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Overview
Several months into his recovery from a near-fatal illness, thirty-four-year-old novelist Sidney Orr enters a stationery shop in the Cobble Hill section of Brooklyn and buys a blue notebook. It is September 18, 1982, and for the next nine days Orr will live under the spell of this blank book, trapped inside a world of eerie premonitions and puzzling events that threaten to destroy his marriage and undermine his faith in reality.
Why does his wife suddenly break down in tears in the backseat of a taxi just hours after Sidney begins writing in the notebook? Why does M. R. Chang, the owner of the stationery shop, precipitously close his business the next day? What are the connections between a 1938 Warsaw telephone directory and a lost novel in which the hero can predict the future? At what point does animosity explode into violence? To what degree is forgiveness the ultimate expression of love?
Paul Auster's mesmerizing eleventh novel reads like an old-fashioned ghost story. But there are no ghosts in this book—only flesh-and-blood human beings, wandering through the haunted realms of everyday life. At once a meditation on the nature of time and a journey through the labyrinth of one man's imagination, Oracle Night is a narrative tour de force that confirms Auster's reputation as one of the boldest, most original writers at work in America today.
Product Details
| ISBN-13: | 9781429900072 |
|---|---|
| Publisher: | Holt, Henry & Company, Inc. |
| Publication date: | 04/28/2009 |
| Sold by: | Macmillan |
| Format: | eBook |
| Pages: | 256 |
| File size: | 540 KB |
About the Author
Paul Auster's most recent novel, The Book of Illusions (0-312-42181-8), was a national bestseller, as was I Thought My Father Was God (0-312-42100-1), the NPR National Story Project anthology, which he edited. He lives in Brooklyn, New York.
Paul Auster is the bestselling author of 4 3 2 1, Sunset Park, Invisible, The Book of Illusions, and The New York Trilogy, among many other works. In 2006 he was awarded the Prince of Asturias Prize for Literature. Among his other honors are the Prix Médicis Étranger for Leviathan, the Independent Spirit Award for the screenplay of Smoke, and the Premio Napoli for Sunset Park. In 2012, he was the first recipient of the NYC Literary Honors in the category of fiction. He has also been a finalist for the International IMPAC Dublin Literary Award (The Book of Illusions), the PEN/Faulkner Award (The Music of Chance), the Edgar Award (City of Glass), and the Man Booker Prize (4 3 2 1). He is a member of the American Academy of Arts and Letters and a Commandeur de l’Ordre des Arts et des Lettres. His work has been translated into more than forty languages. He lives in Brooklyn, New York.
Hometown:
Brooklyn, New YorkDate of Birth:
February 3, 1947Place of Birth:
Newark, New JerseyEducation:
B.A., M.A., Columbia University, 1970Read an Excerpt
Oracle Night
By Paul Auster
Picador
Copyright © 2003 Paul AusterAll rights reserved.
ISBN: 978-1-4299-0007-2
CHAPTER 1
I had been sick for a long time. When the day came for me to leave the hospital, I barely knew how to walk anymore, could barely remember who I was supposed to be. Make an effort, the doctor said, and in three or four months you'll be back in the swing of things. I didn't believe him, but I followed his advice anyway. They had given me up for dead, and now that I had confounded their predictions and mysteriously failed to die, what choice did I have but to live as though a future life were waiting for me?
I began with small outings, no more than a block or two from my apartment and then home again. I was only thirty-four, but for all intents and purposes the illness had turned me into an old man — one of those palsied, shuffling geezers who can't put one foot in front of the other without first looking down to see which foot is which. Even at the slow pace I could manage then, walking produced an odd, airy lightness in my head, a free-for-all of mixed-up signals and crossed mental wires. The world would bounce and swim before my eyes, undulating like reflections in a wavy mirror, and whenever I tried to look at just one thing, to isolate a single object from the onrush of whirling colors — a blue scarf wrapped around a woman's head, say, or the red taillight of a passing delivery truck — it would immediately begin to break apart and dissolve, disappearing like a drop of dye in a glass of water. Everything shimmied and wobbled, kept darting off in different directions, and for the first several weeks I had trouble telling where my body stopped and the rest of the world began. I bumped into walls and trash bins, got tangled up in dog leashes and scraps of floating paper, stumbled on the smoothest sidewalks. I had lived in New York all my life, but I didn't understand the streets and crowds anymore, and every time I went out on one of my little excursions, I felt like a man who had lost his way in a foreign city.
