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The contributors--including such noted opera critics as William Ashbrook, Paul Griffiths, and Barry Millington--provide superb coverage of all the major periods. We read of the remarkable success of opera in republican Venice, where by 1650 some fifty operas had been performed, including masterworks by Monteverdi, the giant of the era. We learn of opera seria--which within the world of eighteenth-century Italian opera was the summit of prestige--and opera buffa, most noted today for three major works by Mozart: Le Nozze di Figaro, Don Giovanni, and Cosi Fan Tutti. We explore the peak of opera's popularity in nineteenth-century France, Italy, and Germany, with astute commentary on such major composers as Berlioz, Bizet, Rossini, Donizetti, and especially Wagner and Verdi. And we examine the remarkably diverse works of our own century, from Strauss's Der Rosenkavalier and Alban Berg's Wozzeck to Benjamin Britten's Death in Venice and John Adams's Nixon in China. Throughout, the contributors illuminate how opera often reflects the cultural concerns of the age, how it is part of the social fabric, and in three fascinating sections on staging, singers, and the social climate, they give us a look behind the scenes as well as a feel for what opera was like in the past. We discover, for instance, that before the late nineteenth century, patrons were not expected to arrive on time, sit still, keep quiet, concentrate on the stage action, or stay to the end (Wagner put an end to this practice by darkening the theatre). Not least important are the numerous illustrations in the book, which highlight the richly visual nature of opera, the manner in which it communicates so vividly through staging and costume. Exhaustively researched and informatively captioned, these striking pictures offer an immediacy with the past that both enriches and complements the narrative.
Nowhere does the rich panoply of opera history unfold more grandly than in this volume. Authoritative, vividly written, and exquisitely designed, it will be treasured by everyone who loves opera.
List of Colour Plates Notes on the Contributors Foreword, Roger Parker
1. The Seventeenth Century, Tim Carter
2. The Eighteenth Century: Serious Opera, Thomas Bauman
3. The Nineteenth Century: Comic Opera, Thomas Bauman
4. The Nineteenth Century: France, David Charlton
5. The Nineteenth Century: Italy, William Ashbrook
6. The Nineteenth Century: Germany, Barry Millington
7. Russian, Czech, Polish, and Hungarian Opera to 1900, John Tyrrell
8. The Twentieth Century: to 1945, Paul Griffiths
9. The Twentieth Century: 1945 to the Present Day, Paul Griffiths
10. The Staging of Opera, Roger Savage
11. Opera Singers, William Ashbrook
12. Opera as a Social Occasion John Rosselli Further Reading Chronology, Mary Ann Smart