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Out of the Inkwell: Max Fleischer and the Animation Revolution [NOOK Book]

Overview

"Max Fleischer (1883-1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment." "Out of the Inkwell: Max Fleischer and the Animation Revolution is a portrait of the life and world of a man who shaped the look of cartoon animation. While deeply engaged with his characters, Fleischer also sought ...
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Out of the Inkwell: Max Fleischer and the Animation Revolution

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Overview

"Max Fleischer (1883-1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment." "Out of the Inkwell: Max Fleischer and the Animation Revolution is a portrait of the life and world of a man who shaped the look of cartoon animation. While deeply engaged with his characters, Fleischer also sought ways to improve his art through technical innovation. Among the many patented inventions Fleischer created was his Rotoscope, a device that helped track live action on-screen and revolutionized the way animated characters appeared and moved." "In the 1920s, Fleischer created a series of "Out of the Inkwell" films, which led to a deal with Paramount. Films featuring the character Ko-Ko the Clown introduced new special effects such as startling combinations of live action and animation. In one piece, Ko-Ko emerges from an inkblot and appears on-screen with footage of Fleischer himself. As the sound revolution hit film, the studio produced shorts featuring the characters interacting with songs. The Fleischers involved jazz artists such as Cab Calloway and Louis Armstrong, and the sound cartoons were a howling success." In the next decade, Fleischer Studios produced the features Gulliver's Travels and Mr. Bug Goes to Town and soon went to work on an animated Superman series, which won widespread critical and popular acclaim. In spite of its great popularity and success, however, the studio was abruptly closed. The animated cartoon industry was shocked, and the event went unexplained for many years. Now, Max's son Richard has at last solved the mystery of the shuttering of Fleischer Studios.
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Editorial Reviews

From the Publisher
"Richard Fleischer, a film director who never became a household name despite working with some of Hollywood's biggest stars… [his son] Max Fleischer, and Max's siblings were pioneers in the early days of animation, gaining fame with their Betty Boop and Popeye the Sailor shorts in the 1930s." — The New York Times" —
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Product Details

  • ISBN-13: 9780813137117
  • Publisher: University Press of Kentucky
  • Publication date: 6/24/2005
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 232
  • Sales rank: 744,120
  • File size: 6 MB

Meet the Author

Richard Fleischer (1916-2006) was an accomplished director, producer, and Academy Award winner who directed films such as Soylent Green (1973), Tora! Tora! Tora! (1970), and 20,000 Leagues Under the Sea (1954).

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted February 15, 2012

    Wonderful and insightful

    I bought this book as source material for a paper in mmy American Studies class because I wanted to approach the assignment in a different way than most other students might. This book, written by the animator's son, is a tribute to a family man and innovator who dared to be one of tje earliest challengers to Walt Disney.
    Fleischer created not only Betty Boop but Ko-Ko the clown, the Popeye shorts and the classic Superman toons from the 1940s. He was also the mind behind early sing-along and humorous travelogue cartoons.
    This is a great source and a wonderful book about a great but (lately) underappreciated man. Read this if you want an unDisneyfied view of early 20th century classic art.

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