On the Shoulders of Hobbits: The Road to Virtue with Tolkien and Lewis

On the Shoulders of Hobbits: The Road to Virtue with Tolkien and Lewis

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by Louis Markos

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The world of J. R. R. Tolkien is filled with strange creatures, elaborately crafted lore, ancient tongues, and magic that exists only in fantasy; yet the lessons taught by hobbits and wizards speak powerfully and practically to our real lives. Courage, valor, trust, pride, greed, and jealousy--these are not fictional virtues. This is the stuff of real life, the


The world of J. R. R. Tolkien is filled with strange creatures, elaborately crafted lore, ancient tongues, and magic that exists only in fantasy; yet the lessons taught by hobbits and wizards speak powerfully and practically to our real lives. Courage, valor, trust, pride, greed, and jealousy--these are not fictional virtues. This is the stuff of real life, the Christian life. Professor and author Louis Markos takes us on the road with Tolkien and C. S. Lewis, with looks at selected classic works of literature as well, to show how great stories bring us so much more than entertainment. They inspire and convict, imparting truth in unforgettable ways.

Rediscover the virtue of great storytelling and the power of fantasy to transform our reality.

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On the Shoulders of Hobbits

the Road to Virtue with Tolkien and Lewis

By Louis Markos, Christopher Reese

Moody Publishers

Copyright © 2012 Louis Markos
All rights reserved.
ISBN: 978-1-57567-854-2


the LURE of the ROAD

That life is a journey and that we are all travelers on the road is, at once, a well-worn cliché and a profound and universal truth. It lies at the heart of many of the greatest works of the human imagination (The Odyssey, The Aeneid, The Divine Comedy, Canterbury Tales, Don Quixote, Pilgrim's Progress, Moby-Dick, Great Expectations, Huckleberry Finn, The Grapes of Wrath, the Five Books of Moses, and the Acts of the Apostles), and it speaks to us at the deepest core of our being. No matter how comfortable our situation may be, no matter how permanent it may seem, we never quite feel at home. There is, in all of us, a vague restlessness, a feeling that, to quote the old hymn, this world is not our home. That inner voice ever troubles us with the realization that we are all, finally, pilgrims and sojourners, strangers in a strange land.

Not surprisingly, most of us stay put. Better to suppress that nagging voice than to risk the dangers of the road. And yet, even if we do not go off on adventures ourselves, we are continually drawn to characters, both historical and fictional, who do. Although the taking of pilgrimages to holy shrines and sacred places has played a major role in most world religions (especially medieval Catholicism), today, only Islam maintains a strong and visible commitment to this ancient discipline. True, many modern Americans will take secular, consumer-driven pilgrimages to such places as Disney World or Graceland or Manhattan, while others will take more intellectual and aesthetic pilgrimages to Rome or to Athens or to Stratford-upon-Avon. A number of Jews and Christians will even make their way to the Holy Land. Still, something, I fear, has been lost. Perhaps it is that sense of messianic anticipation that converts the journey into a longing for higher purpose. Perhaps it is that willingness to be profoundly changed that transforms it into a voyage of self-discovery. Perhaps we simply insulate ourselves too much.


The Lord of the Rings, like all the great romances of the Middle Ages, is essentially a quest narrative. Here, however, we do not encounter a willing hero (like Homer's Odysseus) whose journey promises him both reward and rest; rather, we have an unwilling hero (like Virgil's Aeneas) who does not wish, at least initially, to leave his home and who, if he reaches the end of his quest, will not necessarily receive either rest or reward. Tolkien's hero, a Hobbit named Frodo Baggins who lives a peaceful life in the rustic, protected Shire, is the nephew of another Hobbit named Bilbo who had himself gone on an adventure nearly eighty years earlier.

