The Owl Killersby Karen Maitland
In 1321, the English town of Ulewic teeters between survival and destruction, faith and doubt, God and demons. Against this intense backdrop, a group of women have formed a beguinage, a self-sustaining community of women. Led by the strong-willed Servant Martha, these women are committed to a code of celibacy and prayer, hard work and charity that is unsanctioned by the all-powerful church. Still, the villagers have come to rely on this remarkable group of women for their very lives. And seeking shelter among them now is the youngest daughter of Ulewic’s lord, a man who holds power over them all.
But when a series of natural calamities strikes, the beguinage’s enemies make their move, stirring the superstitious villagers with dark rumors of unspeakable depravities and unleashing upon the defiant all-female community the full force of their vengeance in the terrifying form of the Owl Killers. Men cloaked in masks and secrecy, ruling with violence and intimidation—the Owl Killers draw battle lines. In this village ravaged by flood and disease, the women of the beguinage must draw upon their deepest strength if they are to overcome the raging storm of long-held secrets and shattering lies.
“This powerful, enthralling story of treachery and magic is multilayered, atmospheric, and complex.”—Tucson Citizen
“Highly recommended . . . taut, compelling.”—Historical Novel Society
“Gripping . . . a real page-turner.” —Library Journal
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I thought I heard a man dying in the great forest tonight, but now I'm not so certain; maybe what I heard was a corpse rising to life. He was shrieking and pleading, but he wasn't begging for mercy. He'd challenged Death to wrestle with him. He'd thrown back his head and demanded to suffer, as if he wanted the demons to do their worst and drag him down into the pit of Hell. If he was human, then he must have been mad. Staring at the moon can make you run mad, did you know that? And tonight the moon was round as a woman's belly swollen with child. That's when men should fear it most.
I can't ever tell the other women what I saw, not even Pega. How could I explain to them what I was doing out there alone in the forest at midnight? I'm not a lunatic, if that's what you're thinking, not like that madman. I hadn't gone into the woods trying to get myself killed, though I knew the dangers only too well. God alone knows how many deadly creatures slither and prowl through those ancient groves. Venomous adders, wild boar, savaging wolves--even a stag in rut could kill you. And if the beasts are not terrible enough, there are the cutpurses and the outlaws who prey on any stranger wandering into their domain.
Pega, though she's taller than any man alive, won't set foot in the forest after dark. None of the village women will. They say the hungry ghosts, slipping like mist between the trees, will devour you if you should chance to step upon the spot where someone once died. And over the centuries, hundreds of people must have died in these forests and left no mark.
So do you really believe I wasn't afraid to go into those woods that night? I tell you I'd had to gather up every shard of courage I had, but what else could I do? Jack-in-the-green must be gathered when the moon is fully ripe, for only then does the herb have the strength to bring back a woman's fertility. I dared not ask for any from the infirmary. We are celibate, that is the rule, and why should a celibate woman want to restore her childbearing years? But I do; I must.
The moon floated yellow and round above the treetops, pouring light down over the branches, petrifying leaf and branch to bleached bone. I trembled violently at every squeak and cry, forcing myself to keep walking deeper and deeper into the trees. I could not turn back empty-handed. Jack-in-the-green is always hard to find by sunlight or moonlight. Devil's prick, Pega calls it. The herb loves the dark, damp places among the tree roots and its spotted leaves easily conceal themselves.
I knew I must be near the river. I could hear the water thundering over the rocks. I turned away, knowing that the herb would not be growing near the water's edge, preferring the deep forest shade. Then, as if the moon herself had parted the bush with her white fingers and revealed the pale sheath, I saw it. I knelt in the damp earth, and was reaching for my knife to dig at the roots, when I heard a new sound. This was not an animal grunt. It was a man's voice.
My heart thumping, I scrambled up as silently as I could. With my back pressed against the rough tree trunk for protection and my knife grasped tightly in my hand, I peered round trying to see where the voice came from, but I could see no one. Did the hungry ghosts speak before they pounced?
