Panther in the Basement

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Overview

“Countries need writers as their voices of conscience; few have them. Israel has Oz.” — Washington Post

The year is 1947: the last days of the British mandate in Palestine. Twelve-year-old Proffy, indoctrinated by his patriotic father and a zealous Bible teacher, dreams of dying heroically in battle, fighting for the creation of a Jewish state. Then he meets and befriends a kindly British soldier who shares with Proffy a love of language and the Bible. Accused of treason for the...

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Panther in the Basement

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Overview

“Countries need writers as their voices of conscience; few have them. Israel has Oz.” — Washington Post

The year is 1947: the last days of the British mandate in Palestine. Twelve-year-old Proffy, indoctrinated by his patriotic father and a zealous Bible teacher, dreams of dying heroically in battle, fighting for the creation of a Jewish state. Then he meets and befriends a kindly British soldier who shares with Proffy a love of language and the Bible. Accused of treason for the friendship, Proffy must learn the true nature of loyalty and betrayal. Panther in the Basement is a rich tapestry of character and political intrigue set against the birth of modern Israel.

“Insightful, inventive, and lyrical.” — New York Times Book Review

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Editorial Reviews

Chicago Tribune
Offers language so beautiful, and characters and situations so believable, that readers might shake their heads in empathy, as if to say, "Ah, yes, this is the way of the world."
NY Times Book Review
This boy's volatile fantasies and perception lead Oz, perhaps Israel's most celebrated living novelist, to a sequence of wry and complicated affirmations...Panther in the Basement is an insightful, inventive and lyrical expression of this writer's forbearing vision of life under the aspect of mortality.
Lee Siegel
...[A]n insightful, inventive and lyrical' novel that uses 'the theme of betrayal to explore the status of the individual in a country where public and private landscapes are constantly merging.' -- The New York Times Book Review
Kirkus Reviews
A wonderful short novel from the increasingly acclaimed Israeli author. This time, Oz (Don't Call It Night) offers the first-person narrative of an imaginative and intelligent 12-year-old boy nicknamed Proffy (short for "Professor"), living just outside Jerusalem in 1947, the final year of the British "mandate" (occupation). Determined to grow up to fight for his people's independence, Proffy joins two comrades in forming a make-believe underground resistance movement he calls FOD ("Freedom or Death"). He imagines himself a "panther in the basement," silently crouching and biding his time awaiting an opportunity to "pounce on" the hated British. But while out one night beyond curfew, Proffy is apprehended by the unprepossessing Sergeant Dunlop, a clumsy British policeman who turns out to be sympathetic toward Jews and deeply enamored of their culture. He and Proffy meet secretly in a local cafe, exchanging Hebrew and English lessons, and bringing Proffy to a paradoxical re-evaluation of himself as "a young Hebrew Underground fighter, whose life is devoted to driving out the foreign oppressor, but whose soul is bound up with his. . . ." This amazingly compact novel features several vivid supporting characters (including Proffy's severe scholarly father and forthright mother, his judgmental friends Ben Hur and Chita, and Ben Hur's grownup sister Yardena, a woman wise beyond her years) and such marvelous set-pieces as Proffy's long rhapsodic description of the books in his father's study, and a moving climactic moment of understanding between father and son on the eve of the formation of the state of Israel. Oz expertly blends together an ingenious allegory of the Israeli resistancemovement, a shimmering portrait of life in postwar Jerusalem and environs, and an unforgettable characterization of its sentient young hero—who's thoroughly believable both as a confused preadolescent and as the mature writer looking backward on his, and his country's, youth from the vantage point of middle age. Another triumph, and further evidence of Oz's increasing claim to serious Nobel Prize consideration.
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Product Details

  • ISBN-13: 9780156006309
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 12/28/2005
  • Pages: 156
  • Sales rank: 663,356
  • Product dimensions: 5.10 (w) x 7.80 (h) x 0.40 (d)

Meet the Author

Amos Oz was born in Jerusalem in 1939. He is the author of fourteen novels and collections of short fiction, and numerous works of nonfiction. His acclaimed memoir A Tale of Love and Darkness was an international bestseller and recipient of the prestigious Goethe prize, as well as the National Jewish Book Award. Scenes from Village Life, a New York Times Notable Book, was awarded the Prix Méditerranée Étranger in 2010. He lives in Tel Aviv, Israel.

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First Chapter

CHAPTER ONE

I have been called a traitor many times in my life. The first time was when I was twelve and a quarter and I lived in a neighborhood at the edge of Jerusalem. It was during the summer holidays, less than a year before the British left the country and the State of Israel was born out of the midst of war.

One morning these words appeared on the wall of our house, painted in thick black letters, just under the kitchen window: PROFI BOGED SHAFEL, "Proffy is a low-down traitor." The word shafel, "low-down," raised a question that still interests me now, as I sit and write this story: Is it possible for a traitor not to be low-down? If not, why did Chita Reznik (I recognized his writing) bother to add the word "low-down"? And if it is, under what circumstances is treachery not low-down?