Summer came early that year. By the end of the first week of June, the weather had turned stagnant, oppressive, rank: day after day of torpid, greenish skies; the air clogged with garbage fumes and exhaust; heat rising from every brick and concrete slab. Still, I pushed on, forcing myself down the stairs and out into the streets every morning, and as the jumble in my head began to clear and my strength slowly returned, I was able to extend my walks into some of the more far-flung crevices of the neighborhood. Ten minutes became twenty minutes; an hour became two hours; two hours became three. Lungs gasping for air, my skin perpetually awash in sweat, I drifted along like a spectator in someone else's dream, watching the world as it chugged through its paces and marveling at how I had once been like the people around me: always rushing, always on the way from here to there, always late, always scrambling to pack in nine more things before the sun went down. I wasn't equipped to play that game anymore. I was damaged goods now, a mass of malfunctioning parts and neurological conundrums, and all that frantic getting and spending left me cold. For comic relief, I took up smoking again and whiled away the afternoons in air-conditioned coffee shops, ordering lemonades and grilled cheese sandwiches as I listened in on conversations and worked my way through every article in three different newspapers. Time passed.
On the morning in question — September 18, 1982 — I left the apartment somewhere between nine-thirty and ten o'clock. My wife and I lived in the Cobble Hill section of Brooklyn, midway between Brooklyn Heights and Carroll Gardens. I usually went north on my walks, but that morning I headed south, turning right when I came to Court Street and continuing on for six or seven blocks. The sky was the color of cement: gray clouds, gray air, gray drizzle borne along by gray gusts of wind. I have always had a weakness for that kind of weather, and I felt content in the gloom, not the least bit sorry that the dog days were behind us. About ten minutes after starting out, in the middle of the block between Carroll and President, I spotted a stationery store on the other side of the street. It was wedged in between a shoe-repair shop and a twenty-four-hour bodega, the only bright facade in a row of shabby, undistinguished buildings. I gathered that it hadn't been there long, but in spite of its newness, and in spite of the clever display in the window (towers of ballpoints, pencils, and rulers arranged to suggest the New York skyline), the Paper Palace looked too small to contain much of interest. If I decided to cross the street and go in, it must have been because I secretly wanted to start working again — without knowing it, without being aware of the urge that had been gathering inside me. I hadn't written anything since coming home from the hospital in May — not a sentence, not a word — and hadnt felt the slightest inclination to do so. Now, after four months of apathy and silence, I suddenly got it into my head to stock up on a fresh set of supplies: new pens and pencils, new notebook, new ink cartridges and erasers, new pads and folders, new everything.
A Chinese man was sitting behind the cash register in front. He appeared to be a bit younger than I was, and when I glanced through the window as I entered the store, I saw that he was hunched over a pad of paper, writing down columns of figures with a black mechanical pencil. In spite of the chill in the air that day, he was dressed in a short-sleeved shirt — one of those flimsy, loose-fitting summer things with an open collar — which accentuated the thinness of his coppery arms. The door made a tinkling sound when I pulled it open, and the man lifted his head for a moment to give me a polite nod of greeting. I nodded back, but before I could say anything to him, he lowered his head again and returned to his calculations.
The traffic out on Court Street must have hit a lull just then, or else the plate glass window was exceedingly thick, but as I started down the first aisle to investigate the store, I suddenly realized how quiet it was in there. I was the first customer of the day, and the stillness was so pronounced that I could hear the scratching of the man's pencil behind me. Whenever I think about that morning now, the sound of that pencil is always the first thing that comes back to me. To the degree that the story I am about to tell makes any sense, I believe this was where it began — in the space of those few seconds, when the sound of that pencil was the only sound left in the world.
