Opera as Art: Philosophical Sketches
In Opera as Art: Philosophical Sketches, Paul Thom argues for opera as an art, standing alongside other artforms that employ visual and sonic media to embody the great themes of human life. Thom contends that in great operatic art, the narrative and expressive content collaborate with the work's aesthetic qualities towards achieving this aim. This argument can be extended to modern operatic productions. At their best, these stagings are works of art in themselves, whether they give faithful renditions of the operas they stage and whether their aims go beyond interpretation to commentary and critique. This book is a philosophical introduction to the key practices that comprise the world of opera: the making of the work; its interpretation by directors, critics, and spectators; and the making of an operatic production. Opera has always existed in a context of philosophical ideas, and this book is written for opera-lovers who would like to learn something about that philosophical context.

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Opera as Art: Philosophical Sketches
In Opera as Art: Philosophical Sketches, Paul Thom argues for opera as an art, standing alongside other artforms that employ visual and sonic media to embody the great themes of human life. Thom contends that in great operatic art, the narrative and expressive content collaborate with the work's aesthetic qualities towards achieving this aim. This argument can be extended to modern operatic productions. At their best, these stagings are works of art in themselves, whether they give faithful renditions of the operas they stage and whether their aims go beyond interpretation to commentary and critique. This book is a philosophical introduction to the key practices that comprise the world of opera: the making of the work; its interpretation by directors, critics, and spectators; and the making of an operatic production. Opera has always existed in a context of philosophical ideas, and this book is written for opera-lovers who would like to learn something about that philosophical context.

39.99 In Stock
Opera as Art: Philosophical Sketches

Opera as Art: Philosophical Sketches

by Paul Thom
Opera as Art: Philosophical Sketches

Opera as Art: Philosophical Sketches

by Paul Thom

Paperback

$39.99 
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Overview

In Opera as Art: Philosophical Sketches, Paul Thom argues for opera as an art, standing alongside other artforms that employ visual and sonic media to embody the great themes of human life. Thom contends that in great operatic art, the narrative and expressive content collaborate with the work's aesthetic qualities towards achieving this aim. This argument can be extended to modern operatic productions. At their best, these stagings are works of art in themselves, whether they give faithful renditions of the operas they stage and whether their aims go beyond interpretation to commentary and critique. This book is a philosophical introduction to the key practices that comprise the world of opera: the making of the work; its interpretation by directors, critics, and spectators; and the making of an operatic production. Opera has always existed in a context of philosophical ideas, and this book is written for opera-lovers who would like to learn something about that philosophical context.


Product Details

ISBN-13: 9781666914252
Publisher: Bloomsbury Academic
Publication date: 04/08/2024
Pages: 218
Product dimensions: 6.00(w) x 9.00(h) x 0.50(d)

About the Author

Paul Thom is a philosopher-musician and adjunct professor in the School of Philosophical Inquiry at the University of Sydney and a Fellow of the Australian Academy of the Humanities.

Table of Contents

Chapter One. Speech, Harmony, Rhythm

Chapter Two. Representing the Marvellous

Chapter Three. A Gallery of Affects

Chapter Four. A World of Terror and Laughter

Chapter Five. The Power of the Crescendo

Chapter Six. The Aesthetic Attitude

Chapter Seven. Sublime Diversions

Chapter Eight. A Grand Comic Opera

Chapter Nine. Shock and Sentiment

Chapter Ten. The Limits of Expressibility

Chapter Eleven. The Limits of Tonality

Chapter Twelve. The Uncanny

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