I had had the nickname Proffy attached to me ever since I was so high. It was short for Professor, which they called me because of my obsession with checking words. (I still love words: I like collecting, arranging, shuffling, reversing, combining them. Rather the way people who love money do with coins and banknotes and people who love cards do with cards.)

My father saw the writing under the kitchen window when he went out to get the newspaper at half past six that morning. Over breakfast, while he was spreading raspberry jam on a slice of black bread, he suddenly plunged the knife into the jam jar almost up to the handle and said in his deliberate way:

"What a pleasant surprise! And what has his Lordship been up to now, that we should deserve this honor?"

My mother said:

"Don't nag him first thing in the morning. It's bad enough that he gets nagged by other children."

Father was dressed in khaki, like most men in our neighborhood in those days. He had the gestures and voice of a man who is definitely in the right. Dredging up a sticky mass of raspberry from the bottom of the jar and spreading an equal amount on both halves of his slice of bread, he said:

"The fact is that almost everyone nowadays uses the word `traitor' too freely. But what is a traitor? Yes indeed. A man without honor. A man who secretly, behind your back, for the sake of some questionable advantage, helps the enemy to work against his people. Or to harm his family and friends. He is more despicable than a murderer. Finish your egg, please. I read in the paper that people are dying of hunger in Asia."

My mother pulled my plate toward her and finished my egg and the rest of my bread and jam, not because she was hungry, but for the sake of peace. She said:

"Anyone who loves isn't a traitor."

My mother addressed these words neither to me nor to Father: to judge by the direction she was looking, she was talking to a nail that was stuck in our kitchen wall just above the icebox and served no particular purpose.

CHAPTER TWO

After breakfast my parents hurried off to catch their bus to go to work. I was free, with oceans of time ahead of me till the evening, because it was the summer holidays. First of all I cleared the table and put everything away in its proper place, in the icebox, the cupboards, or the sink, because I loved being at home on my own all day without anything to do. I washed the dishes and left them upside down to drain dry. Then I went around the apartment closing the windows and shutters, so as to have a shady den till evening. The sun and the dust from the desert were liable to damage my father's books that lined the walls, some of which were rare volumes. I read the morning paper, then I folded it and put it on the kitchen table, and I put my mother's brooch away in its case. I did all this not like a repentant low-down traitor but from love of tidiness. To this day I make a habit of going around the house every morning and evening putting everything in its right place. Five minutes ago, as I was writing about closing the windows and shutters, I stopped writing because I remembered to get up and close the bathroom door; though it might have preferred to stay open, to judge by the groan it made as I closed it.

All that summer my mother and father went out at eight o'clock in the morning and came home at six in the evening. My lunch was waiting for me in the icebox and my days were clear as far as the horizon. For instance, I could start the game with a small group of five or ten soldiers on the rug, or pioneers, surveyors, road makers, and fort builders, and step by step we could tame the forces of nature, defeat enemies, conquer wide-open spaces, build towns and villages, and lay out roads connecting them.

My father was a proofreader and sort of editorial assistant in a small publishing house. At night he used to sit up till two or three o'clock in the morning, surrounded by the shadows of his bookshelves, with his body immersed in darkness and only his grey head floating in a ring of light from his desk lamp, as though he was laboriously climbing the gulley between the mountains of books piled up on his desk, filling slips and cards with notes in preparation for his great book on the history of the Jews in Poland. He was a principled, intense man, who was deeply committed to the concept of justice.

My mother, on the other hand, liked to raise her half-empty glass of tea and stare through it at the blue light in the window. And sometimes she would press it to her cheek, as though drawing warmth from the contact. She was a teacher in an institution for immigrant orphans who had managed to hide from the Nazis in monasteries or remote villages and had now reached us, as my mother said, "straight from the darkness of the valley of the shadow of death." At once she would correct herself: "They come from a place where men behave like wolves to each other. Even refugees. Even children." In my mind I would associate the remote villages with horrifying images of wolf-men and the darkness of the valley of the shadow of death. I loved the words "darkness" and "valley" because they immediately conjured up a valley shrouded in darkness, with monasteries and cellars. And I loved the shadow of death because I didn't understand it. If I whispered "shadow of death," I could almost hear a kind of deep, ghostly sound like the note that comes from the lowest key on the piano, a sound that draws after it a trail of dim echoes, as though a disaster has happened and now there is no going back.

I returned to the kitchen. I had read in the paper that we were living in a fateful period and therefore we must engage all our moral resources. And it also said that the actions of the British were casting a deep shadow, and that the Hebrew nation was called upon to withstand the test.