As Tolkien tells the tale in The Hobbit, Bilbo is recruited by Gandalf the wizard and a group of enterprising Dwarfs to help them recover stolen treasure from a fierce dragon named Smaug. The bourgeois Bilbo, who desires only a simple, complication-free life, is anything but enthusiastic. Rather than take joy in the twists and turns of the Road, he spends the first half of his journey casting continual backward glances to his safe, warm, comfortable Hobbit hole. Though Bilbo will prove the hero of the expedition, and though he will return to his home (Bag End) a more courageous and cosmopolitan person, his "there and back again" adventure is, in the final analysis, more a Viking raid than a quest or pilgrimage. Whereas Frodo is profoundly tested and changed by his travels along the Road, Bilbo, like Phileas Fogg or Lewis Carroll's Alice, returns to his very "English" Shire and picks up exactly where he left off.

Actually, it is a bit more complicated than that. The Lord of the Rings begins with Bilbo's celebration of his 111th birthday and his decision to leave the Shire and go to Rivendell to spend his closing years with the Elves. It has taken him over seventy years, but Bilbo has finally realized that his adventure did change him and that he cannot remain forever in the Shire. The Road calls out to him one last time, and he must go. Deep down, he would like to bring his thirty-three-year-old nephew with him, but he knows that Frodo is not ready to leave his home and take to the Road. He tries to explain this to Gandalf, who was his guide on his adventure and who will soon become Frodo's guide on his:

I want to see the wild country again before I die, and the Mountains; but [Frodo] is still in love with the Shire, with woods and fields and little rivers. He ought to be comfortable here [in Bag End]. (I.i.32)

And comfortable he remains, until he reaches his fiftieth year: the same age Bilbo had been when he had set off on his adventure. By then, a wrestling has begun within Frodo: part of him (his Bilbo side) is drawn to the Shire, to all that is safe and familiar; another part (what we might call his pilgrim side) yearns to leave, to experience the far-flung world.

In the end, however, he is compelled to depart, for Bilbo has unwittingly left in his possession the Ring of Sauron, the Dark Lord. If Frodo does not take this Ring to Rivendell immediately, he risks destruction not only for himself but for the Shire and, ultimately, all of Middle-earth.

And so, whether he wishes it or not, Frodo is cast out onto the Road, forced to embark on a pilgrimage that he has long desired to take, but would never have had the courage or resolve to begin. But it will take him some time to really leave the Shire behind, to learn to think of himself as a true sojourner in a world that does not belong to him and that cannot, in any case, promise final rest. For the lesson that the journey is to teach us is not simply that it is good to go on pilgrimages, but that we are pilgrims. Travel does not simply "broaden our minds"; it offers us insight into our own status as resident aliens in a fallen world. The Bilbo we meet at the beginning of The Lord of the Rings has learned this lesson in part. It will be left to Frodo to learn it in full.

In his struggles to learn it, Frodo is helped by a chance meeting with a group of Elves who are heading for the Gray Havens, from which point they will leave Middle-earth and sail far to the West. They are, quite literally, exiles, for as Tolkien tells us in The Silmarillion, they are descended from Elves who forsook their true home in the West and set out East for Middle-earth. They were and are meant for the West, as we Sons of Adam and Daughters of Eve were meant for the Garden of Eden and now are meant for the New Jerusalem. Like all the Elves in Middle-earth, these that Frodo meet harbor an inner sadness; about them there hangs a melancholy, elegiac mood. They want to stay, yet know they must leave. They love dearly that which they must lose ere long. Sooner or later, they and the memory of them will fade from Middle-earth.

