Painters of Reality: The Legacy of Leonardo and Caravaggio in Lombardy

Overview

Inspired largely by Leonardo's brilliant naturalistic work for the Sforza court in Milan, Lombard artists of the late fifteenth century began to use direct observation to investigate the natural world. This heritage was of considerable importance in northern Italian art for two centuries, finding its greatest expression in the works of Caravaggio and influencing the course of Baroque painting in Rome and eventually elsewhere in Europe. Painters of Reality identifies the salient characteristics of this ...
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Overview

Inspired largely by Leonardo's brilliant naturalistic work for the Sforza court in Milan, Lombard artists of the late fifteenth century began to use direct observation to investigate the natural world. This heritage was of considerable importance in northern Italian art for two centuries, finding its greatest expression in the works of Caravaggio and influencing the course of Baroque painting in Rome and eventually elsewhere in Europe. Painters of Reality identifies the salient characteristics of this naturalistic strand in Lombard art. Building on the scholarship of renowned art historian Roberto Longhi, the authors reexamine the subject in light of subsequent literature. Essays range from broad discussions of naturalism in Lombard paintings and drawings (including a fresh consideration of works by Caravaggio) to more specialized treatments of Leonardo's influence, the schools of painting centered in Brescia, Bergamo, Cremona, and Milan, and Caravaggio's most notable successors in northern Italy. In addition to Leonardo and Caravaggio, masters such as Lotto, Savoldo, Moroni, and Ceruti and other significant but less widely known figures are represented. With its devotion to recording the unvarnished truth of daily life, its meticulously observed still lifes and landscapes, and its dramatic use of highly focused light to define form, Lombard art was hugely influential in its time and still holds much appeal today.

Author Biography: Andrea Bayer is Associate Curator in the Department of European Paintings at The Metropolitan Museum of Art; Mina Gregori is a distinguished art historian and professor emerita of the University of Florence. VThis book is the catalogue of an exhibition jointed organize by the Associazione Pormozione Iniziative Culturali di Cremona and The Metropolitan Museum of Art and held in Cremona (February 14 to May 2, 2004) and at The Metropolitan Museum of Art (May 23 to August 14, 2004).

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Product Details

  • ISBN-13: 9780300102758
  • Publisher: Metropolitan Museum of Art
  • Publication date: 6/10/2004
  • Series: Metropolitan Museum of Art Series
  • Pages: 272
  • Sales rank: 1,367,801
  • Product dimensions: 9.28 (w) x 12.40 (h) x 0.95 (d)

Table of Contents

Defining naturalism in Lombard Painting 3
Caravaggio and Lombardy : a critical account of the artist's formation 23
Naturalism in Lombard drawing from Leonardo to Cerano 45
Leonardo and the idea of naturalism : Leonardo's hypernaturalism 65
Catalogue numbers 1-22 74
Brescia and Bergamo : humble reality in sixteenth-century devotional art and portraiture 105
Catalogue numbers 23-53 113
Toward a new naturalism : painting in Cremona and Milan 147
"Divirsi personagii molto ridiculosi" : a contract for Cremonese market scenes 156
Catalogue numbers 54-100 160
The painters of reality : art in Brescia and Bergamo after the age of Caravaggio 211
Catalogue numbers 101-116 222
Artists' Biographies 238
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