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The Other Side of Air

Overview

From Jeanne Braselton, author of the crtically acclaimed A False Sense of Well Being comes an irresistible new novel about the power of enduring love, poignantly told by an unforgettable narrator who’s watching from her place on “the other side of air.”

Katy Doyal has loved her husband, Ephraim, since their very first meeting in Rome, Georgia, when she was eight years old. Now, realizing that her time on earth is slipping away, Katy is determined to leave behind an orderly life ...

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Other Side of Air

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Overview

From Jeanne Braselton, author of the crtically acclaimed A False Sense of Well Being comes an irresistible new novel about the power of enduring love, poignantly told by an unforgettable narrator who’s watching from her place on “the other side of air.”

Katy Doyal has loved her husband, Ephraim, since their very first meeting in Rome, Georgia, when she was eight years old. Now, realizing that her time on earth is slipping away, Katy is determined to leave behind an orderly life and enlists the help of a stranger–a middle-aged, robust, wild-haired woman named Rose–to become a caretaker to her dear, dotty curmudgeon. After Katy passes, Ephraim is surprised to notice that his grief is easier to bear thanks to the arrival of this outsider. Even Katy, observing the events from the great beyond, is pleased.

If only Katy and Ephraim’s only child, Wyatt, could be so accepting. After moving to California to start his own life, Wyatt is still unable to escape his feelings of insecurity and exclusion from his parent’s ironclad union–a neediness that endangers his own marriage, and threatens to overshadow his mother’s death and upstage his father’s mourning.

But Rose isn’t about to let anything distract her from her sacred mission. And Katy–watching her family embracing life and love again–knows she needs to let go before she can earn “her wings.”

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Editorial Reviews

From the Publisher
Praise for Jeanne Braselton’s A False Sense of Well Being

“[An] entertaining, rueful account of love on the rocks in the New South that combines small-town charm with major-league angst.”
–Los Angeles Times

“Gutsy, moving, and memorable . . . [a] remarkable and accomplished debut.”
–Lee Smith, author of The Last Girls

Publishers Weekly
A deceased Georgia librarian reaches out from beyond the grave to dote on her husband of 60 years in Braselton's posthumous second novel (after A False Sense of Well Being). Katy and Ephraim Doyal loved each other to the exclusion of everyone, including their son, Wyatt, whose resentment of his third-wheel status threatens his own marriage. When Katy is diagnosed with congestive heart failure, she worries Ephraim will sink into a depression after she is gone and die of loneliness. To this end, she arranges for Rose Callahan, a loud and brassy workhorse who, like Ephraim, was traumatized by a childhood of grinding poverty, to step in once Katy has passed to "the other side of air." Narrating the novel from the afterlife a la The Lovely Bones, Katy also communicates with her son and husband, attempting to foster a reconciliation between the two. Although the plot is slight and the Southern patois is cumbersome, the novel abounds in wise truths about the indignities of aging and dying, the fragility of life and happiness and the durability of love. The author's 2003 death-her friend, the novelist Kaye Gibbons, completed the novel and contributed an afterword-adds a poignant prescience. (Aug. 29) Copyright 2006 Reed Business Information.
Kirkus Reviews
A quirky, charismatic, often lyrical second novel (A False Sense of Well Being, 2001), posthumously published; novelist Kaye Gibbons completed the book after her friend's death, in 2003. Katy Doyal narrates this tale from the afterlife, from the other side of air, where she is now "hovering about in a state of something like perpetual titillation," waiting for her husband Ephraim to die and join her. But until then, she has arranged for his upkeep and living, in the form of brassy, intuitive Rose Callahan. That Rose moves into the Doyal's substantial house without question or complaint, despite having never met Ephraim, is handled with a little bit of humor and a lot of make-believe. Bits of magic envelop the study of Katy and Ephraim's long relationship, which we learn about through Katy's words and the long letters of advice Katy's mother wrote (now being read by Rose so she can better learn Ephraim's ways). The two met as eight-year-olds (Ephraim digging in the mud, Katy imparting some bossy girlish wisdom) and remained hopelessly romantic through their poverty and then the sudden financial windfall that graced their later years. Their impenetrable union helps to explain the churlishness of their only child, Wyatt. An angry fellow, always feeling like the butt of a private joke, Wyatt has come to Georgia with wife Ann, who will leave him unless he can become a decent person. A tall order, but if he just listens to his mother's whispered advice, clearer now to him than when she was alive, he may finally grow up and make amends with his father. Braselton's triumph is in taking a few days and filling them with authentic conversations about anger and love, and creating not somethingstiffly earnest or maudlin, but a novel that is bright and true. A small gem, written in a lilting southern conversational voice, with an afterword by Gibbons.
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Product Details