Treading lightly, I tried to edge away from where I'd heard the sound. I listened, holding my breath, but no footsteps followed me. Perhaps the voice had just been in my head. I crept softly on, praying my footfall would not crack a twig and I wouldn't stumble, betraying my presence.
I had come to the edge of a clearing. A lake of quicksilver seemed to spread out at my feet. It lapped around the base of a great hollow oak tree in the centre of the glade. The oak's trunk was so massive that it would have taken half a dozen men to encircle it. The hollow inside the oak was as dark as a crypt, for even though it must have been open to the sky above, not a single ray of moonlight appeared to penetrate it.
Suddenly I heard the voice again. It was coming from somewhere in front of me. Instead of escaping from the danger, I had stumbled straight towards it.
"The blood of the white stag I pour out to Yandil, lord of the underworld. Let it be as my blood. Drink."
The voice rang out no more than a few yards from me, but the clearing was deserted. Despite the chill of the night, my hands were sticky with sweat and my heart began to pound so violently that I feared it would burst through my chest. I wanted to run, but I was too scared to move in case I was seen.
"The flesh of the white stag I lay bare for Taranis, lord of this forest. Let it be as my flesh. Eat."
I clung to the trunk of a tree and stood shaking, certain that if I let go, my legs would give way beneath me. Then I saw something moving; a black shadow was creeping across the silvered ground towards me, and it wasn't human. A long narrow snout and a pair of branched horns grew out from its chest, and four or five long tails swung from its back. It seemed to be slithering straight towards the spot where I stood. It was lengthening and reaching out towards me. I shut my eyes tightly, trying not to scream.
"The spirit of the white stag I offer up to Rantipole, lord of the air. Let it be as my spirit. Devour it."
I opened my eyes, too terrified to run. The creature stood facing the open hollow of the tree. It had its back to me. Now, as the moonlight fell full upon it, I could make sense of the nightmare I saw. It was no monster. It was a man, tall and powerfully built. Over his shoulder swung the hide of a stag with the horned head still attached. The beast was freshly slaughtered and the heat from the skin was still rising into the cold night air. I could see blood glistening wetly in the starlight. I could smell it.
"I am come to the doorway of the three realms. Give me leave to enter. Ka!"
The man pulled off his hood and tossed it aside. Then he lifted the stag's head and placed it on top of his own head. The blood dripped down over his hair and skin. Gripping the two sides of the hide, he wrapped the steaming skin around himself, like a cloak. As he raised his head, the antlers reared upwards as if he was challenging the moon.
"Hear me, Taranis, lord of destruction, a great wrong has been done to you and to us your servants. Once your creature, your creation of despair and darkness, ruled this place. This valley was named for him. Your demon brought to all who defied you death in this world and torment in the world beyond. Every man learned to fear him and in their fear they turned to you and to us, your servants. But a century ago, on the eve of Samhain, the women came to this doorway. The women could not kill your demon, but they sent him into the twilight time, the place of the shadows, where the days pass unnumbered and the years pass unmarked.
"This night I enter the doorway to seek the knowledge that will call the demon forth again. Others have dared to brave the stag's hide before me, but they perished before cockcrow, for they were not strong enough to bear your test and you destroyed them for their weakness.
"This night the hag Cailleach dies. This night Cernunnos, lord of fertility, is born. I have hunted. I have slain. I have taken his sign and his strength. As he is reborn this night, so shall I be."
The man raised his great arms, fists clenched and bellowed up at the stars.
"Taranis, lord of the night, grant me the knowledge to summon your creation, the power to call him forth, and the strength to control what is raised from the darkness! Ka!"
The man bowed his head and in one swift movement ducked into the black hollow of the bull oak.
I stared at the place where the man had disappeared, too horrified by what I'd heard to move. Silence flooded back across the clearing. The trees shivered, holding their breath. Suddenly, as panic seized me, my legs started move. They were trembling too much for me to run and I managed only to stagger a few paces when I heard a loud rustling behind me. It was as if a violent wind had sprung up and was whirling the dry leaves, except that there was no breeze. I couldn't help myself; I had to turn. I had to look back.
