Our Savage Art: Poetry and the Civil Tongue

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Overview

The most notorious poet-critic of his generation, William Logan has defined our view of poets good and bad, interesting and banal, for more than three decades. Featured in the New York Times Book Review, the Times Literary Supplement, and the New Criterion, among other journals, Logan's eloquent, passionate prose never fails to provoke readers and poets, reminding us of the value and vitality of the critic's savage art.

Like The Undiscovered Country: Poetry in the Age of Tin, which won the National Book Critics Circle Award in Criticism, Our Savage Art features the corrosive wit and darkly discriminating critiques that have become the trademarks of ...

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Overview

The most notorious poet-critic of his generation, William Logan has defined our view of poets good and bad, interesting and banal, for more than three decades. Featured in the New York Times Book Review, the Times Literary Supplement, and the New Criterion, among other journals, Logan's eloquent, passionate prose never fails to provoke readers and poets, reminding us of the value and vitality of the critic's savage art.

Like The Undiscovered Country: Poetry in the Age of Tin, which won the National Book Critics Circle Award in Criticism, Our Savage Art features the corrosive wit and darkly discriminating critiques that have become the trademarks of Logan's style. Opening with a defense of the critical eye, this collection features essays on Robert Lowell's correspondence, Elizabeth Bishop's unfinished poems, the inflated reputation of Hart Crane, the loss of the New Critics, and a damning-and already highly controversial-indictment of an edition of Robert Frost's notebooks.

Logan also includes essays on Derek Walcott and Geoffrey Hill, two crucial figures in the divided world of contemporary poetry, and an attempt to rescue the reputation of the nineteenth-century poet John Townsend Trowbridge. Short reviews consider John Ashbery, Anne Carson, Billy Collins, Rita Dove, Louise Glück, Jorie Graham, Robert Hass, Seamus Heaney, and dozens of others. Though he might be called a cobra with manners, Logan is a fervent advocate for poetry, and Our Savage Art continues to raise the standard of what the critic can do.

Editorial Reviews

Choice

Logan's prose is polished, witty, authoritative, and courageous.... Highly recommended.

James Wolcott

Who's the Best Poetry Critic in America? His name I can mention. William Logan.

New York Times Book Review

The latest installment in William Logan's prolonged and rambunctious assault on the state of American poetry.

— Mark Ford

The Dark Horse

One of the wittiest and most astute poet-critics of our -- or any -- generation.... A work of devilish wit, arrogance, insight, and intellect.

— Rory Waterman

Times Literary Supplement

There is a grain of truth in almost everything [Logan] writes.

— Jordan Davis

Mark Ford
The most obvious advantage of Logan's…approach to much of the contemporary poetry he writes about is that it transforms the normally rather stultifying genre of the poetry review into something more akin to a blood sport. Logan's hounding and slashing, parodying and chastising, make for what editors call good copy. Occasionally he exempts a passage, or a complete particular poem, from his mocking strictures, but in general one learns to expect—and even, in a slightly shameful way, like a member of the crowd at a Roman circus, to demand—the final turning of the emperor's thumb down, and the consigning of another poet to oblivion. Logan works as hard, in these reviews, as any stand-up comic or 18th-century satirist to unite critic and audience in a shared bond of ridicule.
—The New York Times

Product Details

  • ISBN-13: 9780231147323
  • Publisher: Columbia University Press
  • Publication date: 4/1/2009
  • Pages: 368
  • Product dimensions: 6.36 (w) x 9.24 (h) x 1.12 (d)

Meet the Author

William Logan is the author of nine volumes of poetry and five books of criticism, including The Undiscovered Country, which won the National Book Critics Circle Award in Criticism. He has received the Randall Jarrell Award in Poetry Criticism from the Poetry Foundation, as well as the Citation for Excellence in Reviewing from the National Book Critics Circle, the Corrington Medal for Literary Excellence, and numerous awards for his poetry. He teaches at the University of Florida.

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