Other Kingdoms

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For over half a century, Richard Matheson has enthralled and terrified readers with such timeless classics as I Am Legend, The Incredible Shrinking Man, Duel, Somewhere in Time, and What Dreams May Come. Now the Grand Master returns with a bewitching tale of erotic suspense and enchantment….


1918. A young American soldier recently wounded in the Great War, Alex White comes to Gatford to escape his troubled past. The pastoral English village seems the perfect spot to ...

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Other Kingdoms

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For over half a century, Richard Matheson has enthralled and terrified readers with such timeless classics as I Am Legend, The Incredible Shrinking Man, Duel, Somewhere in Time, and What Dreams May Come. Now the Grand Master returns with a bewitching tale of erotic suspense and enchantment….


1918. A young American soldier recently wounded in the Great War, Alex White comes to Gatford to escape his troubled past. The pastoral English village seems the perfect spot to heal his wounded body and soul. True, the neighboring woods are said to be haunted by capricious, even malevolent, spirits, but surely those are just old wives’ tales.


Aren’t they?


A frightening encounter in the forest leads him into the arms of Magda Variel, an alluring red-haired widow rumored to be a witch. She warns him to steer clear of the wood and the perilous faerie kingdom it borders, but Alex cannot help himself. Drawn to its verdant mysteries, he finds love, danger…and wonders that will forever change his view of the world.

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Editorial Reviews

From the Publisher
Praise for Other Kingdoms:

"[A] bittersweet blend of fantasy and romantic suspense."

Publishers Weekly

"A vital, witty, frightening, erotic and intelligent page-turner about the follies of youth, deeply immersed in an arcane world that lurks beneath the safe, definable surfaces of the everyday." 


"Matheson himself is a literary faerie of sorts, his trick being his ability to coax off a story's familiar pathway to take us deep and deeper into his world until we accept what we instinctively reject. Those open to such imaginings couldn't ask for a better guide."

—Associated Press

Publishers Weekly
Genre veteran Matheson (I Am Legend) frames this bittersweet blend of fantasy and romantic suspense as the "true" reminiscences of 82-year-old Alex White, the author of such novels as Midnight Blood Thirst and Midnight Flesh Hunger under the name Alex Black. In the spring of 1918, the then 18-year-old Alex, a wounded soldier who's been discharged from the American Army, settles in the isolated English town of Gatford, where he soon finds himself caught between two supernaturally empowered women: Magda, an alluring witch, and Ruthana, a charming faerie. Alex, himself powerless, is willing to make great sacrifices to be with his one true love, whichever one she might be, but their different natures and disapproving relatives may doom the relationship. Which of the two women Alex will choose is never really in doubt; the loser is clearly unsuitable and conveniently malicious in defeat. The self-pitying Alex may ramble in telling his straightforward tale, but Matheson remains as ever a competent craftsman. (Mar.)
Library Journal
Small bites of horror punctuate a young soldier's discovery that there are worse things than war as Alex White finds that witches and faeries are not only real but also have teeth. Matheson, a multiple award-winning Grand Master of Horror known for his typically taut bullets of story that deliver back-of-the-neck lingering chills (Hell House; I Am Legend), delivers a rambling, erotically charged first-person reminiscence. Eighteen-year-old World War I vet Alex becomes the fulcrum of a mystical lovers' triangle, seduced by both voluptuous red-haired widow Magda, who turns out to be a witch, and ethereally beautiful Ruthana, a faerie who wants him for her own. Unfortunately, the story suffers from too-frequent parenthetical asides by Alex in the guise of his older, wiser 82-year-old pulp writing persona, Arthur Black. Tongue-in-cheek purple prose abounds, adding some sly humor to an otherwise disjointed tale. VERDICT Matheson's cachet will guarantee a readership, but fans with high expectations may be disappointed by the legendary author's gender-switched version of Stephenie Meyer's Twilight, with witches and faeries in the vampire and werewolf roles.—Charli Osborne, Oxford P.L., MI
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Product Details

  • ISBN-13: 9780765327697
  • Publisher: Doherty, Tom Associates, LLC
  • Publication date: 2/14/2012
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 320
  • Sales rank: 1,471,180
  • Product dimensions: 5.40 (w) x 8.20 (h) x 1.00 (d)

