Paradise Lost (Joanna Brady Series #9)

( 35 )

Overview

The desecrated body of a missing Phoenix heiress lies naked, lifeless, and abandoned in the desolate beauty and lonely terror of the high desert night. A hideous crime is inviting death once more into Sheriff Joanna Brady's world. But this time the nightmares of her professional and personal lives are intertwining in ways too awful to contemplate, because one corpse is only the first piece in a twisted and sinister puzzle in which nothing seems to fit. And the next item on a killer's bloody agenda may well be ...

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Paradise Lost (Joanna Brady Series #9)

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Overview

The desecrated body of a missing Phoenix heiress lies naked, lifeless, and abandoned in the desolate beauty and lonely terror of the high desert night. A hideous crime is inviting death once more into Sheriff Joanna Brady's world. But this time the nightmares of her professional and personal lives are intertwining in ways too awful to contemplate, because one corpse is only the first piece in a twisted and sinister puzzle in which nothing seems to fit. And the next item on a killer's bloody agenda may well be Brady's own beloved daughter.

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Editorial Reviews

From Barnes & Noble
When Cochise County sheriff Joanna Brady and her husband, Butch Dixon, head out of town for a long weekend of business and pleasure, she's happy to know that her 12-year-old daughter, Jenny, will be enjoying herself, too. On Jenny's agenda is a Girl Scout camp-out, and though the recent dry spell has quashed any chances of an honest-to-goodness campfire, Joanna is confident that Jenny will have a good time.

She couldn't be more wrong. Paired with an unpopular 13-year-old named Dora Matthews as her tent mate, Jenny struggles from the start to make the best of what promises to be a difficult weekend. But Jenny's weekend is cut short early, when the two girls break the rules by sneaking away from their troop on the very first night and discover the naked body of a murdered woman hidden in the brush not far from their campsite. And when Dora's body turns up just a few short days later, broken and twisted on the side of a road, Joanna's worry for her daughter grows by leaps and bounds.

What motive could someone have that would drive them to murder both the woman and such a young girl? Are the two murders connected? Will her own daughter be the next victim of a killer out to silence any and all witnesses? As these terrifying questions and more race through Joanna's mind, and her prime suspect provides what appears to be an airtight alibi, it's all Joanna can do to keep her mind on the job.

But now, more than ever, Joanna needs a cool head and a steady trigger finger. Because on a case that will magnify every maternal instinct Joanna's ever had --and challenge every notion she's ever held about motherhood -- it's going to take all of Joanna's commitment and strength to catch a killer and keep her daughter safe from harm.

In Paradise Lost, J. A. Jance once again weaves evocative settings, unforgettable characters and a breathtaking plot into an emotionally vivid story about a realistic heroine striving to balance her passion for justice with her love for family.

