Ordinary Love and Good Will

Overview

"The emotional and moral complexity that [Jane Smiley] uncovers in the characters of these resonant novellas confirms [her] singular talent. ORDINARY LOVE & GOOD WILL is an extraordinary achievement."
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ORDINARY LOVE
At a reunion with her grown children, a woman recalls the long-ago affair that ended her relationship with their father—and ...
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Overview

"The emotional and moral complexity that [Jane Smiley] uncovers in the characters of these resonant novellas confirms [her] singular talent. ORDINARY LOVE & GOOD WILL is an extraordinary achievement."
THE WASHINGTON POST BOOK WORLD
ORDINARY LOVE
At a reunion with her grown children, a woman recalls the long-ago affair that ended her relationship with their father—and changed all their lives irrevocably.
GOOD WILL
Despite the carefully self-sufficient life he has designed for his small family, a man discovers that even the right choices have unexpected consequences—sometimes heart-breaking ones.

These two novellas, by the author of The Age of Grief and The Greenlanders reveal the intricate and often heart-breaking inner workings of families. Here a woman recalls the long ago affair that ended her relationship with her husband and changed their lives. And a man discovers that the carefully planned lifestyle he has chosen for his family incorporates unexpected consequences. Nominee for the National Book Critics Circle Award.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Two novellas demonstrate the price children often pay for their parents' mistakes: in Ordinary Love , a father divides his family after his wife announces her extramarital affair, while in Good Will a boy is the victim of his father's obsession to maintain an exaggeratedly simple, self-sufficient lifestyle. ``Wise, powerful and resonantly memorable, these stories are sure to be classics,'' applauded PW . (Feb.)
Library Journal
Here are two memorable novellas--complete, evocative worlds in miniature--by the author of The Greenlanders ( LJ 4/15/88). In ``Ordinary Love,'' a mother explores her tentative relationship with her five grown children on the return of one of her twin boys from two years in India. After she reveals to them information about the brief affair that caused the collapse of her marriage to their father 20 years earlier, and her loss of custody, they tell heartbreaking details of their years without her. ``Good Will'' is a powerhouse: the careful, totally ``organic'' lifestyle of a rural couple disintegrates before their eyes when their seven-year-old son confronts the ``real world'' at school, with anguishing results. Remarkable work; Smiley is a genuine, first-rate talent.-- Ann H. Fisher, Radford P.L., Va.
From the Publisher
“With this volume, Jane Smiley ratifies her claim as one of her generation’s most eloquent chroniclers of ordinary familial love.” —The New York Times“An extraordinary achievement. . . . Smiley's stories lucidly explore the complexities of contemporary sexual and domestic life. The emotional and moral complexity that she uncovers in the characters of these resonant novellas confirms Jane Smiley's singular talent.” —The Washington Post Book WorldOrdinary Love & Good Will are unforgettable novellas, built on lucid characterizations and elegant prose. Jane Smiley accomplishes a dazzling feat--without so much as a flashy phrase.” —The Boston Globe
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Product Details

  • ISBN-13: 9780449907948
  • Publisher: Random House Publishing Group
  • Publication date: 6/1/1992
  • Pages: 197
  • Product dimensions: 5.23 (w) x 8.23 (h) x 0.36 (d)

Meet the Author

Jane Smiley
JANE SMILEY is the Pulitzer Prize-winning author of A Thousand Acres and more than ten other works of fiction, as well as three works of nonfiction, including a critically acclaimed biography of Charles Dickens. In 2001 she was inducted into the American Academy of Arts and Letters. She lives in northern California.

Biography

Jane smiley is the author of many novels, including A Thousand Acres, which won the Pulitzer Prize, and Horse Heaven. She lives in Northern California. In 2001, she was inducted into the American Academy of Arts and Letters.

Author biography courtesy of Random House, Inc.