I made my way down the aisle, pausing after every second or third step to examine the material on the shelves. Most of it turned out to be standard office-and school-supply stuff, but the selection was remarkably thorough for such a cramped place, and I was impressed by the care that had gone into stocking and arranging such a plethora of goods, which seemed to include everything from six different lengths of brass fasteners to twelve different models of paper clip. As I rounded the corner and began moving down the other aisle toward the front, I noticed that one shelf had been given over to a number of high-quality imported items: leather-bound pads from Italy, address books from France, delicate rice-paper folders from Japan. There was also a stack of notebooks from Germany and another one from Portugal. The Portuguese notebooks were especially attractive to me, and with their hard covers, quadrille lines, and stitched-in signatures of sturdy, unblottable paper, I knew I was going to buy one the moment I picked it up and held it in my hands. There was nothing fancy or ostentatious about it. It was a practical piece of equipment — stolid, homely, serviceable, not at all the kind of blank book you'd think of offering someone as a gift. But I liked the fact that it was cloth-bound, and I also liked the shape: nine and a quarter by seven and a quarter inches, which made it slightly shorter and wider thanmost notebooks. I can't explain why it should have been so, but I found those dimensions deeply satisfying, and when I held the notebook in my hands for the first time, I felt something akin to physical pleasure, a rush of sudden, incomprehensible well-being. There were just four notebooks left on the pile, and each one came in a different color: black, red, brown, and blue. I chose the blue, which happened to be the one lying on top.
It took about five more minutes to track down the rest of the things I'd come for, and then I carried them to the front of the shop and placed them on the counter. The man gave me another one of his polite smiles and started punching the keys on his cash register, ringing up the amounts of the various items. When he came to the blue notebook, however, he paused for a moment, held it up in the air, and ran his fingertips lightly over the cover. It was a gesture of appreciation, almost a caress.
"Lovely book," he said, in heavily accented English. "But no more. No more Portugal. Very sad story."
I couldn't follow what he was saying, but rather than put him on the spot and ask him to repeat it, I mumbled something about the charm and simplicity of the notebook and then changed the subject. "Have you been in business long?" I asked. "It looks so new and clean in here."
"One month," he said. "Grand opening on August ten."
As he announced this fact, he seemed to stand up a little straighter, throwing out his chest with boyish, military pride, but when I asked him how business was going, he gently placed the blue notebook on the counter and shook his head. "Very slow. Many disappointments." As I looked into his eyes, I understood that he was several years older than I'd thought at first — at least thirty-five, perhaps even forty. I made some lame remark about hanging in there and giving things a chance to develop, but he merely shook his head again and smiled. "Always my dream to own store," he said. "Store like this with pens and paper, my big American dream. Business for all people, right?"
"Right," I said, still not exactly sure what he was talking about.
"Everybody make words," he continued. "Everybody write things down. Children in school do lessons in my books. Teachers put grades in my books. Love letters sent in envelopes I sell. Ledgers for accountants, pads for shopping lists, agendas for planning week. Everything in here important to life, and that make me happy, give honor to my life."
The man delivered his little speech with such solemnity, such a grave sense of purpose and commitment, I confess that I felt moved. What kind of stationery store owner was this, I wondered, who expounded to his customers on the metaphysics of paper, who saw himself as serving an essential role in the myriad affairs of humanity? There was something comical about it, I suppose, but as I listened to him talk, it didn't once occur to me to laugh.
"Well put," I said. "I couldn't agree with you more."
The compliment seemed to lift his spirits somewhat. With a small smile and a nod of the head, the man resumed punching the keys of the cash register. "Many writers here in Brooklyn," he said. "Whole neighborhood full of them. Good for business maybe."
"Maybe," I said. "The problem with writers is that most of them don't have much money to spend."
"Ah," he said, looking up from the cash register and breaking into a big smile that exposed a mouthful of crooked teeth. "You must be writer yourself."
"Don't tell anyone," I answered, trying to keep the tone playful. "It's supposed to be a secret."
It wasn't a very funny remark, but the man seemed to think it was hilarious, and for the next little while it was all he could do not to collapse in a fit of laughter. There was a strange, staccato rhythm to his laugh — which seemed to fall somewhere between talking and singing — and it rushed out of his throat in a series of short mechanical trills: Ha ha ha. Ha ha ha. Ha ha ha. "No tell nobody," he said, once the outburst had subsided. "Top secret. Just between you and me. Sew up my lips. Ha ha ha."
He went back to his work at the cash register, and by the time he'd finished packing my things into a large white shopping bag, his face had turned serious again. "If one day you write story in blue Portugal book," he said, "make me very glad. My heart fill with joy."
I didn't know how to answer that, but before I could think of anything to say, he extracted a business card from his shirt pocket and handed it to me across the counter. The words PAPER PALACE were printed in bold letters at the top. The address and telephone number followed, and then, in the lower right-hand corner, there was a last piece of information that read: M. R. Chang, Proprietor.
"Thank you, Mr. Chang," I said, still looking down at the card. Then I slipped it into my own pocket and pulled out my wallet to pay the bill.