  • ISBN-13: 9780345443106
  • Publisher: Random House Publishing Group
  • Publication date: 8/29/2006
  • Pages: 192
  • Sales rank: 1,154,167
  • Product dimensions: 5.20 (w) x 7.80 (h) x 0.60 (d)

Read an Excerpt

One

Now that I have died, I see all and know all, and there’s nothing I can do about it. Before, the frustration would’ve been intolerable, but the instruction would’ve been the same—let things go from your hands, watch them land where they will and be glad, be decent and do your best, take care of those who love you, make your bed, do the nastiest job of the day first—no lessons that require divine revelation, you see, only common sense, nothing supernatural. Consider how jangled the world would be if our judgment from beyond continued to mean anything. Not to say that having the power to reach down into lives to lift burdens and simplify sticky situations wouldn’t be thrilling. From all indications, though, it wouldn’t be the best use of a brief allotment of time and imaginative longing to consider our leaving as anything other than a final journey. And take a tip— memories are all we’re capable of offering in the way of influence.

People who have loved us tend to leave the rooms we lie in committed to do more, see more, and so be able to die sometime in the distant future with more honor and fewer regrets than they believe we took with us. They can wonder so intently at the meaning of it all that an answer which may have been stranded inside them, abandoned, or atrophied from disuse will finally, suddenly, make itself heard. Despite their conviction that intimations of how to live better lives felt far too urgent and true to have arisen from any ordinary thing, lessons that matter always come on the heels of the simple act of remembering words and acts of love given to them by the person they’ve had to close the door on.

Mothers and wives are naturally inclined to notice large and small improvements individuals could be making in their lives, but it doesn’t take death to prove the futility of trying to coordinate people to behave according to directions you prefer, or to believe what you know to be an indisputable truth. A living, even partially alert mother knows the limits of her ability to change a mind if she happens to have a grown child like mine who turns away from any evidence that his successes would be less impressive were it not for his parents’ willingness to get up at dawn and work until dark. Specific memories of love, though, once they begin coming in through the grieving, are invariably dependable revelations, which can be trusted to finish transformations we weren’t able to see completed.

Living in love for seventy-three years kept me immune to a great deal of frustration. From the instant in 1925 when the eight-year-old boy who would eventually be my husband squinted up from a mud hole he was stirring with a long stick on the long dirt road that passed by my house and his outside Rome, Georgia, adoration contained all the possibilities of freedom and trust. Our first conversation was chiefly made up of debate over why a new girl who’d just moved from Athens, a college town even small children learned to disparage, felt righteous enough to suggest that he was going to drive the stick up into his head if he continued to pick his dirty nose with it.

He said I seemed like a person who liked to dictate. “You look like them that like to try out to be the boss of somebody, but I got a mama, though she don’t smile correcting.”

“I always smile,” I told him, “when I’m doing something I’m good at.”

“The teachers don’t give out lessons on the first day, but I bet you’re going to make up some hard homework for all your doll babies soon as you get to the house.”

I said, “I’m not saying, and you can’t talk. I didn’t see you at school.”

“I don’t get up of a morning, like some, studying school.”

“You think you can turn out, playing in a filthy hole? You look like you’d be in my grade, unless you were left back. You been left back?”

“No,” he said, “I’m the right age, covering from the fever is all. I’ll be over by there directly. Mama said I could go when I felt like it. I might feel like it tomorrow, I may not.”

“You must be Ephraim,” I said. “The teacher called out your name and marked you absent. People told her you’d had a temperature.”

“I did,” he said, “but not now.”

“Then you ought to report tomorrow,” I said. “You don’t want to get off to the wrong start. Wouldn’t you hate not to turn out? My father’s the principal over by the military school, and before we left Athens, he said the public school I’d have to go to had people sixteen in the third grade. I saw a boy with a beard and a mustache playing tetherball today. I might leave and go to the private school in Chattanooga, or I might go to school in England, where my mother’s from.”

