Parable of the Sower
This acclaimed post-apocalyptic novel of hope and terror from an award-winning author "pairs well with 1984 or The Handmaid's Tale" and includes a foreword by N. K. Jemisin (John Green, New York Times).

When global climate change and economic crises lead to social chaos in the early 2020s, California becomes full of dangers, from pervasive water shortage to masses of vagabonds who will do anything to live to see another day. Fifteen-year-old Lauren Olamina lives inside a gated community with her preacher father, family, and neighbors, sheltered from the surrounding anarchy. In a society where any vulnerability is a risk, she suffers from hyperempathy, a debilitating sensitivity to others' emotions.

Precocious and clear-eyed, Lauren must make her voice heard in order to protect her loved ones from the imminent disasters her small community stubbornly ignores. But what begins as a fight for survival soon leads to something much more: the birth of a new faith . . . and a startling vision of human destiny.
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Parable of the Sower
This acclaimed post-apocalyptic novel of hope and terror from an award-winning author "pairs well with 1984 or The Handmaid's Tale" and includes a foreword by N. K. Jemisin (John Green, New York Times).

When global climate change and economic crises lead to social chaos in the early 2020s, California becomes full of dangers, from pervasive water shortage to masses of vagabonds who will do anything to live to see another day. Fifteen-year-old Lauren Olamina lives inside a gated community with her preacher father, family, and neighbors, sheltered from the surrounding anarchy. In a society where any vulnerability is a risk, she suffers from hyperempathy, a debilitating sensitivity to others' emotions.

Precocious and clear-eyed, Lauren must make her voice heard in order to protect her loved ones from the imminent disasters her small community stubbornly ignores. But what begins as a fight for survival soon leads to something much more: the birth of a new faith . . . and a startling vision of human destiny.
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Parable of the Sower

Parable of the Sower

by Octavia E. Butler
Parable of the Sower

Parable of the Sower

by Octavia E. Butler

Paperback(Reprint)

$19.99 
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Overview

Notes From Your Bookseller

This is a haunting look at a post-apocalyptic world ravaged by climate and economic catastrophes. Thought-provoking and brilliantly written, Parable of the Sower is a warning about what the future of Earth could look like if climate change is not taken seriously.

This acclaimed post-apocalyptic novel of hope and terror from an award-winning author "pairs well with 1984 or The Handmaid's Tale" and includes a foreword by N. K. Jemisin (John Green, New York Times).

When global climate change and economic crises lead to social chaos in the early 2020s, California becomes full of dangers, from pervasive water shortage to masses of vagabonds who will do anything to live to see another day. Fifteen-year-old Lauren Olamina lives inside a gated community with her preacher father, family, and neighbors, sheltered from the surrounding anarchy. In a society where any vulnerability is a risk, she suffers from hyperempathy, a debilitating sensitivity to others' emotions.

Precocious and clear-eyed, Lauren must make her voice heard in order to protect her loved ones from the imminent disasters her small community stubbornly ignores. But what begins as a fight for survival soon leads to something much more: the birth of a new faith . . . and a startling vision of human destiny.

Product Details

ISBN-13: 9781538732182
Publisher: Grand Central Publishing
Publication date: 04/30/2019
Series: Parable , #1
Edition description: Reprint
Pages: 368
Sales rank: 5,317
Product dimensions: 5.20(w) x 7.90(h) x 1.10(d)
Lexile: 710L (what's this?)

About the Author

About The Author
OCTAVIA E. BUTLERwas a renowned writer who received a MacArthur "Genius" Grant and PEN West Lifetime Achievement Award for her body of work. She was the author of several award-winning novels including Parable of the Sower, which was a New York Times Notable Book of the Year, and was acclaimed for her lean prose, strong protagonists, and social observations in stories that range from the distant past to the far future. Sales of her books have increased enormously since her death as the issues she addressed in her Afrofuturistic, feminist novels and short fiction have only become more relevant. She passed away on February 24, 2006.

Read an Excerpt



Chapter One

All that you touch
You Change.

All that you Change
Changes you.
The only lasting truth
Is Change.
God Is Change.