Meet the Author

Richard Matheson was The New York Times bestselling author of I Am Legend, Hell House, Somewhere in Time, The Incredible Shrinking Man, A Stir of Echoes, The Beardless Warriors, The Path, Seven Steps to Midnight, Now You See It…, and What Dreams May Come, among others. He was named a Grand Master of Horror by the World Horror Convention, and received the Bram Stoker Award for Lifetime Achievement. He also won the Edgar, the Spur, and the Writer's Guild awards. In 2010, he was inducted into the Science Fiction Hall of Fame. In addition to his novels Matheson wrote several screenplays for movies and TV, including “Nightmare at 20,000 Feet,” based on his short story, along with several other Twilight Zone episodes. He was born in New Jersey and raised in Brooklyn, and fought in the infantry in World War II. He earned his bachelor’s degree in journalism from the University of Missouri. Matheson died in June, 2013, at the age of eighty-seven.

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Read an Excerpt

Chapter One


I was born in Brooklyn, New York, on February 20, 1900. The son of Captain Bradford Smith White, USN, and Martha Justine Hollenbeck. I had one sister, Veronica, younger than I, who died the same year these strange incidents began.

Captain Bradford Smith White, USN, was a swine. There, I’ve written it down after all these years. He was a total swine. No, he wasn’t. He was a sick man. His brain was gnarled—shadow ridden, you might say.

Veronica and I (especially Veronica) suffered greatly at his hands. His discipline was iron based. The Navy spared him from being institutionalized, I believe. Where else could his near-demented behavior be permitted? Our mother, tenderhearted and emotional, died before she was forty. I should say, “escaped” before she was forty. Her wifehood was an extended sojourn in Hell.

*   *   *

I present a small example:

One day in March 1915, Mother, Veronica, and I received an invitation (an order) to attend a dinner on father’s ship (a supply ship, I recall). None of us wanted to go, but there was scant alternative—Daddy’s ship for dinner or, for refusing, several weeks (perhaps a month) of indeterminate punishment.

So we donned our respectful bibs and tuckers, and were driven to the Navy Yard, there to discover that Daddy’s ship was anchored on the Hudson River, which, with driving winds, was being whipped into minor tsunamis.

Would any husband and father in his right mind have permitted his family to face such a perilous experience? I ask you, would any husband and father in his right mind not have canceled the entire crazy venture and taken his family to a decent restaurant? I answer for you. Of course he would. Did Captain Bradford Smith White, USN, behave as though he was in his right mind? One guess. We were scheduled to have dinner aboard the USS White—Swine, it should have been named. If we all drowned en route—what is it the ruffian set says today?—tough titties. Regrettable but unavoidable.

We stepped, lurchingly, aboard the Captain’s gig—his private launch—and departed. The side awnings were lowered, Dad’s concession to reality, no doubt. The wind, however, was blowing so tremendously that the awnings kept flapping open at their bottoms, spraying us with Hudson River. Needless to say—I say it regardless—the waves were more than choppy; they were semi-mountainous. The gig shuddered and bounced, tilted and rocked. Mother pleaded with the Captain to turn back, but he remained adamant, lips compressed and bloodless. We would be arriving at the ship “toot-sweet”—he actually used the phrase, or, should I say, butchered it? Mother held a handkerchief to her lips, no doubt to prevent losing any prior meals that day. Veronica wept. I take that back; attempted (in vain) to keep from weeping, because the Captain loathed her tears, making it abundantly clear that he did with many a dark critical glance.

Somehow, despite my conviction that we were all destined for the bottom of the river, we finally arrived—still alive but damp—at Dad’s ship, which, dear reader, was scarcely the conclusion of our mal de mer nightmare. There were, you see, no convenient steps to the deck, only an exterior metal ladder, which, because of the leaping waves, was running with water. Up this slip-and-slide companionway climbed the White clan, totally convinced that death of one variety or another—by falling and/or drowning—was imminent. (Actually falling first, then submersion in the briny deep.)