I left the house, looking all around me, as in the movies, to make sure no one was watching me: a strange man in sunglasses, for instance, who might be concealed behind a newspaper, lurking in the doorway of one of the buildings on the other side of the road. But the street seemed absorbed in its own preoccupations. The greengrocer was building a wall of empty crates. The boy who worked at the Sinopsky Brothers grocery was dragging a squeaking handcart. Childless old Pani Ostrowska was sweeping away at the walk in front of her door, probably for the third time that morning. Doctor Gryphius was sitting on her balcony filling out filing cards: she was a spinster, and Father was helping her to gather material for her memoirs of Jewish life in her native town of Rosenheim, in Bavaria. And the kerosene seller went by slowly in his cart, the reins lying slack on his knees, ringing a handbell and singing a plaintive Yiddish song to his horse. So I stood there and scrutinized intently the black words "PROFI BOGED SHAFEL," "Proffy is a low-down traitor," in case there was some tiny detail that could shed a new light. From haste or fear the last letter of the word "BOGED," "traitor," had turned out more like an R than a D, making me not a lowdowntraitor, BOGED, but a lowdownadult, BOGER. That morning I would gladly have given everything I had to be an adult.

So Chita Reznik had "done a Balaam."

Mr. Zerubbabel Gihon, our Bible and Judaism teacher, had explained to us in class:

"Doing a Balaam. When a curse comes out as a blessing. For instance, when the British minister Ernest Bevin said in Parliament in London that the Jews are a stubborn race, he did a Balaam."

Mr. Gihon had a habit of seasoning his lessons with witticisms that were not funny. He often used his wife as the butt of his jokes. For instance, when he wanted to illustrate the passage from the Book of Kings about whips and scorpions, he said: "Scorpions are a hundred times worse than whips. I afflict you with whips and my wife afflicts me with scorpions." Or: "There is a text that says, `As the crackling of thorns under a pot.' Ecclesiastes, chapter seven. Like Mrs. Gihon trying to sing."

Once I said during supper:

"You know my teacher Gihon, hardly a day goes by when he isn't unfaithful to his wife in class."

My father looked at my mother and said:

"Your son has definitely taken leave of his senses." (My father was fond of the word "definitely." And also of the words "indubitably," "evidently," "yes indeed.")

My mother said:

"Instead of insulting him, why don't you try to find out what he's trying to say? You never really listen to him. Or to me. Or to anybody. All you ever listen to is the news on the radio."

"Everything in the world," Father replied calmly, refusing as usual to be drawn into an argument, "has at least two sides. As is well known to all but a few frenetic souls."

I didn't know what "frenetic souls" meant, but I did know that this was not the right moment to ask. So I let them sit facing each other in silence for nearly a full minute--they sometimes had silences that resembled arm wrestling--and only then did I say:

"Except a shadow."

My father shot me one of his suspicious glances, with his glasses halfway down his nose, nodding his head up and down, one of those looks that conjure up what we learned in Bible class, "he looked that it should bring forth grapes, and it brought forth wild grapes," and his blue eyes above his glasses shone at me in naked disappointment, with me and with young people in general and with the failure of the educational system that had been entrusted with a butterfly and had sent back a chrysalis:

"What do you mean `shadow'? It's your brain that's the shadow."

My mother said:

"Instead of silencing him, why don't you find out what he's trying to say? He must be trying to say something."

And Father:

"Right. Yes indeed. Well then, what is Your Lordship getting at this evening? What mysterious shadow are you deigning to report to us about this time? `Thou seest the shadow of mountains as if they were men'? `As a servant desireth the shadow'?"

I got up to go to bed. I didn't owe him any explanation. Nevertheless, beyond the call of duty, I said:

"Except a shadow, Dad. You said a moment ago that everything in the world has at least two sides. And you were almost right. But you were forgetting that a shadow, for instance, has only one side. Go and check, if you don't believe me. You could even do an experiment or two. Didn't you yourself teach me that it's the exception that proves the rule and that one shouldn't generalize? You've forgotten what you taught me."

So saying, I cleared the table, then went to my room.

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  • Anonymous

    Posted December 16, 2002

    "Growing Pains"

    "Proffy", short fr Professor, is a twelve and a half-year-old boy living in Jerusalem in 1947, on the eve of Israeli statehood. He desires to be a "Panther in the Basement", i.e, a freedom fighter for the Jewish State, taking as his models, movie stars from fictional films of the forties. His zeal is accidentally thwarted by his clandestine friendship with a British soldier who, in the guise of teaching him English in exchange for lessons in Hebrew,communicates the humanity of the enemy. When Proffy's relationship with a member of the occupying army is discovered, he is termed a traitor by his peers and is put on trial. Proffy struggles to maintain his membership in the secret organisation of his friends while holding on to his personal tie with the British. How the boy deals with his conflicting emotions along with his awakening awareness of the opposite sex is a story told with humor and virtuosity by the prize-winning novelist. As Oz mixes the present with the past, and contrasts the boy's coming of age with the birth of the state of Israel. the reader is made aware the growing pains of both subjects.

    1 out of 3 people found this review helpful.

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