From these serene but displaced beings, Frodo learns that he must not return to the Shire, for it can no longer afford him protection. Frodo muses sadly that he never expected such danger to reach "our own Shire"; whereupon he is sternly but kindly rebuked by the Elf Gildor:

But it is not your own Shire.... Others dwelt here before hobbits were; and others will dwell here again when hobbits are no more. The wide world is all about you: you can fence yourselves in, but you cannot for ever fence it out. (I.iii.82)

Up until now, Frodo has attempted to insulate himself, like the "ugly American" who visits exotic countries without ever stepping out of his American cocoon. (These "ugly Americans" have, of course, always been with us; in the General Prologue to his Canterbury Tales, Chaucer describes a group of "bourgeois" craftsmen who have brought their own cook with them lest they be forced to adapt to foreign food!) Now Frodo must let go of all that is safe and familiar and fully embrace the Road. Now he must learn that sense of urgency that the apostle Paul learned (perhaps) from his long years of wandering: "What I mean, brothers, is that the time is short. From now on those who have wives should live as if they had none; those who mourn, as if they did not; those who are happy, as if they were not; those who buy something, as if it were not theirs to keep; those who use the things of the world, as if not engrossed in them. For this world in its present form is passing away" (1 Corinthians 7:29–31 NIV).

We do not learn such hard truths sitting at home in our easy chairs. We can only learn them on the Road.


Bilbo and Frodo have a hard time leaving a place where they have known much peace and contentment. Ironically, the hero of The Horse and His Boy has the opposite problem: he fears to leave a place where he has known neither peace nor contentment. Unique among the Chronicles, The Horse and His Boy focuses not on children from our world, but on two children who live in the heathen and tyrannical land of Calormen, which lies due south of Narnia. One of these children is an unhappy princess (Aravis) who decides to flee from a distasteful arranged marriage. The other is a poor Oliver Twist-like orphan (Shasta) who has been raised by a cruel and unloving fisherman. Though Shasta does not know for sure that the fisherman is not his real father, he has long suspected that he does not belong in this land, that his true destiny and real identity lie elsewhere. Something within him has always impelled him to strain his eyes northward, but he has as yet been unable to muster the courage or find the opportunity to escape.

Then, as it does to Frodo, a situation arises that all but forces Shasta to flee from his native village and set out on the Road. Shasta overhears disturbing news that, first, his "father" is not his real father, and second, that he is about to sell him into the service of an even harsher taskmaster. Liberated by this discovery that the home and father he has never been able to love are, in fact, neither, Shasta is placed in a position where going off on a pilgrimage seems not only the proper but the necessary thing to do. But he cannot endure the journey alone. As Frodo is assisted on his way by Gandalf, Sam, Aragorn, and many others, Shasta is helped by a talking Narnian horse (Bree) who was kidnapped while a foal and has lived the brutal life of a dumb warhorse in Calormen.

Bree helps strengthen Shasta's resolve to leave by not only promising to carry him on his back, but by filling his heart and mind with a vision of what lies at the end of the Road:

The happy land of Narnia—Narnia of the heathery mountains and the thymy downs. Narnia of the many rivers, the plashing glens, the mossy caverns and the deep forests ringing with the hammers of the Dwarfs. Oh the sweet air of Narnia! An hour's life there is better than a thousand years in Calormen. (I.9).

Unconsciously paraphrasing Psalm 84:10, Bree depicts Narnia as a place that is vastly superior to Calormen. Life there is richer, fuller, closer to what life was meant to be. It is where all those who are truly free belong. Indeed, when Shasta confesses that he has always longed to go north, Bree responds: "'Of course you have.... That's because of the blood that is in you. I'm sure you're true northern stock'" (I.12).

If the truth be told, we are all, finally, of true northern stock. That's one of the things that fairy tales teach us: that we are all heroes or princesses in disguise. And if that is so, then we must all set out to discover who we truly are: not so we can become rich or successful in the debased modern, consumerist sense, but so that we can step into our true inheritance.

The Road is not a one-size-fits-all proposition, but it offers to those who embrace it the rare and precious gift of self-knowledge. It forces us to step outside that which is known—outside of our "comfort zone" we would say today—and, by so doing, strips us of all our masks and disguises and alter egos. It forces us to look unswervingly into the face of fear, of confusion, of loneliness, reduces us to our naked essence. And then, slowly, it makes us stronger and wiser.