"Not mister," Chang said, smiling his big smile again. "M. R. Sound more important like that. More American."
Once again, I didn't know what to say. A few ideas about what the initials stood for flashed through my mind, but I kept them to myself. Mental Resources. Multiple Readings. Mysterious Revelations. Some comments are best left unsaid, and I didn't bother to inflict my dismal wisecracks on the poor man. After a brief, awkward silence, he handed me the white shopping bag and then bowed by way of thanks.
"Good luck with your store," I said.
"Very small palace," he said. "Not much stuff. But you tell me what you want, I order for you. Anything you want, I get,"
"Okay," I said, "it's a deal"
I turned to leave, but Chang scuttled out from behind the counter and cut me off at the door. He seemed to be under the impression that we had just concluded a matter of highly important business, and he wanted to shake my hand. "Deal," he said. "Good for you, good for me. Okay?"
"Okay," I repeated, letting him shake my hand. I found it absurd to be making so much of so little, but it didn't cost me anything to play along. Besides, I was eager to get going, and the less I said, the sooner I would be on my way.
"You ask, I find. Whatever it is, I find for you. M. R. Chang deliver the goods."
He pumped my arm two or three more times after that, and then he opened the door for me, nodding and smiling as I slid past him into the raw September day.
I had been planning to stop in for breakfast at one of the local diners, but the twenty-dollar bill I had put in my wallet before starting out had been reduced to three singles and a smattering of coins — not even enough for the $2.99 special when you figured in the tax and tip. If not for the shopping bag, I might have gone on with my walk anyway, but there seemed to be no point in lugging that thing around the neighborhood with me, and since the weather was in a fairly nasty state by then (the once-fine drizzle had turned into a steady downpour), I opened my umbrella and decided to go home.
It was a Saturday, and my wife had still been in bed when I'd left the apartment. Grace had a regular nine-to-five job, and the weekends were her only chance to sleep in, to indulge in the luxury of waking up without an alarm clock. Not wanting to disturb her, I had crept out as quietly as I could, leaving a note for her on the kitchen table. Now I saw that a few sentences had been added to the note. Sidney: Hope you had fun on your walk. I'm going out to do some errands. Shouldn't be long. See you back at the ranch. Love, G.
I went into my workroom at the end of the hall and unpacked my new supplies. It was hardly bigger than a closet in there — just enough space for a desk, a chair, and a miniature bookcase with four narrow shelves — but I found it sufficient for my needs, which had never been more elaborate than to sit in the chair and put words on pieces of paper. I had gone into the room several times since my discharge from the hospital, but until that Saturday morning in September — what I prefer to call the morning in question — I don't think I had sat down once in the chair. Now, as I lowered my sorry, debilitated ass onto the hard wooden seat, I felt like someone who had come home from a long and difficult journey, an unfortunate traveler who had returned to claim his rightful place in the world. It felt good to be there again, good to want to be there again, and in the wake of the happiness that washed over me as I settled in at my old desk, I decided to mark the occasion by writing something in the blue notebook.
(Continues...)
Excerpted from Oracle Night by Paul Auster. Copyright © 2003 Paul Auster. Excerpted by permission of Picador.
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Reading Group Guide
About this Guide
Several months into his recovery from a near-fatal illness, thirty-fouryear-old novelist Sidney Orr enters a stationery shop in the Cobble Hill section of Brooklyn and buys a blue notebook. It is September 18, 1982, and for the next nine days Orr will live under the spell of this blank book, trapped inside a world of eerie premonitions and puzzling events that threaten to destroy his marriage and undermine his faith in reality.
Why does his wife suddenly break down in tears in the backseat of a taxi just hours after Sidney begins writing in the notebook? Why does M. R. Chang, the owner of the stationery shop, precipitously close his business the next day? What are the connections between a 1938 Warsaw telephone directory and a lost novel in which the hero can predict the future? At what point does animosity explode into violence? To what degree is forgiveness the ultimate expression of love?
Paul Auster's mesmerizing eleventh novel reads like an old-fashioned ghost story. But there are no ghosts in this book--only flesh-and-blood human beings, wandering through the haunted realms of everyday life. At once a meditation on the nature of time and a journey through the labyrinth of one man's imagination, Oracle Night is a narrative tour de force that confirms Auster's reputation as one of the boldest, most original writers at work in America today