The Open Studio: Essays on Art and Aesthetics, 1987 to 2003 / Edition 2by Susan Stewart
Pub. Date: 01/01/2005
Publisher: University of Chicago Press
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and… See more details below
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art.
Gathering most of Stewart's writing on contemporary art—long and short pieces first published in small magazines, museum and gallery publications, and edited collections—The Open Studio illuminates work ranging from the installation art of Ann Hamilton to the sculptures and watercolors of Thomas Schütte, the prints and animations of William Kentridge to the films of Tacita Dean. Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study. Considering a wide variety of art forms, Stewart finds pathbreaking ways to explore them. Whether she is following central traditions of painting, drawing, sculpture, film, photography, and printmaking or exploring the less well-known realms of portrait miniatures, collecting practices, doll-making, music boxes, and gardening, Stewart speaks to the creative process in general and to the relation between art and ethics.
The Open Studio will be read eagerly by scholars of art, poetry, and visual theory; by historians interested in the links between contemporary and classic literature and art; and by teachers, students, and practitioners of the visual arts.
Table of Contents
1. To Take a Chance
2. On the Art of the Future
3. Thomas Schütte: In Medias Res
4. Hans-Peter Feldmann
5. William Kentridge
"A Messenger" and "William Kentridge: Prints"
6. Armando Reverón: Paintings and Objects
7. Tacita Dean
"The Coincidence Keeper" and "The Light of Banewl"
8. The Eidos in the Hand
9. What Thought Is Like: The Sea and The Sky
10. Garden Agon: Ian Hamilton Finlay's Little Sparta, 1993-97
11. An After as Before
12. Framing Abstraction
13. On the Threshold of the Visible
14. Organic Form and Perfection in Painting
15. Egg and Dart: Notes on the Work of Anne and Patrick Poirier
16. Death and Life, in That Order, in the Works of Charles Willson Peale
17. Explosion at San Giovanni in Laterano, Summer 1993: Notes for Francis Bacon's Figure with Meat
18. Musical Box
19. Ann Hamilton
tropos and between taxonomy and communion
20. At the Freud Show: Aide Memoire
and post it to your social network
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