In the end, Shasta will play an instrumental role in saving Narnia from invasion by Calormen, just as Frodo will play an instrumental role in saving Middle-earth from the iron tyranny of Sauron. But they cannot participate in that saving act until they become the kind of people who can play the role of willing (if flawed) hero. To help prepare them for this role, to help them achieve the necessary self-knowledge, they are each given a close, intimate traveling companion who so contrasts and complements them as to aid in their self-development. For Shasta that companion is Aravis, whose aristocratic upbringing and regal self-confidence help to wean him away from his narrow provincialism and his lack of any sense of social responsibility. For Frodo that companion is Sam, his rustic gardener, whose earthy common sense and cheerful practicality keep Frodo going when his idealism threatens to crumble under the weight of Sauron's evil. In this, Frodo and Sam bear a more than passing resemblance to literature's most famous master/servant, idealist/realist pair: Don Quixote and Sancho Panza.

On the Road, we cannot escape from ourselves, but we also cannot escape from our companions—at least without risking grave peril. The temptation to abandon the path to which we have been called is often a strong one, but we must nevertheless trust that the Lord of the Road knows what He is doing. All we can do is press on with faith, hope, and perseverance.

That is one of the rules of the Road.



In the previous chapter, I spoke as if those who go off on pilgrimages do so of their own free will, but that is not the whole story. According to the book of Genesis, God begins His sacred narrative, His drama of redemption, by calling on an ordinary, nonheroic man to leave his home and take to the Road. The man's name is Abraham, or rather, it is Abram; it is God who changes his name, as He often does for those whom He calls out for a special purpose.

Indeed, God calls Abraham to abandon his home in favor of the Road on two separate occasions, first leaving Ur for Haran, and then leaving Haran for the land of Canaan. Abraham, like Bilbo and Frodo, is a reluctant pilgrim, but he goes nonetheless. He goes, the author of Hebrews tells us, because he has something that all travelers must have if they are to stay true to their pilgrimage—faith in the call and the one who calls:

By faith Abraham, when called to go to a place he would later receive as his inheritance, obeyed and went, even though he did not know where he was going. By faith he made his home in the promised land like a stranger in a foreign country; he lived in tents, as did Isaac and Jacob, who were heirs with him of the same promise. For he was looking forward to the city with foundations, whose architect and builder is God. (11:8–10 NIV)

Abraham was perhaps the first believer to know with certainty that this world is not our home, that we are only passing through until we find that higher Road that leads to a higher city not built by human hands. Yes, he longed for the Land of Promise with the same passionate desire that drove Shasta north toward Narnia, but he also seems to have known what Frodo and the Elves knew: that there is no final resting place on this earth—and Middle-earth, we must remember, is our earth, in the far distant days before Men took over and God revealed himself to the Jews.

Not content only to call His creatures to brave the Road, the Christian revelation tells us that God Himself came to earth and dwelt—literally, "tabernacled," as in the Hebrews passage quoted above—among us (John 1:14). Jesus took His ministry on the Road, where, unlike the birds and the foxes, He had no place to lay His head (Matthew 8:20). After Christ's ascension, two new Abrahams were called, with instructions to—you guessed it—take to the Road. They too had their names changed—from Simon to Peter, from Saul to Paul—and they too understand that we are "strangers and pilgrims" (1 Peter 2:11) and that "our citizenship is in heaven" (Philippians 3:20 NKJV).


Like Abraham, Peter, and Paul, Frodo is clearly chosen to carry the Ring, not only to Rivendell but to the Cracks of Doom in which it was forged. But he is not the only one who journeys under a calling. Sam, for all his practical, feet-on-the-ground wisdom, slowly comes to realize that he too has been called for the journey. At first, he volunteers partly to protect his master and partly because he has long desired to see the Elves; however, on the morning after he and Frodo meet with the Exiled Elves (see chapter 1), a new awareness of deeper designs and higher purposes awakens within the humble gardener. He tries to explain it to Frodo:

