Veteran Sunday Times war correspondent, Marie Colvin was killed in February 2012 when covering the uprising in Syria. Winner of the Orwell Special Prize ‘On the Front Line’ is a collection of her finest work, a portion of the proceeds from which will go to the Marie Colvin Memorial Fund.Marie Colvin held a profound belief in the pursuit of truth, and the courage and humanity of her work was deeply admired. On the Front Line includes her various interviews with Yasser Arafat and Colonel Gadaffi; reports from East ...
Veteran Sunday Times war correspondent, Marie Colvin was killed in February 2012 when covering the uprising in Syria. Winner of the Orwell Special Prize ‘On the Front Line’ is a collection of her finest work, a portion of the proceeds from which will go to the Marie Colvin Memorial Fund.Marie Colvin held a profound belief in the pursuit of truth, and the courage and humanity of her work was deeply admired. On the Front Line includes her various interviews with Yasser Arafat and Colonel Gadaffi; reports from East Timor in 1999 where she shamed the UN into protecting its refugees; accounts of her terrifying escape from the Russian army in Chechnya; and reports from the strongholds of the Sri Lankan Tamil Tigers where she was hit by shrapnel, leaving her blind in one eye.Typically, however, her new eye-patch only reinforced Colvin’s sense of humour and selfless conviction. She returned quickly to the front line, reporting on 9/11, Afghanistan, Iraq, Gaza and, lately, the Arab Spring.Immediate and compelling, On the Front Line is a street-view of the historic events that have shaped the last 25 years, from an award-winning foreign correspondent and the outstanding journalist of her generation.
On the Front Line showcases roughly 100 dispatches, with a remarkable consistency in tone and purpose. Early in her career Colvin found her métier: vignettes about ordinary people living under duress. Her voice was outraged yet clear and simple, like that of her idol Martha Gellhorn…Thanks to Colvin's vivid writing, the desperate scenes from Gaza to Yugoslavia in On the Front Line never grow repetitive.
From the Publisher
‘Here it all is, a vast Marie Colvin box set, poignant beyond words’ GuardianTributes to Marie Colvin:John Witherow, Sunday Times editor: ‘She was somebody who was fun, full of life with joie de vivre and friends all over the world. During her time she saved many lives by highlighting the plight of victims of violence. Everywhere she had gone she tried to help people because she believed she was a witness to the violence that was going on and that she could make a difference’Peter Bouckaert, Human Rights Watch: ‘For Marie, covering war wasn't about doing a few quick interviews and writing up a quick story: she experienced war alongside those who suffered in war, and her writings had a particular vividness because of what she had dared to see and experience’Lyse Doucet, BBC: ‘The world will miss her because she was the eyes and ears of so many. Marie always admired the pioneering journalism of fellow American Martha Gelhorn. I always saw her as the Martha of our generation: brave and beautiful’Max Hastings, author of All Hell Let Loose: ‘All her life, all over the world, she was drawn to record the experiences of civilian victims, who found themselves living and dying in a universe from which compassion and justice had been banished…Colvin was killed doing her best thing, in full knowledge of its perils…This collection of words is her most appropriate memorial because it so vividly explains why her peers admired her so much’
A small but crucial sampling of war reporting by one of the finest journalists of her generation. Marie Colvin (1956–2012) was one hell of a reporter, right up to the point where she was killed by an IED while under intense shelling by the Syrian government. This collection only scratches the surface of nearly 20 years of war reporting for the Sunday Times, but it's a remarkable portrait of the raw wounds of conflicts that burn on, even in times the Western world considers to be "peace." The collection is sensibly divided into both chronological and geographical sections, and it spans the globe. If there was a hot spot in the world, Colvin seems to have gotten there, from the war in Libya to the genocides in Kosovo to the disproportionate response of Moscow to the Chechen uprisings. There are unusual interviews with figures like Yasser Arafat and Muammar Gadhafi, but one of Colvin's many gifts was ferreting out the story of the common people suffering through unimaginable horrors--e.g., the girls raped as the result of systemized terror under Robert Mugabe in Zimbabwe; the untrained, illiterate forces of the Afghani military expected to take over for the full force and fury of the American incursion. If journalists are expected to suffer for their stories, Colvin paid the full price for capturing these stories: Her nose was broken by a rock thrown by Palestinian demonstrators while she was posing as a Jewish settler; her eye was punctured by shrapnel from a rocket-propelled grenade in Sri Lanka, an event that led to her iconic eye patch. In her 2001 acceptance speech for a humanitarian award for courage, she pondered whether the stories were worth the damage: "Simply: there's no way to cover war properly without risk. Covering a war means going into places torn apart by chaos, destruction, death and pain, and trying to bear witness to that." More than just a war story; a harrowing examination of the tolls of the world's conflicts.
Born in America, Marie Colvin (1956 – February 22, 2012) was an award-winning foreign affairs correspondent for the Sunday Times. An outstanding journalist of her generation, she covered the Middle East for more than 20 years and reported from East Timor, Chechnya, Kosovo and Sri Lanka where she was wounded in an ambush and lost her left eye. She was killed while covering the Siege of Homs in Syria on the 22nd of February 2012.