Chattanooga Times
"J.A. Jance is among the best--if not the best--mystery novelists writing today."
St Louis Post-Dispatch
"Brady comes into her own in this book...making an already appealing character even more so."
Cleveland Plain-Dealer
"The plotting is up to Jance's high standards...bracing."
Publishers Weeekly
"[A] page turner...builds suspense and throws in some surprises as well. Jance's sense of place remains strong."
Flint Journal
"In the elite company of Sue Grafton and Patricia Cornwell."
Chicago Tribune
“Joanna Brady is a delightful character.”
Dallas Morning News
"A strong appreciation for the Arizona countryside...a stronger central character."
People
“Jance delivers a devilish page-turner.”
People Magazine
"Jance delivers a devilish page-turner."
*Flint Journal
"In the elite company of Sue Grafton and Patricia Cornwell."
Chicago Tribune
“Joanna Brady is a delightful character.”
People
“Jance delivers a devilish page-turner.”
Dallas Morning News
A strong appreciation for the Arizona countryside...a stronger central character.
Chicago Tribune
Joanna Brady is a delightful character.
People
Jance delivers a devilish page-turner.
Flint Journal
In the elite company of Sue Grafton and Patricia Cornwell.
Chattanooga Times
J.A. Jance is among the best—if not the best—mystery novelists writing today.
Cleveland Plain-Dealer
The plotting is up to Jance's high standards...bracing.
St Louis Post-Dispatch
Brady comes into her own in this book...making an already appealing character even more so.
Publishers Weekly
In Cochise County (Ariz.) sheriff Joanna Brady's ninth outing, bestseller Jance verges on soap opera, but avoids the worst excesses of the type. Mother-daughter relationships get a real workout, as Joanna's brittle connection with her mother is always testy and the emotional fulcrum between Joanna and her 12-year-old daughter, Jenny, is always shifting. But plenty of other combinations of blood and bonding get a workout, too. Jenny and a camping partner discover the body of a naked woman while Joanna and new husband Butch Dixon are out of town to attend a sheriffs' convention and a wedding. Joanna's personal and professional lives collide heavily as concerns for her daughter, her department, her husband and her future intertwine. With a mix of old and modern police work (interviews, crime-scene analysis, sophisticated forensics) and intense personal problems (Jenny may be targeted by the killer, Butch may have cheated on Joanna, Joanna's mother's meddling may have gotten a girl killed), Jance keeps things roiling from start to finish. With more than two dozen mysteries to her credit, the author has learned a great deal about pacing and it's evident in this page-turner, which nicely builds suspense and throws in some nifty surprises as well. Jance's sense of place remains strong, whether here in the beautifully rendered rural Arizona setting or in the rainy Seattle of her J.P. Beaumont mysteries. (Aug. 7) Forecast: With a one-day laydown and strong marketing backing, including a 12-city tour and radio and print advertising, this book will hit the lists fast. Copyright 2001 Cahners Business Information.
School Library Journal
Adult/High School-When Sheriff Joanna Brady's 12-year-old daughter finds a dead woman on a Girl Scout camping trip, the family becomes peripherally involved in the murder, and then in a second one, of a scout who was with Jenny on the trip. The sheriff then finds herself trying to balance the demands of solving both murders when a third occurs. Sorting out parallels among the killings proves to be the way to solve the complicated plot intertwinings, which Brady accomplishes in a competent and professional manner. Jance once again provides an interesting scenario for the crimes, including a weaving together of the seemingly unconnected murders. Using the sheriff's family as main characters conveys an insider's view of what life must be like for kin of law-enforcement officers. Jance gives enough details to round out the characters familiar from other books in this series to give readers the sense that they personally know Brady. The story is set in rural Arizona, and the grand expanses of land and time are at once beautiful and a challenge. An entertaining read, even for newcomers to the series.-Pam Johnson, Fairfax County Public Library, VA Copyright 2001 Cahners Business Information.
Kirkus Reviews
Cochise County, Arizona, sheriff Joanna Brady (Devil's Claw, 2000, etc.) and her new husband Butch Dixon are sneaking a weekend away when word arrives that her daughter Jenny, 12, and her friend Dora, who sneaked off themselves from their Girl Scout campsite for a cigarette, have discovered the nude, battered body of a woman. When Dora's mother can't be found, and her home turns out to be a meth factory, Deputy Frank Montoya arranges for the girls to stay with Joanna's former in-laws. Jealous of the in-laws and disapproving of the trashy young Dora, Joanna's busybody mom calls in Children's Services, who put the youngster in foster care, but she flees-and then is brutally murdered. Is someone now after Jenny, too? A medic-alert bracelet identifies the dead woman as Constance Haskell, whose husband Ron cleaned out their bank account and signed himself in to Pathways to Paradise, a rehab for gamblers, where everyone from the gate guard to the owners is untherapeutically hostile. While Joanna soothes her daughter, calms her mother, finds time for her bridegroom, and covers the county with too few officers, an autopsy report indicates that Dora was pregnant, and the evidence leads to a doctor's family in Phoenix. There'll be another dead body, an unlikely confession, and a flying tackle at a Lexus dealership before Jenny swears off cigarettes forever, Joanna's mom breaks down in tears for the first time ever, and Joanna and Butch can turn off the cell phone and snuggle. Domestic drama a la Mary Higgins Clark, though without the brand names, played out in 115-degree weather. Can a special on Lifetime Network for Women be far behind?
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Product Details

