- Losing You
- Here She Comes
- One Upon a Time
- He's Got Something
- You Don't Own Me
- Now That You're My Baby
- If Wishes Were Kisses
- I'll Love You for a While
- I Wanna Make You Happy
- Your Hurtin' Kind of Love
- When the Lovelight Starts Shining Through His Eyes
- I Want Your Love Tonight
5
1
0646315700510
The Echoes Primary Artist
Ray Stevens Conductor
Shelby Singleton Producer
Bob Halley Composer
Kenny Lynch Composer
Ivor Raymonde Composer,Direction
Lamont Dozier Composer
Joe Kookoolis Composer
Bas Hartong Producer,Remixing
Cynthia Weil Composer
Clive Westlake Composer
Dusty Springfield Composer
Eddie Holland Composer
Carole King Composer
Russ Titelman Composer
David White Composer
Madeline Bell Composer
Umberto Bindi Composer
Ray Stevens Arranger
Michael Hawker Composer
Alan Tew Direction,Augmenting
Artie Kornfeld Composer
Brian Holland Composer
Tom Springfield Composer
Gerry Goffin Composer
Suha Gur Remixing,Remastering
Ian Samwell Composer
John Franz Producer
John Madara Composer
Wes Farrell Composer
Roger Wake Remixing
Roy Alfred Composer
Aretha Franklin Composer
Toni Wine Composer
Mike Gill Remixing
The Echoes Group
Carl Spencer Composer
Sal Trimachi Composer
Mike Hawker Composer
Arthur 'Artie' Lawrence Kornfeld Composer
Silvana Simoni Composer
Wesley Farrell Composer


Vinyl LP(Long Playing Record)
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Overview
Springfield's second U.S. album is another hybrid work, but for different reasons. The tracks, of which two ("You Don't Own Me," "When the Lovelight Starts Shining Through His Eyes") are repeated from her debut, were cut in London and in Nashville, the latter under the direction of Shelby Singleton Jr. The Singleton-produced numbers, except the girl-groupish "Now That You're My Baby," are better R&B, more raw and less dignified in their playing (Springfield in the early days had to fight to get the sound she wanted from her backing musicians), and mix well with the London-based material. In fact, "Lovelight" works better here than it did on the earlier album, for Ooooooweeee!!! is overall a more soul-oriented album. The bonus tracks are a significant enhancement -- "Go Ahead On," cut by Springfield backed by the Echoes is a fine piece of Brit-beat R&B; her version of Aretha Franklin's "Don't Let Me Lose This Dream" is a harbinger of Springfield's real musical direction, while "I Will Always Want You" is a throwback to the sound of her first album, in a broad, big-voiced, heavily orchestrated style. ~ Bruce Eder
Product Details
Release Date: | 09/15/2017 |
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Label: | PREMIUM COOL |
UPC: | 0646315700510 |
Tracks
Album Credits
Performance Credits
Dusty Springfield Primary Artist,VocalsThe Echoes Primary Artist
Ray Stevens Conductor
Technical Credits
Toy Caldwell ComposerShelby Singleton Producer
Bob Halley Composer
Kenny Lynch Composer
Ivor Raymonde Composer,Direction
Lamont Dozier Composer
Joe Kookoolis Composer
Bas Hartong Producer,Remixing
Cynthia Weil Composer
Clive Westlake Composer
Dusty Springfield Composer
Eddie Holland Composer
Carole King Composer
Russ Titelman Composer
David White Composer
Madeline Bell Composer
Umberto Bindi Composer
Ray Stevens Arranger
Michael Hawker Composer
Alan Tew Direction,Augmenting
Artie Kornfeld Composer
Brian Holland Composer
Tom Springfield Composer
Gerry Goffin Composer
Suha Gur Remixing,Remastering
Ian Samwell Composer
John Franz Producer
John Madara Composer
Wes Farrell Composer
Roger Wake Remixing
Roy Alfred Composer
Aretha Franklin Composer
Toni Wine Composer
Mike Gill Remixing
The Echoes Group
Carl Spencer Composer
Sal Trimachi Composer
Mike Hawker Composer
Arthur 'Artie' Lawrence Kornfeld Composer
Silvana Simoni Composer
Wesley Farrell Composer
From the B&N Reads Blog
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