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    1. Hometown:
      Northern California
    1. Date of Birth:
      September 26, 1949
    2. Place of Birth:
      Los Angeles, California
    1. Education:
      B.A. in English, Vassar College, 1971; M.A., Iowa University, 1975; M.F.A, 1976; Ph.D., 1978

Read an Excerpt

Ordinary Love and Good Will


By Jane Smiley

Anchor

Copyright © 2007 Jane Smiley
All right reserved.

ISBN: 9780307279095

I don't want Joe to find me on my knees, buffing the kitchen floor with an old cotton turtleneck, but he does, and says, "Mom! What are you doing? Relax!"

I sit back on my heels and say, "It's only six-thirty. What's with you?"

But I know. We both know. He crosses the kitchen and pours himself his first cup of coffee. He drinks them three at a time, I've noticed this summer, hot and with lots of milk and sugar. Now he turns away from the coffeemaker, and the cup is half empty before he sits at the table. He is grinning. Michael will be here today. Michael, Joe's identical twin, has been teaching mathematics in a secondary school in Benares, India for two years. That is why I am buffing the floor, why neither of us can relax.

The floor is pegged maple, about seventy-five years old. The boards vary in width from two inches to five, and are laid diagonally. In the last fifteen minutes, I have worked my way from the pantry to the back door, into a long bronze leaf of sunlight that colors my forearms and turns my hands muscular with shadows. I like this floor, troublesome as it is: caring for it, I remind myself of my mother, and this city, in spite of all its trees, seems rather like Nebraska, where I grew up. The long, rhythmic motions with the rag are soothing andproductive at the same time.

Joe says, "I think I'll leave for the airport about nine." He is bouncing in his chair. I smile and say, "Why don't you leave now?"

"I'm relaxed, Mom. What makes you think I'm not relaxed?" His expression is almost maniacal. They are twenty-five, and they have not seen each other in two years. "You, woman, get up and have a cup of tea or something." And so I do, simply for the pleasure of sitting at the kitchen table with my son. I let him make me toast and peel me an orange, and pour milk on my Rice Krispies. We talk about the geraniums in the window box and the broken lawnmower and the courses Joe is going to take when school starts again in two weeks. We don't talk about Michael. It is a family ritual, not to allude to the returning traveler while he or she is in transit. Usually we just don't speak the name, but this time Joe hasn't even said "he" or "my brother."

Joe has been with me all summer, the longest time we've spent together in six years, and I've gotten used to him. Joe was nervous about living with his mother all summer, but it has been one of the great summers of my life, the brush and thump and rattle of a congenial presence in the house every day. I'll be sorry when he goes back to school, and he knows it. He gets up from the table and goes into the dining room. He puts on some record, though only after carefully cleaning it off, and here comes Hank Williams, a compromise. I get back to the floor. He brought home his record collection and all summer his gift to me has been surprise music, but he can be pretty demanding--he's made me listen to Elvis Costello, The Talking Heads, The Flamin' Groovies, Dire Straits. I pretend I can hear the melodies. He says, only half joking, "This is pretty central to your mom-project, I would say, if you want to do it right." Doing it right involves learning to tolerate weirder harmonies than I was accustomed to before, but as a part of his "son-project" he plays the opera and the folk music I like.

He was living in Chicago, but his girlfriend broke up with him in June. After he got here, she wrote him four letters in two days, then that was it. Louise, her name is. She'd visited here four or five times, and I'd liked her, found her a pleasant, straightforward young woman. At lunch after he had been here a few days, he pushed one of the letters across the table for me to read. The important thing, she wrote, was that she didn't have the power to make him happy. Joe got up then and went to pull weeds in the flower beds. I remembered that feeling, life with a moody man, the ceiling lifting and lowering hour by hour, some days minute by minute. I thought she was wise to recognize her capacities before marriage, before children, but when Joe passed the kitchen window, I saw from the angle of his shoulders that he was devastated, and tears came into my eyes for him. Since then he hasn't dated.

