Love the historical details, but not quite as sold on the romance
Molly McFarlane has a classic romantic heroine's grab-bag of problems: her dad died recently, her sister died recently, she's caring for her 6-year-old niece and 8-year old nephew, and they're all on the run from her villainous, abusive brother-in-law. And since this is 1871, there aren't a lot of resources at Molly's fingertips, as a single woman without a big inheritance. Faced with this desperate situation, Molly makes an equally desperate move and marries a dying man so that she can get an insurance settlement to help her provide for the kids. But Hank Wilkins doesn't die easily, so Molly finds herself married for real and still terrified of the bad guys her brother-in-law might send after them.
I have so many mixed feelings about this novel. On one hand, I really enjoyed reading it, but on the other, there were so many times I was jerked out of the story by the characters' offbeat decisions. For example, Molly survives a train wreck and promptly decides that the best way of providing for herself and her sister's children is marrying this soon-to-be-dead bearded guy whose name she doesn't know. I don't have a problem with the morality of the set-up--a desperate woman marrying a dying man so that she can provide for her wards, but the actual circumstances are really iffy. She hears someone talking about how much money the wreck victims' families will get, and she thinks that it'll be just enough money to get herself and the kids settled in a new life. The funny thing is, Molly was trained by her medical genius of a father, so she has a decent chance of providing for the kids without resorting to this deception. She even thinks about the possibilities in an earlier passage: "She would find employment--either as an assistant to one of her father's medical colleagues, or in a clinic or hospital" (pg 9). But she's made up her mind to try for this insurance money, so she checks the guy's hand for a ring (never mind that wedding bands for men were not commonly used until World War II, sixty-five years later), and consoles herself that he's unmarried and at least she isn't taking money away from some other legitimate widow. It's still kind of a low-down thing to do, but at least she has the decency to feel super guilty. Plus, it's not legal--he never agrees to marry her, and he's not conscious for their wedding vows.
Then for a long while, if you forget the slight zaniness of the setup, it's a very good story. Molly's gotten herself married to Hank Wilkins, co-owner of Wilkins Cattle and Mining in New Mexico. She knows this because his brother Brady, apparently the hero of book one, shows up and threatens her with jail time for using his brother in such a way. Brady thinks she's a bigtime mercenary with an eye on Hank's fortune, when in reality she's only a teensy bit mercenary. I did like how Brady hates her immediately--it's nice to see a damsel in distress that everyone's not petting and pitying. But Molly redeems herself by caring for Hank once she realizes he's got a small chance at living. She's got incredible medical knowledge from helping her father tend wounded soldiers during the Civil War, and we get wonderful medical details like seeing her use silver wire to sew Hank's muscle tissue back together and horsehair to sew up the outer skin. I'm not being sarcastic; I really appreciate the realistic presentation of medical trauma because it makes the story come to life and really cements the time-period authenticit
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