The clearing floor was still bathed in the ghost light, but it was no longer still and silent. Everywhere I looked, the ground was heaving. The leaf mould and newly sprouting plants were being pushed up as if a thousand moles were all trying to burrow their way to the surface at once. The mounds rose higher and higher, until suddenly they burst open, and insects began to pour out of them--beetles, worms, centipedes, engorged spiders, and great white maggots--all the creatures that feed upon the dead were crawling up from the dirt and into the moonlight.
It was impossible to see the ground, for every inch of it was writhing with the bloated insects and all of them were scuttling towards the great oak. The wings of the beetles clicked and rattled as they swarmed around the trunk towards the tree's black maw. From inside the hollow I heard the man gasp as creatures began to slither into the oak tree where he lay.
Then, as the vast tide of insects swarmed over the bark and crawled into the hollow, the man's moans gave way to a great cry of defiance and pain.
"I give my blood, Yandil, I give you my . . . blood!"
And from inside the cavernous hollow, his cry rose to shriek upon shriek of agony as if all the creatures of the grave were feeding on him, stripping his living flesh to the bare bone.
the second of the three beltane fire days and saint walburga's day. + walburga was born in the kingdom of wessex, england, in the eighth century. + she became the abbess in charge of the double monastery of heidenheim, germany, ruling over both monks and nuns.
Excited barking jerked me awake. Every hound in the Manor was yelping. And no wonder, for it sounded as if the hunt in full cry was thundering past our gates. I ran to the casement and looked down. Though it was barely light, the road beyond the Manor was crammed with outlanders jostling into Ulewic for the fair. Carts rumbled over stones. Tiny girls shooed great flocks of hissing geese. Old crones dragged bleating calves on long ropes, tangling them round the legs of the peddlers who struggled under the weight of their bulging packs.
In the long, heavy ox-wagons, women squatted among kegs and bales, chattering and singing. Children ran alongside, hitching rides and squealing with laughter when the wagon juddered over ruts. Young men scrambled across the ditches to the banks where the primroses bloomed, tossing handfuls of flowers to the giggling girls in the carts and snatching kisses from them as they hung over the sides. I longed to be in one of those carts, longed to have a boy fill my lap with primroses. But I knew no one would ever try to snatch a kiss from me.
I was dressed hours before the rest of the family and paced impatiently up and down the great hall, desperate to be out there among the crowds. But my mother and sisters insisted on every pleat of their veils being pinned evenly. I think they did it on purpose to keep everyone waiting, knowing the May Fair could not begin without us, for my father, Lord Robert D'Acaster, owned the fair's charter.
And it was my father who finally led the procession of our family and servants through Ulewic towards the Green. He strutted ahead with his fat legs wide apart like a little boy who'd wet his breeches. Despite the chill of the day his fleshy face was already flushed and sweating with exertion. My mother dragged on his arm, walking with her eyes downcast as if she was afraid of what she might see. My twin sisters, Anne and Edith, followed her, clinging demurely hand in hand. No one would ever think we were related.
I look like a boy, as my mother was always telling me, too short and too thin and too plain. I've my mother's brown hair except that mine is curly, and as usual that morning, my hair refused to stay in its bindings however much the maids tore at it with combs. They'd grumbled and cursed, for they were sure my mother would blame them, but they needn't have worried. She always blamed me for everything, why not that as well?
Anne's and Edith's hair, of course, lay smooth and obediently bound and coiled round their ears, just where the maids had pinned it. Both my sisters had inherited my father's sandy hair and the pasty moon-face of my mother. And she guarded the twins' virtue more closely than her own jewels. For my father was determined that neither should so much as raise her eyes to look at a man, before she was safely wed.
My father, resolved to keep his wealth in the family, had promised one of my sisters to his nephew Phillip. Which twin Phillip picked was immaterial to my father. But so far Phillip had resisted making his choice; he was having too much fun with their serving maids. At least I wasn't on offer. Though I was only a year younger than the twins, I would never be offered to anyone. As my sweet sisters never failed to remind me, I was born under the Demon star and not even old beggar Tom would dare to take me to bed. I suppose I should have been grateful for that.
