Orchestration / Edition 1

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Overview

In this book Walter Piston again displays those qualities that distinguished his earlier books, Harmony and Counterpoint.
Again he draws upon his own wide knowledge and experience as composer and teacher to present all phases of the subject. No practical aspect of instrumentation for the orchestra is neglected, and comprehensive treatment is given to each significant component.
The author approaches orchestration from the premise that the principles can best be presented by analysis of music as it has been written.The essentials of instrument combination discussed here are those which can be observed operating in the scores of great composers from Haydn, Mozart, and Beethoven down to our own day.Orchestration is notable for the clarity and logic of its organization. From a consideration of the individual instruments and their technical problems the author skillfully develops his analysis of orchestration, covering his analysis of orchestration, covering instrumentation of primary and secondary melodies, part-writing, chords, and contrapuntal techniques. Finally, he discusses typical problems in orchestration together with some examples of their solutions.Orchestration is profusely illustrated with hundreds of musical examples and with drawings of the various musical instruments that make up the modern orchestra.

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Product Details

  • ISBN-13: 9780393097405
  • Publisher: Norton, W. W. & Company, Inc.
  • Publication date: 3/28/1955
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 478
  • Sales rank: 791,232
  • Product dimensions: 6.10 (w) x 9.30 (h) x 1.10 (d)

Meet the Author

Walter Piston was Professor of Music at Harvard University. An outstanding composer whose many works have been performed by leading orchestras and chamber ensembles both in the US and abroad, he received the Pulitzer Prize twice for distinguished musical composition.

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted December 13, 1999

    a superior orchestration text

    The prose here is more stylish and accomplished than in most music theory textbooks, and the advice offered is to the point, compelling, and original.

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