The spotlight of the gig glared on—increasing our blind ascent—what with the ship’s spotlight also on—and Mother went first, assisted (poorly) by a terrified sailor. To my amazement—and disbelieving relief—she neither fell nor submerged, achieving the deck, still damp but unscathed. Veronica went next. At that moment, I summoned a hope for guardian angels. Surrendering completely her effort not to weep and offend the Captain, she labored, assisted, up the puddling ladder, slipping more than once and shedding copious tears and sobs. I followed; gripping the cold ladder railing so rigidly, my hands went numb. No assistance for me. Father either assumed I was strong enough to manage on my own—or else harbored a secret hope that I would tumble to a watery grave and relieve him of an irritating son.

Whatever the case, I climbed alone, clutching the ladder railing with both hands. Above me—I tried not to look up but did, distracted by the wild flapping of Veronica’s skirt, catching sight, at one point, of her underpants—a momentary glimpse of wetness. No surprise. I did the same. I wonder if Mother had, also, suffered alike. The weakness could not possibly have come from Father’s side of the genes. If he had any weakness, it was a total inability to identify with other human beings.

At one point of the death-defying climb, Veronica slipped off the ladder completely, screaming in terror, the high heel of her left shoe (why didn’t she wear mountain-climbing boots?) nicking the top of my head (why didn’t I wear a fireman’s helmet?), which began to drip blood. A chancy moment. Was Veronica to hurtle to the river? Was I to bleed to death?

Neither. Veronica, sobbing, stricken to the core, poor sweet dear that she was, regained her footing, assisted by the sailor who was with her, and was hauled up onto the deck by another sailor, a burly, redheaded, chuckling lout of a man. I followed, and so, to my chagrin, did Captain Bradford Smith White, USN, a thin smile on his granite lips. He was amused by the entire event. I’m sure Mother could have killed him. Ditto. Twice over.

A few words about my sister. Veronica was a truly gentle soul. Once, in a driving rainstorm, she picked up a bleeding puppy that had been struck (and deserted) by a speeding motorist. She carried it home—five blocks—in her arms. By a stroke of ill fortune, the Captain was not away that afternoon and ordered her to remove “that damned, whining beast” from the premises before it bled all over the handmade Chinese rug.

Only a hysterical, weeping fit by Veronica—and an atypical temperamental foot-stomping by Mother—not to mention a few choice verbal attacks by me, laced with impulsive profanities (for which I later paid a hefty price; I leave that to your imagination) persuaded the outgunned Captain Bradford Smith White, USN, to—stiffly—allow Veronica to take the shivering, silent—still bleeding—“mutt” to an unused corner of the cellar.

I went down there with her, disobeying the good Captain’s injunction to “go to your damned room.” (Another dereliction for which I paid hefty price number 2.) There I watched the dear, sweet, bless-her-noble-heart girl—still crying softly, gulping down body-racking sobs—care, with loving gentleness, for the puppy (she was, poor girl, a teenage Florence Nightingale), washing and bandaging, with household bandages, no less. (“Puppy needs them more than him.” Revealing to me—as if I needed it—her detestation of our father.) Fixing the puppy’s cuts and bruises, then kissing its damp head, crying anew when the puppy licked her hand.

Happy ending? You want a happy ending? Skip it. In the early morning, Veronica rushed down to the cellar to see if the puppy was all right. It was gone. She ran to question Captain Bradford Smith White, USN, and Mother told her Father had gone for the day to discharge his naval duties—probably beating some sailor to death with a chain. But I digress.

Crying helplessly, Veronica, suspecting the worst (most logically), hurried outside. To find the puppy on the back porch, curled up in an uncovered cardboard box. Needless to say—I am vengefully pleased to say—it was still raining, and the puppy was shaking uncontrollably and dying. Which it did that afternoon. I would like to describe the burial ceremony conducted by a heart-stricken Veronica, but the memory is too painful to relive in detail.

One more Captain Bradford Smith White, USN, anecdote. One more black star in his Book of Swinishness. Its conclusion? He castigated Veronica (severely) for ruining a blanket, using a box of household bandages, and digging an unauthorized grave in the backyard soil and, further, conducting an “un-Christian” funeral ceremony without express permission from the Church. Was he kidding? No.