  • ISBN-13: 9780062088130
  • Publisher: HarperCollins Publishers
  • Publication date: 6/26/2012
  • Series: Joanna Brady Series , #9
  • Format: Mass Market Paperback
  • Pages: 432
  • Sales rank: 138,761
  • Product dimensions: 4.10 (w) x 7.40 (h) x 1.20 (d)

Meet the Author

J. A. Jance

J. A. Jance is the New York Times bestselling author of the J. P. Beaumont series, the Joanna Brady series, the Ali Reynolds series, and four interrelated thrillers about the Walker family. Born in South Dakota and brought up in Bisbee, Arizona, Jance lives with her husband in Seattle and Tucson.

Biography

Considering J. A. Jance's now impressive career -- which includes two massively popular mystery series and status as a New York Times bestseller -- it may be difficult to believe that she was initially strongly discouraged from literary pursuits. A chauvinistic creative writing professor advised her to seek out a more "ladylike" job, such as nurse or schoolteacher. Moreover, her alcoholic husband (a failed Faulkner wannabe) assured her there was room in the family for only one writer, and he was it. Determined to make her doomed marriage work, Jance put her writing on the back burner. But while her husband slept, she penned the visceral poems that would eventually be collected in After the Fire.

Jance next chose to use her hard times in a more unlikely manner. Encouraged by an editor to try writing fiction after a failed attempt at a true-crime book, she created J. P. Beaumont, a homicide detective with a taste for booze. Beaumont's drinking problem was clearly linked to Jance's dreadful experiences with her first husband; but, as she explains it: "Beaumont was smart enough to sober up, once the problem was brought to his attention. My husband, on the other hand, died of chronic alcoholism at age 42." So, from misfortune grew one of the most popular characters in modern mystery fiction. Beaumont debuted in 1985's Until Proven Guilty -- and, after years of postponing her writing career, Jance was on her way.

As a sort of light flipside to the dark Beaumont, Jance created her second series in 1991. Inspired by the writer's happier role as a mom, plucky small-town sheriff Joanna Brady was introduced in Desert Heat and struck an immediate chord with readers. In 2005, Jance added a third story sequence to her repertoire with Edge of Evil, featuring Ali Reynolds, a former TV reporter-turned-professional blogger.

And so, the adventures continue! A career such as Jance's would be extraordinary under any circumstances, but considering the obstacles she overcame to become a bestselling, critically acclaimed novelist, her tale is all the more compelling. As she explains it: "One of the wonderful things about being a writer is that everything -- even the bad stuff -- is usable."

Good To Know

Geographically speaking, Jance is equal parts J. P. Beaumont and Joanna Brady. She splits her time between Beaumont's big-city home of Seattle and Brady's desert residence of Arizona.

Before her writing career become truly lucrative, Jance made little more than "fun money" off her books, and on her web site, she wryly recalls "the Improbable Cause trip to Walt Disney World; the Minor in Possession memorial powder room; the Payment in Kind memorial hot tub."

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    1. Also Known As:
      Judith Ann Jance
    2. Hometown:
      Bellevue, Washington
    1. Date of Birth:
      October 27, 1944
    2. Place of Birth:
      Watertown, South Dakota
    1. Education:
      B. A., University of Arizona, 1966; M. Ed. in Library Science, University of Arizona, 1970
    2. Website:

Read an Excerpt

Prologue



Connie Haskell had just stepped out of the shower when she heard the phone ringing. Hoping desperately to hear Ron's voice on the phone, she grabbed a towel and raced through the house, leaving a trail of wet footprints on the worn carpeting of the bedroom and hallway. For two weeks she had carried the cordless phone with her wherever she went, but when she had gone to the bathroom to shower that morning, she had forgotten somehow and left the phone sitting beside her empty coffee cup on the kitchen table.