“The boy with the hair on his face,” he said, “is slow on account of he didn’t get his air being born, but if he could think to know where England or Tennessee was, he’d wish you happy travels.”

When I laughed, a hard shell around him cracked, letting out a sudden brightness, as he said, “You thought about taking snuff or something to take the gleaming glare off your teeth? You always so shiny in the face? I bet you stay clean. I took and saved up for some Ipana, but the man came to the door with a parakeet in a suitcase the other day and asked me what I’d give him for it. Your family use Ipana? Your mama got nice teeth? It was some English that kept house that summer my mama cooked in Atlanta, eight, nine of them, and three, four right teeth in their head if you could of stomached counting. I got to sleep on a feather mattress, though.”

Before I could ask for details, his thin, large-eyed mother came outside and stood by him, holding a square of calico, and as she opened it and sorted out a few nickels and pennies, she smiled at me, saying, “I heard it was a new family down the road. You must be the girl. I need to send Ephraim to the store after a snack of supper, if you care to walk with him.”

I was clueless as to what grade of supper could be bought for the eighteen cents she warned him not to lose along the way or waste on another trick bird. He stood and brushed dirt off his long legs and combed his fingers through an unruly head of dusty black hair, telling his mother, “Last time, they said they’d let me get some Ipana on time. I wish you’d allow it.”

When she said they weren’t buying tooth powder on credit, explaining how that kind of lax attitude about finances was what had condemned her to work like an animal since his father died and left them under a burden of debts, I took the time to consider the ridges on his fingernails, how deeply furrowed they were, like the plowed field across the road. And even though everyone our age was snaggle-toothed, his few stray crooks of outsize permanent teeth appeared to be coming in rotten.

Noticing me inspecting, his mother said, “He still looks a little catching, but he’s stopped being, so you won’t get something on the way to the store. When you get there, I’d appreciate it if you stood behind him and didn’t let the man sell him casings and call it sausage, like he did the other day.”

“I know how to speak up,” Ephraim told her.

“Oh,” I said, “I didn’t speak up my name. It’s Katy, and I’d like to go, but I should be going home now.”

I couldn’t say my mother was making a pork loin and a chocolate cake for my and my father’s first school days, or that she was serving dinner early to allow time to drive to the dime store for fresh notebooks, lead, and all the other merchandise I’d been fantasizing about that would amount to a total of a great deal more than eighteen cents. I didn’t know about country people and their food habits and home ways, but I understood from Ephraim’s sudden, irritated distraction that he was probably regarding how unnecessarily greedy the clerk had been to rook a woman and a child out of a dime’s worth of nourishment and how he should’ve spoken up against it, or maybe how the casings had slipped around in his mouth.

My father had just finished an advanced degree in secondary education from the University of Georgia and taken on a small, new academy for problem boys, and my mother had been raised on Edgewater Road in London. Her par- ents had been domestics, but my meaning is she was wholly unfamiliar with the fatalistic outlook of rural people who’re extremely clever and efficient at enduring hunger, heat, disease, and poverty but too paralyzed to change anything. That was what I heard when Ephraim’s mother told him, “You need to run on by yourself, then, and if you can’t get anything but what amounts to nothing, make sure to get a cracker to go with it.”

It was going to be an awful errand. I blurted, “If you want to come to my house and let me catch you up on school, you could stay and eat supper.”

When his mother asked him if that’s what he wanted to do, he said, “No, but I might.” She looked at me hard as we were walking away, wondering, I know now, if he was going to return from my ideal environment despising her.

Since our move, my mother had occupied herself with transforming the depression that had begun washing over her in sick waves early in 1925, when my father announced the summer move to north Georgia, which had a reputation for being grindingly impoverished. On the rattling drive down, she’d mournfully narrated the scenery, stark one minute and in chaotic disrepair the next; but in the five or six weeks we’d been living there, her impulsive generosity had sent her into the same falling-down houses she’d criticized with buckets of eggs, sides of ham, bottles of Mercurochrome, and in several cases the county health nurse. Had she come across Ephraim before I did, she would’ve had him at our table earlier.

