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Douglas Wolk
As his clean, fluid drawing style makes clear, Smith was an animator before he began Bone -- his images always suggest how his characters move in space -- and a lot of his best tricks are animators' tricks. (The imperturbable matriarch Gran'ma Ben has exactly two, nearly identical facial expressions, a sour grimace and a sour grin.) He has also picked up his knack for comedy from old animated cartoons. A pair of hairy, slavering "rat creatures" arguing about whether to stew their victim or bake him into a "light, fluffy quiche" (while he gets away) is pure Daffy Duck; that the creatures still seem terrifyingly menacing a few pages later says a lot about Smith's dramatic range.— The Washington Post
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