By the time she reached the kitchen, the machine had already picked up the call. "Hello, Mrs. Haskell. This is Ken Wilson at First Bank." The disembodied voice of Connie's private banker echoed eerily across the Saltillo tile in an otherwise silent kitchen. As soon as she heard the caller's voice and knew it wasn't her husband's, Connie didn't bother to pick up the receiver. It was the same thing she had done with all the other calls that had come in during this awful time. She had sat, a virtual prisoner in her own home, waiting for the other shoe to drop. But this call from her banker probably wasn't it.

"I'm calling about your checking account," Ken Wilson continued. "As of this morning, it's seriously overdrawn. I've paid the two outstanding checks that showed up today as well as one from yesterday, but I need you to come in as soon as possible and make a deposit. If you're out of town, please call me so we can make some other arrangement to cover the overdraft. I believe you have my number, but in case you don't, here it is."

As Ken Wilson recited his directphone number, Connie slipped unhearing onto a nearby kitchen stool. In all the years she had handled her parents' affairs -- paying bills and writing checks after her father had been incapacitated by that first crippling stroke and then for her mother after Stephen Richardson's death -- in all that time, Connie had never once bounced a check. She had written the checks and balanced the checkbooks each month under Stephen's watchful and highly critical eye. Because of stroke-induced aphasia, her father had been able to do nothing but shake his head, roll his eyes, and spit out an occasional "Stupid." But Connie had persevered. She had done the task month after month for years. After her marriage to Ron, when he had volunteered to take over the bill-paying, she had been only too happy to relinquish that onerous duty. And why not? Ron was an accountant, wasn't he? Dealing with numbers was what CPAs did.

Except Ron had been gone for two weeks now -- AWOL. For two long, agonizing weeks there had been no word to Connie. No telephone call. No letter. She hadn't reported him missing because she was ashamed and afraid. Ashamed because other people had been right about him and she'd been wrong, and afraid she might learn that there was another woman involved. The woman was bound to be far younger and far better-looking than Constance Marie Richardson Haskell. She was unable to delude herself into thinking there was a chance of foul play. No, Connie had made a point of checking Ron's carefully organized side of the closet. Her missing husband had simply packed one of his roll-aboard suitcases with a selection of slacks and custom-made, monogrammed shirts, and left.

The main reason Connie had kept silent about his absence was that she didn't want to have to face up to all those people who had told her so. And they had told her so -- in spades. Any number of friends and relations had tried, both subtly and not so subtly, to explain that they thought Connie was making a mistake in marrying so soon after her mother's death. Connie's older sister, Maggie -- someone who never suffered from a need to keep her opinions to herself -- had been by far the most outspoken.

"If you ask me, Ron Haskell's nothing but a gold-digging no-account," Maggie MacFerson had said. "He worked for Peabody and Peabody for six months before Mother died. He knew everything about Mother's financial affairs, and now he knows everything about yours. He also knows how naive you are, and he's taking you for a ride. For him, you're nothing but a meal ticket."

"We fell in love," Connie had declared hotly, as if that one fact alone should resolve all her older sister's concerns. "Besides, Ron's resigning from the firm, so there can't be any question of conflict of interest."

In response, Maggie MacFerson had blown an exasperated plume of smoke in the air. She shook her head and rolled her eyes. When she did that, she looked so much like Stephen Richardson that Connie had expected to hear her father's familiar pronouncement of "Stupid!"

"We all have to make our own mistakes, I suppose," Maggie said with a resigned sigh. "At least do yourself a favor and get a prenup agreement."

