Out and Aboutby Shirley Hughes
Shirley Hughes was trained at Liverpool Art School and at the
From mud pies to mist, from sand castles to snow, this year-round collection of original verse celebrates the out-of-doors with the same joy small children bring to it. "The poems would be worth reading without the artwork, but here it almost steals the show."Booklist.
Shirley Hughes was trained at Liverpool Art School and at the Ruskin School of Art, Oxford. She illustrated many books by other authors before she started to write her own picture books. Her own family, two sons and a daughter, were very young then and she learned the craft of storytelling mostly by reading to them. Her books have won many awards and are published in Europe, China, Japan, and the Far East, as well as Australia, Canada, the U. K., and the U. S. A. She travels widely, talking to and drawing for children in schools and libraries as well as at adult conventions.
Shirley is married to an architect, now retired, and they have lived in the same family house, overlooking a London square garden, for more than forty years. They have, to date, six grandchildren who keep them on their toes.In Her Own Words...
"I grew up in a nice, quiet, well-behaved suburb of Liverpool. But our uneventful lives were rudely interrupted by the outbreak of World War II. Wewent to school carrrying gas masks, did air-raid shelter drills, saved Up mountains of scrap metal, and attempted to knit Mufflers for the troops. (Mine were very long; I never quite got the hang of casting off.) I slept under the stairs (hiring the winter of the big blitz, when we saw the sky over Liverpool lit by searchlights, tracer bullets, and Fires from the burning docks.
"All this may sound very exciting, But theproblem with wartime is that when it's not frightening, it's deadly dull. You can't go on holiday, the grown-ups are too harassed and exhausted to pay much attention to amusements, and every nice kind of food is scarce. I recall, on a rare trip to the seaside (the beach was out of bounds, full of barbed wire and concrete gun emplacements), gazing at a longempty slot machine which had held chocolate bars and now seemed like a rusting icon from another world.
"Nevertheless, we managed to have a good time. We drew a lot, read and wrote stories, and got up magazines. (Mine was called, rather unoriginally, 'Girl's Own.) We acted plays, dressed in homemade costumes, to any audience we could press into service, cats included. Later, we became hopelessly stageand movie-struck. I think that by accident I had an ideal childhood for an illustrator. In a pre-televisual age, our Sunday afternoon outings, if we were lucky, were to Liverpool Art Gallery, which was cram-full of Victorian an narrative paintings with titles like 'The Hopeless Dawn,' 'Too Late!,' and 'When Did You Last See Your Father?' Tremendous stuff, and it fueled my lifelong conviction that stories and pictures belong together. I think most children probably feel the same.
"With me, drawing and painting stuck. I was never much good at anything else, so I went on doing them. Writing was a secret thing, kept well under wraps. When I emerged from art school, I wrote to a distinguished typographer saying I wanted to illustrate children's books. He wrote back saying that this was impossible 'except as an adjunct to teaching or matrimony.' All the same, I was determined to do it.
"When I think of an idea for a story, it always starts with a very strong image in my head, usually of a child doing something. With picture books, the words are unthinkable without the images-the two develop together, like a film. Alfie first made his appearance running up the street ahead of his mum, who came trundling behind with the shopping and his baby sister, Annie Rose, in the buggy. I knew from the first moment I reached for a pencil to get down a rough drawing of him that he was positively pink in the face with determination to get into the action. A lot has happened to him-and to mesince. He is a very ordinary little boy, a kind of fouryear-old Everyman just beginning to come to grips with the complexities of life. Now, rather to my amazement, well over two million Alfie books have been sold worldwide. But I still relate back to that rapid sketch done in a state of high excitement, which is where it all began."
—The Wall Street Journal
This first book of poems is perfect for reading aloud and for a search through the pictures for lively kids, dogs, squirrels and birds.
Hughes’s pen-and-watercolor illustrations, the stars of this show, are deliciously full of motion...her approach is gentle, humorous, old-fashioned, full of human character.
—The Boston Globe
Meet the Author
Shirley Hughes has illustrated more than two hundred children’s books and is one of the world’s best-loved writers for children. She has won the Kate Greenaway Medal twice and has been awarded an OBE for her distinguished service to children’s literature. In 2007, her book Dogger was voted the U.K.’s favorite Kate Greenaway Medal–winning book of all time. Shirley Hughes lives in London.
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