I don't know how to say it, but after last night I feel different. I seem to see ahead, in a kind of way. I know we are going to take a very long road, into darkness; but I know I can't turn back. It isn't to see the Elves now, nor dragons, nor mountains, that I want—I don't rightly know what I want: but I have something to do before the end, and it lies ahead, not in the Shire. I must see it through, sir, if you understand me. (I.iv.85)


Excerpted from On the Shoulders of Hobbits by Louis Markos, Christopher Reese. Copyright © 2012 Louis Markos. Excerpted by permission of Moody Publishers.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

From the Publisher

"The mistake that Uncle Andrew made was not because he believed that wealth could be brought back from Narnia. His mistake was in refusing to bring back the right kind of wealth -- it is wisdom we need, not more steel and battleships. Louis Markos has remedied that problem, importing a great of wisdom from Narnia, and Middle Earth as well, with plenty to spare. I am happy to recommend On the Shoulders of Hobbits."

 Douglas Wilson, author of What I Learned in Narnia

 "Thoughtful, helpful, insightful, On the Shoulders of Hobbits reminds us just how much is to be gained by standing on the shoulders of Tolkien and Lewis, those Christian literary giants."

Michael Ward, Oxford Centre for Christian Apologetics and co-editor of The Cambridge Companion to C.S. Lewis

 “A book that richly celebrates the place of story in our lives—even as it invites us to walk the road with, and glean life lessons from, some of J.R.R. Tolkien’s finest characters.”

Kevin Belmonte, editor of A Year with G.K. Chesterton, and lead historical consultant for the film, Amazing Grace.

 "Louis Markos' thoughtful exploration of virtue through the writings of JRR Tolkien and CS Lewis is a valuable resource for parents, teachers, and young people seeking models and guides for living a life shaped by, and infused with, the richness of Christian virtues."

Holly Ordway, Houston Baptist University and author of Not God's Type

Meet the Author

LOUIS MARKOS, is a professor in English and Scholar in Residence at Houston Baptist University and holds the Robert H. Ray Chair in Humanities. Dr. Markos is a respected and widly requested speaker on C. S. Lewis, Tolkien, and Christian worldview as well as the arts, education, the new age, apologetics and, ancient Greece and Rome. He is the author of several books and numerous lectures and articles. Dr. Markos lives in Houston, Texas, with his wife Donna, his son Alex, and his daughter Stacey.

