One Man Dog

( 3 )

Editorial Reviews

All Music Guide - William Ruhlmann
A lot was riding on this album, James Taylor's followup to his two big hits, Sweet Baby James and Mud Slide Slim and The Blue Horizon, which was released 21 months after the latter, a long time between records in those days. And what a letdown. One Man Dog contained 18 tracks, some of them instrumentals, many of them running less than two minutes. A lot of it was sketchy and seemingly unfinished, and none of it had the impact of the best songs on the last two albums. One Man Dog spawned a Top 20 hit in "Don't Let Me Be Lonely Tonight," and it made the Top 10 and went gold itself largely on the momentum of Taylor's career. But it disappointed fans, and in the 19 months ...
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Editorial Reviews

All Music Guide - William Ruhlmann
A lot was riding on this album, James Taylor's followup to his two big hits, Sweet Baby James and Mud Slide Slim and The Blue Horizon, which was released 21 months after the latter, a long time between records in those days. And what a letdown. One Man Dog contained 18 tracks, some of them instrumentals, many of them running less than two minutes. A lot of it was sketchy and seemingly unfinished, and none of it had the impact of the best songs on the last two albums. One Man Dog spawned a Top 20 hit in "Don't Let Me Be Lonely Tonight," and it made the Top 10 and went gold itself largely on the momentum of Taylor's career. But it disappointed fans, and in the 19 months it took him to record another album, Taylor was bypassed by the singer-songwriter movement, becoming more of an easy listening covers artist his next hits were remakes of "Mockingbird" and "How Sweet It Is".
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Product Details

  • Release Date: 1/30/2007
  • Label: Wea Japan
  • EAN: 4943674068067
  • Catalog Number: 12510

Tracks

Disc 1
  1. 1 One Man Parade (3:10)
  2. 2 Nobody But You (2:57)
  3. 3 Chili Dog (1:35)
  4. 4 Fool for You (0:55)
  5. 5 Instrumental I (0:55)
  6. 6 New Tune (1:35)
  7. 7 Back on the Street Again (3:00)
  8. 8 Don't Let Me Be Lonely Tonight (2:34)
  9. 9 Woh, Don't You Know (2:10)
  10. 10 One Morning in May (2:54)
  11. 11 Instrumental II (1:41)
  12. 12 Someone (3:36)
  13. 13 Hymn (2:24)
  14. 14 Fanfare (2:33)
  15. 15 Little David (1:00)
  16. 16 Mescalito (0:29)
  17. 17 Dance (2:07)
  18. 18 Jig (1:13)
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Album Credits

Performance Credits
James Taylor Primary Artist, Acoustic Guitar, Guitar, Harmonica, Autoharp, Electric Guitar, Vocals, Background Vocals
John Hartford Banjo, Fiddle, Violin
Carole King Piano, Vocals, Background Vocals
Linda Ronstadt Vocals, Background Vocals
Carly Simon Vocals, Background Vocals
Michael Brecker Flute, Saxophone, Soprano Saxophone, Tenor Saxophone
John McLaughlin Acoustic Guitar, Guitar
Red Rhodes Steel Guitar
Alex Taylor Vocals, Background Vocals
Kate Taylor Vocals, Background Vocals
Bobbye Hall Percussion, Bongos, Conga, Tambourine, Bells, Shaker
Peter Asher Vocals, Guiro
Art Baron Trombone
George Bohannon Trombone
Randy Brecker Trumpet, Flugelhorn, Tenor Saxophone, Piccolo Trumpet
Dash Crofts Mandolin
Craig Doerge Piano, Keyboards, Electric Piano
Abigale Haness Vocals, Background Vocals
Danny Kortchmar Acoustic Guitar, Guitar, Electric Guitar, Timbales
Russ Kunkel Conga, Drums, Tambourine, Cabasa
Barry Rogers Trombone
Hugh Taylor Vocals, Background Vocals
Art Baran Bass Trombone
Mark Paletier Saw
Leland Sklar Bass, Guitar, Guitarron
Ms. Bobbye Hall Conga, Tambourine
Technical Credits
Robert Appere Engineer
Peter Asher Producer, Engineer
Bernie Grundman Mastering
Russ Kunkel Contributor
Phil Ramone Engineer
Mark Paletier Sound Effects
Ed Thrasher Art Direction
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Customer Reviews

Average Rating 5
( 3 )
Rating Distribution

5 Star

(3)

4 Star

(0)

3 Star

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2 Star

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1 Star

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Sort by: Showing all of 3 Customer Reviews
  • Posted October 1, 2010

    more from this reviewer

    I Also Recommend:

    A much loved odd one

    One gathering a collection of the best albums of Rock history could be forgiven for not including this album, but then they would be missing out on a true treasure. I have tried to come up with an explanation for the love many of us have for this album but I just have not been able to do an adequate job of it. The truth is that, for whatever reason, this album somehow fits into the feel of Sweet Baby and Mud Slide even if it is less complete that those previous works. Those of us who lived at the time, and were buying these LPs when they came out, cant consider having those previous two without having this one as well. I have no idea if that feel would be understood by a younger collector, but for us old timers, this is one we just have to hear once in a while.

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  • Anonymous

    Posted October 1, 2010

    Masterpiece of Cracker-Funk, Backwoods Ballads, and Lazy Lovesongs!!!!!

    This Record is one of my all time favorites - a true Masterpiece! If you don't like James Taylor's Older stuff, then you should just buy stuff from the nineties when all the Mescaline he was doing back then finally caught up to him. This is the true, raw artform right here, brothers and sisters; recorded in a cabin out in the woods in between fishing, grilling, smokin' and drinkin'. Beautiful!

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  • Anonymous

    Posted October 1, 2010

    I Never Understood...

    Why the critics savaged this album...my own theory is that J. Taylor was so hot at the time, that it was time, the music critics thought, to bring him down a peg. What a lovely, lovely album. It ages beautifully, hauntingly melodic, just gorgeous. If you like anything this guys ever done, try this record! And all you music critics, now that he's not all hot and gorgeous anymore, and your not jealous now that hes over 50 and bald, listen again! It is a Classic!

    Was this review helpful? Yes  No   Report this review
Sort by: Showing all of 3 Customer Reviews