My cousin Phillip had wandered away from our procession before we even reached the Green. I could see he was already bored and was searching for someone to play with, for he constantly looked around him, winking and leering at any half-passable woman, ignoring the greetings and bobs of all others.
From the Hardcover edition.
Meet the Author
Karen Maitland has a doctorate in psycholinguistics. She has traveled and worked in many parts of the world, from the Arctic Circle to Africa, before finally settling in the medieval city of Lincoln in England. Her British debut novel, The White Room, was short-listed for the Authors’ Club of Great Britain Best First Novel Award. The acclaimed author of Company of Liars, she is at work on her next novel.
From the Hardcover edition.
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In 1321, the English villagers of Ulewic are pulled in two directions. The Owl Masters demand a return to paganism while the Beguines Christian women want to be left to worship as they choose in peace. However, the tiny town has had several catastrophes from plague to flooding to famine so many residents blame the Beguines. The village priest blames the disasters on those females living in the beguinage. The Owl Masters ally with the priest insisting the unnatural women have caused crop failure and sudden animal deaths because they are witches. This is a fascinating look at a medieval conflict that has relevancy today with it's for or against dividedness. The story line focuses on religious disputes and indirectly sexism. Insightful although too abrupt with sudden changes of perspective, fans of medieval historical tales will want to read THE OWL KILLERS AS KAREN Maitland scrutinizes intolerance and partnering by people of influence in positions of moral authority for personal agendas. Harriet Klausner
I really enjoyed reading this book set in medieval England. It was very interesting learning about their lives. Ive not read many set in this period written from the average persons view and it was a very interesting book ,one I would reccomend.
I enjoyed this book. This is the first book that I've read by this author. I enjoy Historical Fiction and this had that feel to it. I will read another by her.
I had read Karen Maitland's previous book, A Company of Liars, and while I wasn't wow'ed by it, I thought it was good enough that I picked up The Owl Killers to try. I was unimpressed by this book. The style is great if the reader doesn't have the time to sit for long stretches, but that is also a weakness in that the book becomes TOO easy to put down if, like me, the reader finds that they don't like some of the characters doing the narrating. I found myself wanting to reach into the pages and slap a few of the characters just to keep things moving! I didn't find the surprise twists to be surprising (who didn't see the identity of the rapist from a mile away?!) and the big reveal at the end was such an anti-climax that I'm still not sure if it was supposed to be the climax of the story at all. For a thriller, it wasn't thrilling, and for historical, it didn't tell me anything I didn't already know. Life in England in the 1300's was hard and dirty and it rains a lot in East Anglia. No news flashes there! I can't really recommend this book. It's not awful, but it's also not really worth the time.
The Owl Killers transports us back to olde England making us feel the mud and muck as we traverse a village and its occupants. The villagers are under-fed due to the feudal corruption of their "lord", un-protected from their weak hearted priest and his struggles with lust and a dueling religious sect, a beguinage run entirely by women, and under-siege by a malevolent demon and its minions the Owl Killers, who wreak havoc and terror wherever they go. Like "A Company of Liars", Maitland builds a story around interesting characters, an incredibly realistic setting, and a thrilling plot with twists and turns chock full of surprises. The Owl Killers exudes Maitland's unique writing style as the story unfolds through the eyes of each chapter's focal character. Piecing together the story from constantly changing perspectives dazzles the reader, making it difficult to stop reading once started. An excellent read for those fascinated with: the age, the power struggles of people feeling trapped by societies norms, and battles of good vs. evil.
Karen Maitland is my new "author crush". I read "Company of Liars" last year and loved it. I was excited to read "The Owl Killers", hoping it would be as good as her previous novel; and it was great! She is a master at building the plot and character development. She knows her history, too. "The Owl Killers" is told using various protagonists, which works great as the plot thickens. I cannot recommend "The Owl Killers" enough. Whether you're a history buff trying to polish up on medievil England or a book enthusiast looking for that hard-to-find escape, "The Owl Killers" is absolutely brilliant!
Hi. Im not doing this for long.