Ornette Coleman, Psychoanalysis, Discourse: Movements in Harmolodic Space
Ornette Coleman, Psychoanalysis, Discourse develops tools from psychoanalysis for the analysis of Ornette Coleman's discourse.

In this psychoanalytic, philosophical and musical meditation on what it means to follow, A. L. James presents an approach to the analysis of discourse that is a kind of listening for listening – an attempt to discern in and between the lines of Coleman's speech the implication of new ways to listen, new ways to experience Coleman’s music as movement and space – as Movements in Harmolodic Space. Each chapter of this book is oriented with respect to fragments from Coleman’s discourse, dealing with a piece, or collection of pieces, from Coleman’s work, with particular attention to the implication of relations and relationality. Insofar as Coleman’s discourse about his work also contains allusions to fields beyond music, it develops tools that draw elements and structures from these fields together, finding in their relation echoes and parallels.

Ornette Coleman, Psychoanalysis, Discourse will be of great interest to psychoanalysts, musicians, and musicologists. It will be relevant for academics and scholars of psychoanalytic and Lacanian studies, music, and cultural studies.

1145612845
Ornette Coleman, Psychoanalysis, Discourse: Movements in Harmolodic Space
Ornette Coleman, Psychoanalysis, Discourse develops tools from psychoanalysis for the analysis of Ornette Coleman's discourse.

In this psychoanalytic, philosophical and musical meditation on what it means to follow, A. L. James presents an approach to the analysis of discourse that is a kind of listening for listening – an attempt to discern in and between the lines of Coleman's speech the implication of new ways to listen, new ways to experience Coleman’s music as movement and space – as Movements in Harmolodic Space. Each chapter of this book is oriented with respect to fragments from Coleman’s discourse, dealing with a piece, or collection of pieces, from Coleman’s work, with particular attention to the implication of relations and relationality. Insofar as Coleman’s discourse about his work also contains allusions to fields beyond music, it develops tools that draw elements and structures from these fields together, finding in their relation echoes and parallels.

Ornette Coleman, Psychoanalysis, Discourse will be of great interest to psychoanalysts, musicians, and musicologists. It will be relevant for academics and scholars of psychoanalytic and Lacanian studies, music, and cultural studies.

48.99 In Stock
Ornette Coleman, Psychoanalysis, Discourse: Movements in Harmolodic Space

Ornette Coleman, Psychoanalysis, Discourse: Movements in Harmolodic Space

by A. L. James
Ornette Coleman, Psychoanalysis, Discourse: Movements in Harmolodic Space

Ornette Coleman, Psychoanalysis, Discourse: Movements in Harmolodic Space

by A. L. James

Paperback

$48.99 
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Overview

Ornette Coleman, Psychoanalysis, Discourse develops tools from psychoanalysis for the analysis of Ornette Coleman's discourse.

In this psychoanalytic, philosophical and musical meditation on what it means to follow, A. L. James presents an approach to the analysis of discourse that is a kind of listening for listening – an attempt to discern in and between the lines of Coleman's speech the implication of new ways to listen, new ways to experience Coleman’s music as movement and space – as Movements in Harmolodic Space. Each chapter of this book is oriented with respect to fragments from Coleman’s discourse, dealing with a piece, or collection of pieces, from Coleman’s work, with particular attention to the implication of relations and relationality. Insofar as Coleman’s discourse about his work also contains allusions to fields beyond music, it develops tools that draw elements and structures from these fields together, finding in their relation echoes and parallels.

Ornette Coleman, Psychoanalysis, Discourse will be of great interest to psychoanalysts, musicians, and musicologists. It will be relevant for academics and scholars of psychoanalytic and Lacanian studies, music, and cultural studies.


Product Details

ISBN-13: 9781032534848
Publisher: Taylor & Francis
Publication date: 11/29/2024
Series: The Lines of the Symbolic in Psychoanalysis Series
Pages: 172
Product dimensions: 6.12(w) x 9.19(h) x (d)

About the Author

A. L. James is a writer and researcher from London.

Table of Contents

Acknowledgements

Series Preface

Preface     

               

I.          What does it mean to follow?                                   

II.        Transference                                   

III.       “No one knew where to go”                                                                         

IV.       Invisible                                                                                             

V.         Lonely Woman (Solitude)                                                                          

VI.       Lonely Woman (no relation)                                                                       

VII.      Skies of America

VIII.    Conclusion: what does it mean to follow?                                                                                                                                                            

Appendix        

Bibliography              

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