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On the Shoulders of Hobbits: The Road to Virtue with Tolkien and Lewis 4 out of 5 based on 0 ratings. 14 reviews.
Anonymous More than 1 year ago
I met Louis Markos a month ago at Summit Ministries in Colorado. He is an amazing speaker and really knows what he is talking about! I followed him everywhere for two weeks. If you haven't heard of Summit Ministries Camp you must look it up!! Love lotr too :)
TheArtistLibrarian More than 1 year ago
Are you ready to go on a quest? In ''On the Shoulders of Hobbits,'' English Professor Louis Markos highlights some of the many ''life lessons'' that can be learned through two of literature's most beloved fantasy worlds: J.R.R. Tolkien's Middle Earth and C.S. Lewis' Narnia. Appropriate for high schoolers and adults, this book would also be good as a discussion guide for parents and teachers to utilize with younger children. Professor Markos separates his book in four parts: The Road (focusing on ''the journey of life''), The Classical Virtues, The Theological Virtues, and Evil. Each part of the book is broken down into chapters, which focus on a single topic such as justice, wisdom, friendship, hope, and temptation. Though primarily focused on Tolkien's works (the ''Lord of the Rings'' trilogy and related books such as ''The Hobbit'' or ''The Silmarillion'', Markos closes each chapter with an example or two drawn from C.S. Lewis' Chronicles of Narnia. As a self-professed ''Narniac'' (Narnia fan), I really liked that Markos did this and it is neat to compare (or contrast) how Tolkien and Lewis dealt with different concepts. Markos's states that this book isn't intended to be an academic or scholarly work (17). I appreciated his introduction, as he gives the audience a clear view of what to expect. Despite this, I felt that there is a more formal, in depth air to this book, compared to other Lord of the Rings and Narnia companion books I've read. However, it is still very readable. I also loved the ''bibliographic essays'' at the end of the book. One focuses on Tolkien and ''Lord of the Rings'' and the other on Lewis and Narnia. I've never encountered bibliographic essays in my academic career (perhaps because I wasn't an English major?) but think of it as an annotated bibliography written in essay form. I definitely will be looking at some of the further reading suggested. As someone who loved Peter Jackson's movie adaptations and slogged through the books in high school only because of those films, I don't really consider myself a true ''Ringer'' (LotR fan). However, I really enjoyed Markos' look at the literature themselves and am inspired to take another look at Tolkien's well known works. [Disclaimer: I received a copy of this book from the publisher in exchange for an honest review, which I have done.]
Anonymous More than 1 year ago
Theophilusfamily More than 1 year ago
 C. S. Lewis and J. R. R. Tolkien.  There are so many books written about these men and their work, and I own a selection myself: "The A to Z of C. S. Lewis" by Colin Duriez, "If I had Lunch with C. S. Lewis" by Alister McGrath, "The Spiritual World of  the Hobbit" by James Stuart Bell, "Finding God in The Hobbit" and "Finding God in the Hobbit" by Jim Ware and Kurt Bruner....  If you've been to Narnia or Middle Earth, you understand that one does not simply read those stories. It's more than processing words on the page. You live them, and they mark your mind with images and phrases that return to you over and over. When you call LOTR and Narnia "unforgettable," you're stating a fact, not mouthing a cliche.  I can see why so many modern authors want to explore the legacy and the lives of Tolkien and Lewis, and I've enjoyed each supplementary wok that I've read. They've reminded me that small moments build to grand plots and heroes come when ordinary men are brave and giving.  The newest addition to my collection is "On the Shoulders of Hobbits~ The Road to Virtue with Tolkien and Lewis."  And that's what Louis Markos is talking about: virtue. The excellence that we recognized in the original tales- the glories that made our hearts beat faster- they're drawn out and expounded upon in this book.  The fidelity and justice, friendship and courage.  The longing for your own home and hearth when you're out in the dark and the danger.  The hope of purity and restoration, even when all circumstances shout against it. The rightness of a King with hands of strength and healing. The truth that terror cannot cancel out all beauty.  Louis Markos expands on each theme, cross referencing Narnia and LOTRs and quoting theologians and philosophers. His goal isn't to read anything into the text, or transplant "religion" into the world of Middle Earth. (Save your breath if you're going to make that claim.)  Instead, he points us to Goodness, Truth, and Beauty in those worlds and reminds us to seek those virtues in ours.  The authors of Narnia and LOTR knew what made a good story. They knew about death and life and sacrifice and hope. They were sub-creating after the pattern of our own Author, who writes the best Stories of all.  Thank you to MP Newsroom for my review copy. I recommend this book.
Anonymous More than 1 year ago
MatkAW More than 1 year ago
It was a good read. especially if into hobbits.
Anonymous More than 1 year ago
Itlooks good .
Anonymous More than 1 year ago
Great read so far. Interesting points are made in the beginning. Will be nice to read the rest.
Anonymous More than 1 year ago
This book is imformational but not good for a casual read
Anonymous More than 1 year ago
I loved it!
Anonymous More than 1 year ago
Thefirst 15 pages of the book the author explains who he has written the book. He has basically taken the concepts of The Lord of The Rings and The Narnia books and put them into a book. Explaining in his words what the intentions of each of the two books set out to do, making references to each the backs up his interpitation of how they were written. Sorry but I am not interested in a book like this.
Anonymous More than 1 year ago
Even though it is just the first two chapters it is good and I can not wait to get the whole thing
Anonymous More than 1 year ago
I saw the movie i love the book
Anonymous More than 1 year ago