*   *   *

Veronica was never very healthy, much less robust. Mother drove her—a long, inconvenient drive—to a naval hospital for treatment. Captain You Know Who would not permit Veronica—or Mother or me—to be treated by a local physician. He was a naval officer (by God), and treatment for a naval officer’s family must (repeat, must) by administered by a naval hospital or clinic. (By God.)

Veronica grew weaker by the year. By the time the influenza epidemic landed on the United States, she was primed for the blow, hardly resistant at all. Poor, dear, sweet Veronica. I still miss her and weep for her unhappiness.

The Captain had his brutal effect on me, mostly in my preteen years. A Pisces (it has been labeled “the trash bin of the zodiac”), I, too, cried a lot before I was fifteen. Then my rising sign, whatever it may be (actually, I know), must have risen strongly and declared itself, for I began to shut myself off from Captain B. S., USN. He no longer “got” to me. If I’d been the happy owner of a loaded pistol, I would probably (I do not say “undoubtedly”) have shot him many times over. For Veronica. For Mother. For myself. No guilt involved. I knew that much. More like a sense of grinning justification.

*   *   *

I have avoided, long enough, the transmission of my “terrible tale.” (Remember, of course, that it is, as well, a wondrous tale.) You know, already, that I have been too emotionally bound up to convey it for more than sixty years. So if I forget myself and allow my Arthur Black commercial overstatement to leak through, kindly take pity on the blind-eyed, money-seeking element in my elderly author persona. I promise you that what I am about to tell you did not ooze from my diseased brain. It happened.

*   *   *

Return with me to 1918. I was eighteen years of age. World War One was in full swing. Captain Bradford Smith White, USN, wanted me, naturally, to join the Navy; he would see to it that I got a “proper” position. Does it surprise you to read that I demurred? I enlisted in the army. I cannot adequately describe the intense pleasure I experienced when I witnessed the look of utter revulsion on his face when I told him the “good news.” (I was going to war for Uncle Sam!)

So there I was, an army enlistee, no doubt destined for a journey to France.

It was not the exact beginning of my nightmare-to-come, but it was certainly a good start.


Copyright © 2011 by RXR, Inc

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Customer Reviews

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( 9 )
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Sort by: Showing all of 9 Customer Reviews
  • Posted December 7, 2011

    My new fave of Matheson's works!

    Quick read that catches you from the very beginning and doesn't let go.

    2 out of 2 people found this review helpful.

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  • Posted April 4, 2011

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    I have only read one other Richard Matheson book (Hell House) but this was a great read. I couldn't put it down. The voice of the narrator really pulls the reader through the story and makes you want to read on. Pick this one up!

    2 out of 2 people found this review helpful.

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  • Posted January 10, 2011

    more from this reviewer

    chilling DNA helix-like twisted historical love story

    In 1918, more to escape from his abusive father rather than any sense of patriotism, Alex White joins the army. He is quickly sent to the trench warfare in France where he meets Harold Lightfoot who is from Gatford, England. When Harold dies, Alex finds gold in his duffle bag instead of Harold's bag. Alex instantly decides to visit the place Harold called the most beautiful village in the world. Alex crosses the Channel, but soon realizes locating the rustic quaint village is not easy as if Gatford does not want to be found by just anyone.

    He rents Comfort Cottage using the money he received by selling the gold. The owner is shocked when it turned to dust; this is the beginning of the travails he finds in the village where the townsfolk believe the Faerie live in the nearby woods. They warn him never to leave the path and to avoid Widow Magda Variel the witch. Alex fails to heed the sage advice as he and Magda begin a relationship and encounters Ruthana a beautiful Faerie. Both women want him exclusively, but the more time Alex spends with Magda, the more ne becomes wary of her actions. He enters Faerie, but life there proves dangerous there also as someone wants him dead.

    This is a chilling DNA helix-like twisted historical love story as a female uses her power to keep the male object of her obsessive affection at her side while her rival is willing to sacrifice her desire for his safety. Told in the first person, Other Kingdoms draws the reader into Alex's account starting with his enlistment, but mostly his time in Gatford and the surrounding areas as he believes he has fallen in love with two diverse women.

    Harriet Klausner

    1 out of 2 people found this review helpful.

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