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| Shooter Jennings | Primary Artist, Synthesizer, Percussion, Rhythm Guitar, Vocals, Wurlitzer |
| Mickey Raphael | Harmonica |
| Kenny Kosek | Fiddle |
| Steve Elliott | Guitar, Rhythm Guitar |
| Jon Graboff | Pedal Steel Guitar, Rhythm Guitar, Vocals |
| Tony Leone | Percussion, Drums, Vocals |
| Jeff Hill | Electric Bass, Vocals, Acoustic Bass |
| Chris Masterson | Guitar, Rhythm Guitar, Vocals |
| Eleanor Whitmore | Fiddle, Vocals |
| Erik Deutsch | Organ, Synthesizer, Piano, Vocals, Wurlitzer |
| Stephanie Coleman | Fiddle |
| Boo Rainer | Banjo |
| Bailey Cook | Banjo |
| Jonathan Stewart | Saxophone |
| Steve Young | Composer |
| Harry Nilsson | Composer |
| Jim "Dandy" Mangrum | Composer |
| Jon Graboff | Composer |
| Brandon Mason | Engineer |
| Keith Neltner | Illustrations, Digital Design |
| Shooter Jennings | Composer, Programming |
| Charles "Buddy" Smith | Composer |
| John Baldwin | Mastering |
| Ricky Lee Reynolds | Composer |
Editorial Reviews
All Music Guide - Thom Jurek
Shooter Jennings has always demanded to be taken on his own terms. If 2012's Family Man was his most "country" album, The Other Life is its companion and mirror, not its follow-up. Six of these tracks were cut at the earlier album's sessions, including the firebrand "Outlaw You," the tune for the music video that was a musical middle finger to Eric Church and Jason Aldean (which has curiously gone unanswered). The Other Life is wilder, darker, rowdier, and more diverse than its predecessor. The brooding opener "Flying Saucer Song," a piano- and effects-driven number, is eventually transformed into a spaced-out, gospel-tinged song about space (outer and inner). It throws the ...