Mike Pincombe is Professor of Tudor and Elizabethan Literature at the University of Newcastle upon Tyne; he convened the Tudor Symposium between 1998 and 2009. He has written books on John Lyly (1996) and Elizabethan Humanism (2001), and also essays and articles on a range of mid-Tudor topics. He is presently working on William Baldwin and A Mirror for Magistrates. Cathy Shrank is Reader in Tudor Literature at the University of Sheffield. Her publications include Writing the Nation in Reformation England, 1530-1580 (Oxford University Press, 2004, 2006) and essays and articles on various Tudor and Shakespearean topics, including language reform, civility, travel writing, cheap print, and mid-sixteenth-century sonnets. She is currently working on an edition of Shakespeare's poems and a monograph on non-dramatic dialogue in the sixteenth and early seventeenth centuries.
The Oxford Handbook of Tudor Literature: 1485-1603by Mike Pincombe
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This is the first major collection of essays to look at the literature of the entire Tudor period, from the reign of Henry VII to death of Elizabeth I. It pays particularly attention to the years before 1580. Those decades saw, amongst other things, the establishment of print culture and growth of a reading public; the various phases of the English Reformation and process of political centralization that enabled and accompanied them; the increasing emulation of Continental and classical literatures under the influence of humanism; the self-conscious emergence of English as a literary language and determined creation of a native literary canon; the beginnings of English empire and the consolidation of a sense of nationhood. However, study of Tudor literature prior to 1580 is not only of worth as a context, or foundation, for an Elizabethan 'golden age'. As this much-needed volume will show, it is also of artistic, intellectual, and cultural merit in its own right. Written by experts from Europe, North America, and the United Kingdom, the forty-five chapters in The Oxford Handbook to Tudor Literature recover some of the distinctive voices of sixteenth-century writing, its energy, variety, and inventiveness. As well as essays on well-known writers, such as Philip Sidney or Thomas Wyatt, the volume contains the first extensive treatment in print of some of the Tudor era's most original voices.
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