ruins and shipwrecks.- The portrait.- The state and appearance.- Portraits and models.- The portrait and history.- The downfall of the portrait.- The type.- True subjects.- Feigned and true moral painting.- The type and history.- Still life.- Chardin.- Ideal and technique.- Diderot in the painter’s space; Jean Starobinski.- The averted Look; Michel Delon.- Composition according to Diderot; Arthur Cohen.- Bibliography.- Index.- Glossary.
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