That was the one and only time the two sisters had discussed Ron Haskell. Naturally, Connie hadn't followed Maggie's advice. She hadn't wanted to ask for a prenuptial agreement because she was afraid if she mentioned it, Ron might think she didn't trust him, which she did -- absolutely and with all the lovesick fervor of a forty-two-year-old woman who had never fallen in love before, not even once.

But now, sitting alone in the house on Southeast Encanto Drive -- a house that had once belonged to Stephen and Claudia Richardson but that now belonged to Connie and Ron Haskell -- she suddenly felt sick to her stomach. What if Maggie had been right about Ron? What if his disappearance had nothing to do with another woman and everything to do with money? What if, in the end, that was all Ron had wanted from Connie -- her money?

As soon as the thought surfaced, Connie shook her still-dripping hair and pushed that whole demeaning notion aside. Surely that couldn't be. And whatever was going on at the bank was all a simple mistake of some kind. Maybe there had been a computer glitch, a virus or something. Those happened, didn't they? Or else maybe Ron had merely forgotten to transfer money from one of the investment accounts into the household bill-paying account.

By then, the answering machine had clicked off, leaving the light blinking to say there was a message, which Connie had already heard and had no need to hear again. The solution was perfectly simple. All Connie had to do was call Ken Wilson back and tell him to make the necessary transfer. Once she did that, everything would be fine. Connie could return to her lonely vigil of waiting for Ron himself to call or for some police officer somewhere to call and say that Ron was dead and ask her to come and identify the body.

Taking a deep breath, Connie grabbed the phone. She punched in *69 and let the phone redial Ken Wilson's number. He answered on the second ring. "Ken Wilson here."

"Ken, it's Connie," she said, keeping her tone brisk and businesslike. "Connie Haskell. Sorry I missed your call. I was in the shower. By the time I found the phone, your call had already gone to the machine. I can't imagine what's going on with the checking account. Ron is out of town at the moment. He must have forgotten to make a transfer. I'd really appreciate it if you could just handle that for us -- the transfer, I mean. I'm not sure what checks are outstanding, so I don't know exactly how much is needed."

"Which account do you want to use to transfer funds?" Ken asked.

Connie didn't like the guarded way he said that. It sounded wary and ominous. "You know," she said. "We always transfer out of that one investment account. I can't remember the number exactly. I think it's nine-four-something."

"That would be account number nine-four, three-three-three, two-six-two. Is that right?"

Connie could barely contain her relief. "That's right," she breathed. "I'm sure that's the one."

"But that account was closed two months ago," Ken Wilson returned.

Suddenly Connie felt her pulse pounding in her throat. "Closed?" she stammered. "It was?"

"Why, yes. I thought you knew that. Mr. Haskell came in and closed all your accounts except for the checking. He said that you had decided to go with another banking institution, but since you had all the automatic withdrawals scheduled from that account, he'd leave just that one as is for the time being. He closed all the investment accounts, as well as taking all the CDs. I advised against it, of course, especially the CDs, but..."

"He closed them all?" Connie asked incredulously.

"Yes. After all the years I'd been looking after your family's accounts, I was personally very disappointed. I thought we'd done a good job of handling things for you and your parents both, but I didn't feel it was my place to argue with your husband."

The kitchen seemed to swirl around her. Connie closed her eyes in an effort to stop the spinning. "Which checks?" she asked woodenly.

"I beg your pardon?"

"Which checks are overdrawn?" she asked. Connie knew that she hadn't written any checks since Ron had disappeared. Unless he had the checkbook with him and was still writing checks, the overdrafts most likely had come from some of those automatic deductions.

"One to Blue Cross, one to Regency Auto Lease, and the third is to Prudential," Ken told her.

