Ozma

Editorial Reviews

All Music Guide - Ned Raggett
With Black in on bass and the band relocated to San Francisco, the Melvins started, in a subtle way, exploring and developing their already-trademark sound further. The genre-dipping and out-of-nowhere efforts of later years were still some distance off, to be sure, but moments like the vocal/drum-only part on "Oven" and the needle-thin feedback treatment punctuating "Revulsion/We Reach" (along with occasional chimes) show more chances already being taken. Osbourne's tribute to Ozzy reaches new heights throughout -- opening track "Vile" in particular blends that and the running Gene Simmons fascination into a twisted monster, insistent, unnerving, and threatening all at ...
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Editorial Reviews

All Music Guide - Ned Raggett
With Black in on bass and the band relocated to San Francisco, the Melvins started, in a subtle way, exploring and developing their already-trademark sound further. The genre-dipping and out-of-nowhere efforts of later years were still some distance off, to be sure, but moments like the vocal/drum-only part on "Oven" and the needle-thin feedback treatment punctuating "Revulsion/We Reach" (along with occasional chimes) show more chances already being taken. Osbourne's tribute to Ozzy reaches new heights throughout -- opening track "Vile" in particular blends that and the running Gene Simmons fascination into a twisted monster, insistent, unnerving, and threatening all at once. "Green Honey" is another great, one of the quicker songs (at least comparatively speaking) going off as a slightly echo-shrouded Osbourne fires off a few quick rambles. Crover once again is the band's not secret weapon, as the clattering start of "Agonizer" and the subtle but spot-on tempo shifts on "Claude" make clear. Black's bass playing is steady-as-it-goes enough not to get in the way of anything, and she and Crover make enough bedrock thump for Osbourne to let loose with both his pipes and his guitar. Whether it's the creepily calm start of "Let God Be Your Gardener," plucking rather than bulldozing forward for once, or the grinding do-not-pass-go attack of "Raise a Paw," Ozma is out for blood and gets it. Killer song titles this time out include "Ever Since My Accident" and "Cranky Messiah." The random what-the-hell moment is right at the end, though -- "Candy-O," a cover of the Cars song that shouldn't work but actually does the business. Also fun -- consider the lead-guitar melody of "Love Thing" and how it oddly resembles Pearl Jam's breakthrough hit "Alive" from a few years later.
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Product Details

  • Release Date: 3/1/1992
  • Label: Boner Records
  • UPC: 038161001628
  • Catalog Number: 16
  • Sales rank: 25,777

Tracks

Disc 1
  1. 1 Vile (3:47)
  2. 2 Oven (1:28)
  3. 3 At a Glance (2:46)
  4. 4 Let God Be Your Gardener (1:52)
  5. 5 Creepy Smell (2:04)
  6. 6 Kool Legged (2:48)
  7. 7 Green Honey (1:13)
  8. 8 Agonizer (1:40)
  9. 9 Raise a Paw (1:11)
  10. 10 Love Thing (1:17)
  11. 11 Ever Since My Accident (1:30)
  12. 12 Revulsion/We Reach (6:21)
  13. 13 Dead Dressed (2:07)
  14. 14 Cranky Messiah (1:25)
  15. 15 Claude (1:15)
  16. 16 My Small Percent Shows Most (0:58)
  17. 17 Candy-O (1:27)
  18. 18 Eye Flys (6:15)
  19. 19 Echo Head/Don't Piece Me (2:49)
  20. 20 Heater Moves and Eyes (3:54)
  21. 21 Steve Instant Newman (1:31)
  22. 22 Influence of Atmosphere (1:51)
  23. 23 Exact Paperbacks (2:45)
  24. 24 Happy Grey or Black (2:32)
  25. 25 Leeech (0:50)
  26. 26 Glow God (0:57)
  27. 27 Big as a Mountain (3:06)
  28. 28 Heaviness of the Load (0:54)
  29. 29 Flex With You (1:44)
  30. 30 Bitten into Sympathy (0:48)
  31. 31 Gluey Porch Treatments (0:49)
  32. 32 Clipping Roses (2:51)
  33. 33 As Was It/Over from Under the Excrement (4:38)
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Album Credits

Performance Credits
Melvins Primary Artist
Dale Crover Drums, Vocals
Buzz Osborne Guitar, Vocals
Lori ? Bass
Lori "Lorax" Black Bass
Technical Credits
Peter Criss Composer
Ace Frehley Composer
Ric Ocasek Composer
Gene Simmons Composer
Paul Stanley Composer
Mark Arm Composer
Stone Gossard Composer
Mark Deutrom Producer
Joshua Roberts Engineer
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