His whole social life here revolves around Barbara and Kevin, friends from high school who got married at the end of college. When they come over, she always wants to sit me in the kitchen and talk about furniture and he always wants to take me outside (No eavesdroppers? I wonder) and probe my knowledge of state government. I am fifty-two years old, which turns out to be the age when your children and their friends are suddenly eager to plunder the knowledge and experience they once wouldn't admit you had for nuggets they now find useful. I am an accountant for the state, in the DOT, which must explain Kevin's interest.

I've been married once, almost married a second time. I have five children, four grandchildren, which must explain Barbara's interest, even though furniture is the closest she can get to the real topic of children and family life. My younger daughter, Annie, who had a baby in May, calls about everything now, though for years I hardly heard from her. My elder daughter, Ellen, lives a mile from here. She has two daughters of her own, and she talks to me or stops by every day. Daniel, a year younger than Ellen, lives in New York. He has one son, and calls every weekend. Once I was the font of wisdom about babies that they think I am now. My hip was made for carrying an infant; I could thread my way among toys and toddlers without stumbling, hardly looking down, except to admire a scribbled drawing. I thought four high chairs at the kitchen table and two big Labrador retrievers milling around them hoovering up the jetsam was unremarkable.

After buffing the floor, I go into the bathroom and scour the tub and the sink. I love this house. I used to drive past it every day on my way to work, and then it came up for sale, and I bought it. It is a four-bedroom Colonial Revival, on a huge corner lot, with a wraparound porch downstairs and a second-story walk-out balcony, too much for a single woman, but just enough, in a way, for me. I think of it as my acreage. Here alone, the way I usually am, I appreciate the largeness of its peace--no grandeur, but plenty of roomy quiet. There are three chestnut trees in the yard that must be indestructible, since there aren't three chestnuts so close together anywhere else in the state. By the time I have done the bathroom and straightened the living room, it is nearly nine. Joe is whistling through the house, making himself, I know, wait until the exact minute before letting himself depart. I stand in the shadow of the living room doorway, and soon enough he comes downstairs, putting his things into his pockets, jaunty with anticipation. I admire him. He is tall and square-shouldered. He stands up straight. He is slender, with large hands and feet, and though he doesn't have the air of physical know-how that, say, Daniel has, he has repaired a lot of things around the house this summer, and cut a lot of wood with the chain saw he bought when he got here. The man he is going to the airport to get now is his exact copy, top to toe, hair, fingers, feet. I haven't seen them together in years. He shouts, "I'm going now, okay?" I say, softly, "Okay," and he turns. He exclaims, "No big deal, Mom!"

"Oh, yeah. Right. I remember. Who cares?"

Just after he leaves, the phone rings, and it is Ellen. She says, "What time did you say he's getting here?"

"Joe just left. I'd say they'll be back before noon."

"Can I come over?"

"Of course."

"We knew this guy in Philadelphia who came back from India after two years. He was very weird."

"How was he weird?"

"Well, he would pick up the napkin you'd given him at dinner and he would say, 'This cloth is big enough to make a whole garment for an Indian child.' He would say that sort of thing all the time. I worry that Joe doesn't know what to expect."

"They've written a lot."

"Letters are very deceptive, I think."

"Well, I, for one, can't wait to see him." I am tempted to say his name, but at the last second I don't dare.

"I hate this," she says. Then, "Are you coming here tomorrow night?"

"What time do you want us?"

"Six. I don't think I'll come over there today after all. Jerry's out and I have too many errands."

"That's fine." I wait a long moment for her to decide to hang up the phone.

As I turn toward the kitchen, an ancient wave of terror seems to unroll from my head downward. I know exactly where it comes from. When Ellen was ten and the twins were five, and there were two in between, Pat, their father, and I parted, and he sold our house without telling me and took the children abroad. The morning I saw them for the first time in almost a year, this terror was so strong that I staggered from one side of the walk to the other as I approached his new house. I knew they were watching from the windows, and I was trying with all my concentration to walk normally, but I was literally unbalanced by the prospect of seeing them. There are things we can do in our family--eat peacefully, lend money, confide--but reunions are fraught with echoes.