She and my father made certain dinner went off normally, and they made Ephraim comfortable. He didn’t despise his mother when he returned to his house; he wasn’t capable of it. Later, he told me he’d actually felt a little better there, knowing he was continually welcomed to the food and love at mine, and also because we’d come to the agreement that first evening, without having to mention any word pertaining to it, that we were friends, in the deepest order of love—indefinitely, for good, infinitely.

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Reading Group Guide

1. The Other Side of Air begins, “Now that I have died, I see all and know all.” How is opening the book in the voice of a dead narrator a powerful narrative technique? How? Does it force you to suspend disbelief? How? How?

2. As a reader, what do you learn immediately about the narrator Katy and her personality, her family, and what she finds most important in life (and death)? What do you find most compelling about her character?

3. What characteristics does Rose possess that makes her the “right company for Ephraim,” in Katy’s eyes? Why does Ephraim eventually accept her into his life? Why do Ann and Wyatt do so after their initial objections?

4. Before her death, Katy muses about “how little permission sacrifice had brought” in her relationship with Wyatt. What sacrifices did Katy and Ephraim make for Wyatt? What do you think they were seeking in return from their son? Did Wyatt make any sacrifices for them?

5. Wyatt’s relationship with his parents is a contentious one. What about his personality does not jibe with his mother and father? Why do you think Ephraim labels his son “unkind”? Do you think this assessment is accurate?

6. Why do you think Wyatt considered himself excluded from his parents? Do you think his parents could have included him more in their lives? How does Wyatt’s childhood resentment bubble over into his relationship with his wife, Ann?

7. Katy remarks that Ephraim “had always been in extraordinary spiritual condition” (p. 35). Do you agree or disagree? How does Ephraim express his spirituality, and how does that spirituality differ from the spirtuality of his wife, his son, and others around him? Why doesn’t Ephraim pay as much attention to his physical condition as he does to his spiritual one?

8. How does money influence Wyatt’s perception of his parents, both while he is growing up and later on, when they become more affluent? How does the perception of class affect Wyatt, and also his parents before him? What does affluence mean to him and to Ann, whose parents have warned that “she wouldn’t inherit a dime if she allowed them to decline and die without their favorite daughter near them in Florida” (p. 45)?

9. How does Braselton paint death in the scenes where Katy and then Ephraim perish? What emotions does she evoke in you, the reader, during those pivotal moments? After reading the afterword, what do you think might have been going through Braselton’s mind as she crafted those scenes?

10. Why does Ephraim refuse to help with housework or the everyday duties of home life? How does Katy come to accept this? If you were in her position, how might you react?

11. “I don’t know that he’ll ever easily put his arms around a pleasure,” muses Katy about Wyatt (p. 70). Do you think that Wyatt has begun to change by the end of the novel? How do you think having a child of his own will affect his mindset and behavior?

12. Letters pepper the book–Katy’s to Rose, Katy’s mother’s to Katy, Ephraim’s to Wyatt. How are these letters an effective way to move the story forward and to give you, the reader, a better sense about those who have written those missives? What effect do the letters have on their recipients?

13. Compare and contrast Wyatt’s marriage with that of his parents. How do you think Ann might like him to be more similar to his father, as a husband and, perhaps, as a father? How does Wyatt and Ann’s modern marriage have some very traditional problems?

14. Why do Ephraim and Ann want Wyatt to surprise them? Do you think his subsequent surprise is a successful one? Why or why not?

15. Why does Katy, and then Rose, suggest that Wyatt buy Ann a corsage? Why do you think Ann is so thrilled with this gift?

16. Katy and her mother believe that “infinity is made only of the chief emotions we felt in life” (p. 127). What are the chief emotions that Katy feels in her life, that she subsequently feels after her death? What emotions do you think Ephraim will feel?

17. What is Ephraim’s first reaction to Katy’s death? Why do you think he is able to immediately sleep? Why do you think he subsequently measures his life in “how long I’ll be made to stay, not how little I have left” (p. 62)?

18. Katy remarks to Wyatt how Flannery O’Connor was capable of observing “with a kind of critical distance” (p. 129). How is this similar to or different from her own relationship with Wyatt, both before and after her death?

19. What do you think the title The Other Side of Air means? Did you have a different understanding of the novel’s title upon reaching the book’s conclusion?

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