Out of Sight!

Editorial Reviews

All Music Guide - Jonathan Widran
The legendary conguero may be known as one of the modern kings of all jazz that's Latin, but he's also an old-school soul junkie at heart, having grown up in southern California in the '60s; while he was learning to play tropical Latin music professionally, his radio was full of classic Stax and Motown. Increasingly aware that classic R&B songs adapt well to the jazzy cha cha tempos that drive his ensemble, Sanchez evolves beautifully on the new collection into a style of Latin soul that's truly compelling. The opening track, the funky, brass-driven cha cha "One Mint Julep," features not only the organ arpeggios of Billy Preston, but also two of the horn guys from ...
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Editorial Reviews

All Music Guide - Jonathan Widran
The legendary conguero may be known as one of the modern kings of all jazz that's Latin, but he's also an old-school soul junkie at heart, having grown up in southern California in the '60s; while he was learning to play tropical Latin music professionally, his radio was full of classic Stax and Motown. Increasingly aware that classic R&B songs adapt well to the jazzy cha cha tempos that drive his ensemble, Sanchez evolves beautifully on the new collection into a style of Latin soul that's truly compelling. The opening track, the funky, brass-driven cha cha "One Mint Julep," features not only the organ arpeggios of Billy Preston, but also two of the horn guys from the James Brown band, Fred Wesley and Pee Wee Ellis. "JB's Strut" funks out with the horniest of them, but Brown is paid even greater homage on blues/soul/big-band/Latin renderings of three of his tunes, "Saints and Sinners," "Out of Sight" sung with a tongue-in-cheek Brown bravura by Sanchez, and "Conmigo." And while he's at it, Sanchez invites two legendary soul men to make things even more authentic. Sam Moore has a blast with the sassy "Hitch It to the Horse," while Ray Charles adds his whimsical touch to the salsified blues tune "Mary Ann." The remaining question is, just where is the Godfather of Soul himself? Hopefully, he's proud of one of the most unique tributes to him ever fashioned.
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Product Details

  • Release Date: 9/9/2003
  • Label: Concord Records
  • UPC: 013431103165
  • Catalog Number: 1031

Tracks

Disc 1
  1. 1 One Mint Julep (5:11)
  2. 2 El Shing-A-Ling (5:48)
  3. 3 Hitch It to the Horse (3:58)
  4. 4 Saints & Sinners (4:01)
  5. 5 Mary Ann (5:07)
  6. 6 Not Necessarily (4:36)
  7. 7 Conmigo (6:48)
  8. 8 Jb's Strut (5:07)
  9. 9 Out of Sight (3:50)
  10. 10 El Tambor del Mongo (8:23)
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Album Credits

Performance Credits
Poncho Sanchez Primary Artist, Percussion, Conga, Vocals
Ray Charles Vocals, Guest Appearance
Billy Preston Hammond Organ, Guest Appearance
Pee Wee Ellis Tenor Saxophone, Guest Appearance
Francisco Aguabella Bata Drums, Guest Appearance
Tony Banda Bass, Background Vocals
Scott Martin Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone
David Torres Piano, Hammond Organ
Fred Wesley Trombone, Guest Appearance
Francisco Torres Trombone, Background Vocals
Sam Moore Vocals, Guest Appearance
Salvador Vazquez Guitar, Percussion, Bongos, Conga, Background Vocals, Tres
Serafin Aguilar Trumpet, Flugelhorn
Dale Spalding Harmonica, Guest Appearance
George Ortiz Timbales
Technical Credits
James Brown Composer
Ray Charles Composer
John Burk Producer, Executive Producer
Ron Davis Engineer
Jesse James Composer
Scott Martin Composer
Eddie Palmieri Composer
Poncho Sanchez Composer, Producer
Rudy Toombs Composer
David Torres Composer, Musical Director
Francisco Torres Composer
Abbey Anna Art Direction
Glen Barros Executive Producer
Jill Simonsen Graphic Design
Larry Sanchez Equipment Technician
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