When Michael walks into the house, he is not Joe's twin, but a shadow of Joe, dressed all in white cotton and cadaverous. He greets me in a Michael-like way, "Hey, Ma! I'm back. Any calls?"--grinning, grabbing me around the waist, and kissing me on the lips, but his biceps are like strings, and his ribs press into me through his shirt. It is all I can do not to recoil in surprise. We try to maintain a light, ironic (though sometimes rueful) atmosphere around here, but I look at Joe, and see by his subdued smile that Michael's figure has pierced him, too. He sets down the bags. In the moment we wait for Michael to signal us what to do and how to act, I think an irresistible thought--that we have gotten back less than we sent out.

Michael says, "You changed the pictures."

My glance follows his, and I realize that some copies I'd had of Audubon birds are missing. Joe says, "I moved the sunflower pictures down here from the guest room. Mom didn't even notice. I did it at the end of June."

"Of course I noticed." The sunflower pictures are rather nice: all five children and myself picnicking in a field of wild sunflowers on my mother's farm in Nebraska. The twins had just learned how to walk. My mother, too, ill but happy. She is sitting in a lawn chair, a profusion of sunflowers laced around her, on the only hummock for miles in any direction. I didn't notice he moved them because this is where they used to hang, before I decided that I wanted to give the house a more decorative, impersonal look. The fact is, he's also shifted the furniture in the living room and the guest bedroom, and when he makes dinner, he always serves it on the oldest plates. All summer he has been quizzing me about our history, especially his early childhood with Michael in our old house. I don't object, but I always think, At least Michael wants to grow up and get on with his life. And he does: he looks at the pictures with only minimal interest, then goes into the dining room and puts his shoulder bag on the table. His glance around is appreciative but not lingering. From the back, he looks more like himself. His shoulders have lost none of their breadth, and he moves supplely still. I say, "Darling, are you tired? or hungry?"

He turns and smiles merrily. "Don't I look hungry?"

"Well--"

"Ma! Open your eyes! I'm starving!"

In a sense, we find out over lunch, this is literally true. Joe serves up yogurt with wheat germ and raisins, peanutbutter sandwiches, a piece of Brie cheese, fresh peaches. Michael stirs his yogurt and says in a jolly tone, "My intestines are unrecognizable. I mean, my large intestine is like a piece of PVC pipe, and it all just shoots through. That's what happens to everybody." He lifts up his cloth napkin, but doesn't say anything about how many children it could clothe.

Joe says, "What happens to everybody?"

"Oh. Amebic dysentery. I've had it for over a year. I need to get some Bactrim. Or I could get cured. You can do that here."

"Can't you get cured there?"

"You keep getting reinfected, so it isn't worth it."

"Attractive," says Joe.

"Oh, I ran around like crazy when I first realized I had it, looking for a doctor who would make it go away, or at least be IMPRESSED. Now I hardly think about it."

"You could find a job as a pencil." They laugh.

In the middle of a peach, he puts his head in his hand and rests his elbow on the table. I say, "Tired?"

"Turned around. Jet-lagged. Twenty-four hours in transit is no joke. And they always make you leave in the middle of the night, and the night before, you were out with your friends. I'm glad I went west, though. They say it takes weeks to recover from flying through Hawaii. This stewardess on the flight was telling me that she hasn't had her period in a year, because she flies New York-New Delhi. North-south, they're regular as clockwork, but these eastwest ones wonder if they'll ever be able to get pregnant." He clears his throat, and I realize that this is a new habit he has. It reminds me of my farmer uncles.

If I was waiting for tales of the exotic, and I think I was, I guess I am to be disappointed. I make one try: "Do you miss it? Did you like it?"

He looks at me thoughtfully. He says, "I got used to it." That's all.

Continues...

Excerpted from Ordinary Love and Good Will by Jane Smiley Copyright © 2007 by Jane Smiley. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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