BN.com Gift Guide

Opera Buffa in Mozart's Vienna

Paperback (Print)
Used and New from Other Sellers
Used and New from Other Sellers
from $93.24
Usually ships in 1-2 business days
Other sellers (Paperback)
  • All (5) from $93.24   
  • New (3) from $93.24   
  • Used (2) from $121.16   

Overview

This collection of essays, presented by an internationally known team of scholars, explores the world of Vienna and the development of opera buffa in the second half of the eighteenth-century. Among the topics explored are the relationship of Viennese opera buffa to French theatre; Mozart and eighteenth-century comedy; gender, nature and bourgeois society on Mozart's buffa stage; as well as close examinations of key works such as Don Giovanni and Figaro.
Read More Show Less

Editorial Reviews

From the Publisher
"Highly involved, with countless details , the book is a superb in-depth look into a fascinating period of music history. Highly recommended...." American Record Guide

"...a clear picture of the bifurcation of 18th-century opera...graduate students through faculty and the occasional ambitious undergraduate." Choice

"Together, the essays in this volume, expertly written by all contributors, help to explain the lasting success of the Mozart/da Ponte collaborations..." Henry Bloch, Journal of the Conductors Guild

"...a thoughtful critical evaluation of the various analytical and methodological approaches encountered in the book..." E. Thomas Glasow, Opera Quarterly

Read More Show Less

Product Details

  • ISBN-13: 9780521027113
  • Publisher: Cambridge University Press
  • Publication date: 5/28/2006
  • Series: Cambridge Studies in Opera Series
  • Pages: 472
  • Product dimensions: 5.98 (w) x 8.98 (h) x 1.06 (d)

Table of Contents

Notes on contributors; Acknowledgements; Introduction Mary Hunter and James Webster; Part I. Historical and Literary Contexts: 1. Goldoni, opera buffa, and Mozart's advent in Vienna Daniel Heartz; 2. Lo specchio francese: Viennese opera buffa and the legacy of French theatre Bruce Alan Brown; 3. Il re alla caccia and Le roi et le fermier: Italian and French treatments of class and gender Marvin Carlson; 4. Mozart and eighteenth-century comedy Paolo Gallarati; Part II. Social and Generic Meanings: 5. The sentimental muse of opera buffa Edmund J. Goehring; 6. The biology lessons of opera buffa: gender, nature, and Bourgeois society on Mozart's buffa stage Tia Denora; 7. Bourgeois values and Opera Buffa in 1780's Vienna Mary Hunter; 8. Opera seria? Opera buffa? Genre and style as sign Marita P. McLymonds; 9. Figaro as misogynist: on aria types and aria rhetoric Ronald J. Rabin; 10. The alternative endings of Mozart's Don Giovanni Michael F. Robinson; 11. Don Giovanni: recognition denied Jessica Waldoff; Part III. Analytical and Methodological Issues: 12. Analysis and dramaturgy: reflections towards a theory of Opera Sergio Durante; 13. Understanding opera buffa: analysis = interpretation James Webster; 14. Operatic ensembles and the problem of the Don Giovanni sextet John Platoff; 15. Buffo roles in Mozart's Vienna: tessitura and tonality as signs of characterization Julian Rushton; List of works cited; Index.

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)