—Earthseed: The Books of the Living


SATURDAY, JULY 20, 2024

I had my recurring dream last night. I guess I should have expected it. It comes to me when I struggle—when I twist on my own personal hook and try to pretend that nothing unusual is happening. It comes to me when I try to be my father's daughter.

Today is our birthday—my fifteenth and my father's fifty-fifth. Tomorrow, I'll try to please him—him and the community and God. So last night, I dreamed a reminder that it's all a lie. I think I need to write about the dream because this particular lie bothers me so much.


I'm learning to fly, to levitate myself. No one is teaching me. I'm just learning on my own, little by little, dream lesson by dream lesson. Not a very subtle image, but a persistent one. I've had many lessons, and I'm better at flying than I used to be. I trust my ability more now, but I'm still afraid. I can't quite control my directions yet.

I lean forward toward the doorway. It's a doorway like the one between my room and the hall. It seems to be a long way from me, but I lean toward it. Holding my body stiff and tense, I let go of whatever I'm grasping, whatever has kept me from rising or falling so far. And I lean into the air, straining upward, not moving upward, but not quite falling down either. Then I do begin to move, as though to slide on the air drifting a few feet above the floor,caught between terror and joy.

I drift toward the doorway. Cool, pale light glows from it. Then I slide a little to the right; and a little more. I can see that I'm going to miss the door and hit the wall beside it, but I can't stop or turn. I drift away from the door, away from the cool glow into another light.

The wall before me is burning. Fire has sprung from nowhere, has eaten in through the wall, has begun to reach toward me, reach for me. The fire spreads. I drift into it. It blazes up around me. I thrash and scramble and try to swim back out of it, grabbing handfuls of air and fire, kicking, burning! Darkness.

Perhaps I awake a little. I do sometimes when the fire swallows me. That's bad. When I wake up all the way, I can't get back to sleep. I try, but I've never been able to.

This time I don't wake up all the way. I fade into the second part of the dream- -the part that's ordinary and real, the part that did happen years ago when I was little, though at the time it didn't seem to matter.

Darkness.

Darkness brightening.

Stars.

Stars casting their cool, pale, glinting light.

"We couldn't see so many stars when I was little," my stepmother says to me. She speaks in Spanish, her own first language.

She stands still and small, looking up at the broad sweep of the Milky Way. She and I have gone out after dark to take the washing down from the clothesline. The day has been hot, as usual, and we both like the cool darkness of early night. There's no moon, but we can see very well. The sky is full of stars.

The neighborhood wall is a massive, looming presence nearby. I see it as a crouching animal, perhaps about to spring, more threatening than protective. But my stepmother is there, and she isn't afraid. I stay close to her. I'm seven years old.

I look up gt the—stars and the deep, black sky. "Why couldn't you see the stars?" I ask her. "Everyone can see them." I speak in Spanish, too, as she's taught me. It's an intimacy somehow.

"City lights," she says. "Lights, progress, growth, all those things we're too hot and too poor to bother with anymore." She pauses. "When I was your age, my mother told me that the stars—the few stars we could see—were windows into heaven. Windows for God to look through to keep an eye on us. I believed her for almost a year." My stepmother hands me an armload of my youngest brother's diapers. I take them, walk back toward the house where she has left her big wicker laundry basket, and pile the diapers atop the rest of the clothes. The basket is full. I look to see that my stepmother is not watching me, then let myself fall backward onto the soft mound of stiff, clean clothes. For a moment, the fall is like floating.

I lie there, looking up at the stars. I pick out some of the constellations and name the stars that make them up. I've learned them from an astronomy book that belonged to my father's mother.

I see the sudden light streak of a meteor flashing westward across the sky. I stare after it, hoping to see another. Then my stepmother calls me and I go back to her.

"There are city lights now," I say to her. "They don't hide the stars."

She shakes her head. "There aren't anywhere near as many as there were. Kids today have no idea what a blaze of light cities used to be—and not that long ago."

"I'd rather have the stars," I say.

"The stars are free." She shrugs. "I'd rather have the city lights back myself, the sooner the better. But we can afford the stars."

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