Orientations

Orientations

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by W. Somerset Maugham
     
 

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Collection of stories, first published in 1899. According to Wikipedia: "William Somerset Maugham (25 January 1874 – 16 December 1965) was an English playwright, novelist and short story writer. He was among the most popular writers of his era and, reputedly, the highest paid author during the 1930s. Maugham's masterpiece is generally agreed to be Of Human… See more details below

Overview

Collection of stories, first published in 1899. According to Wikipedia: "William Somerset Maugham (25 January 1874 – 16 December 1965) was an English playwright, novelist and short story writer. He was among the most popular writers of his era and, reputedly, the highest paid author during the 1930s. Maugham's masterpiece is generally agreed to be Of Human Bondage, a semi-autobiographical novel that deals with the life of the main character Philip Carey, who, like Maugham, was orphaned, and brought up by his pious uncle. Philip's clubfoot causes him endless self-consciousness and embarrassment, echoing Maugham's struggles with his stutter. Later successful novels were also based on real-life characters: The Moon and Sixpence fictionalizes the life of Paul Gauguin; and Cakes and Ale contains thinly veiled characterizations of authors Thomas Hardy and Hugh Walpole. Maugham's last major novel, The Razor's Edge, published in 1944, was a departure for him in many ways. While much of the novel takes place in Europe, its main characters are American, not British. The protagonist is a disillusioned veteran of World War I who abandons his wealthy friends and lifestyle, travelling to India seeking enlightenment. The story's themes of Eastern mysticism and war-weariness struck a chord with readers as World War II waned, and a movie adaptation quickly followed.

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Product Details

ISBN-13:
9781455402670
Publisher:
B&R Samizdat Express
Publication date:
02/01/2011
Sold by:
Smashwords
Format:
NOOK Book
Sales rank:
791,004
File size:
0 MB

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DE AMICITIA They were walking home from the theatre. ' Well, Mr White,' said Valentia, ' I think it was just fine.' ' It was magnificent!' replied Mr White. And they were separated for a moment by the crowd, streaming up from the Francais towards the Opera and the Boulevards. ' I think, if you don't mind/ she said, 4 I'll take your arm, so that we shouldn't get lost' He gave her his arm, and they walked through the Louvre and over the river on their way to the Latin Quarter. Valentia was an art student and Ferdinand White was a poet. Ferdinand considered Valentia the only woman who had ever been able to paint, and Valentia told Ferdinand that he was the only man she had met who knew anything about Art without being himself an artist. On her arrival in Paris, a year before, she had immediately inscribed herself, at the offices of the New York Herald, Valentia Stewart, Cincinnati, Ohio, U. S. A. She settled down in a respectable pension, and within a week was painting vigorously. Ferdinand White arrived from Oxford at about the same time, hired a dirty room in a shabby hotel, ate his meals at cheap restaurants in the Boulevard St Michel, read Stephen Mallarmd, and flattered himself that he was leading ' la vie de Bohtme! After two months, the Fates brought the pair together, and Ferdinand began to take his meals at Valentia's pension. They went to the museums together; and in the Sculpture Gallery at the Louvre, Ferdinand would discourse on ancient Greece in general and on Plato in particular, while among the pictures Valentia would lecture on tones and values and chiaroscuro. Ferdinand renounced Ruskin and all his works; Valentia read the Symposium. Frequently in the evening theywent to the theatre; sometimes to the Francais, but more often to the Ode"on ;...

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