Connie nodded. Their health insurance premium, the lease on Ron's car -- his new BMW 740i -- and their long-term care. After years of being the unpaid maid-of-all-work for her ailing and eventually bedridden parents, Connie Haskell had been determined to have the wherewithal to pay for long-term care for both herself and her husband should they ever reach a point where their own declining health required it. It was the one purchase she had insisted she and Ron make as soon as they returned from their honeymoon.

"How much?" she asked.

"The total outstanding?" Ken returned.

Connie nodded wordlessly, although her private banker couldn't see that.

"Let's see," he said. "That's eighteen hundred forty-six dollars and seventy-two cents, including the service charges. Under most circumstances I'd be happy to waive the service charges, but since we no longer have any of your other business..."

He let the rest of the sentence hang in the air. Meanwhile Connie, grappling with finding a way to fix the problem, wrote down the amount he had mentioned.

"What about my credit card?" she asked. "Can we transfer the money in from my VISA?"

Ken Wilson cleared his throat. "There's a problem there, too, Connie," he said apologetically. "Your VISA account is over the limit right now, and the payment was due yesterday. That's another seventeen hundred sixty dollars and forty-three cents. That would just bring the balance down to where you wouldn't be over your limit. "

As Ken Wilson spoke, Connie was remembering how Ron had encouraged her to sign application forms for several other credit cards -- ones that evidently weren't with First Bank. "Even if we never touch them," Ron had told her, "we're better off having them available." And indeed, if any of those applications had been approved, the resulting credit cards had never made it into her hands or purse. And if her VISA at First Bank was maxed out, what about balances on the other cards -- ones Connie had no record of and no way to check?

I won't think about that right now, Connie told herself firmly as she wrote down the second figure. After adding that one together with the first, she arrived at a total of $3,607.15. Swallowing hard, Connie drew a circle around it.

"Your office is still on Central, isn't it?" she asked.

"That's right," Ken Wilson replied. "Central and Camelback."

"And how long will you be there?"

"I have an appointment out of the office this afternoon, but that won't be until one o'clock. I'll need to leave here around twelve-thirty."

"All I have to do is dry my hair and throw on some clothes," Connie told him. "I should be there with the money within forty-five minutes."

She heard Ken Wilson's sigh of relief. "Good," he said. "I'll be looking forward to seeing you."

Connie hung up the phone. Then, with her whole body quaking and unmindful of her still-dripping hair, she walked back through the house. She went to the room which had once been her mother's study -- the green-walled cozy room which had, after her mother's death, become Connie's study as well. With trembling hands she opened the bottom drawer of the dainty rosewood desk and pulled out her mother's frayed, leather-bound Bible. One by one she began to remove the old-fashioned but still crisp hundred-dollar bills that had been concealed between many of the thin pages. Claudia Armstrong Richardson had told her daughter the story so many times that even now Connie could have repeated it verbatim.

Claudia had often related how, as an eleven-year-old, her idyllic life had been shattered when she awoke that fateful morning in October of 1929 to learn that her once affluent family was affluent no longer. Her father had lost everything in the stock market crash. There had been a single payment of three hundred dollars due on the family home in Columbus, Ohio, but without sufficient cash to make that one payment, the bank had foreclosed. Months later, the day they were scheduled to move out of the house, Claudia's father had gone back inside -- to make sure the back door was locked, he had told his wife and daughter. Instead, with Claudia and her mother waiting in a cab outside, Roger Armstrong had gone back into the empty room that had once been his book-lined library and put a bullet through his head.

"So you see, Constance," Claudia had cautioned her daughter over and over, "you must keep some money set aside, and not just in banks, either, because many of the banks were forced to close back then, too. The only people who were all right were the ones who had cold, hard cash put away under their mattresses or hidden in a sock. You have to keep the money someplace where you can get your hands on it when you need it."

Over the years, long after Claudia had married Stephen Richardson and long after there was no longer any valid need for her to be concerned about such things, Claudia Armstrong Richardson had continued to put money in the Bible, right up until her death, insisting that Connie put the money there for her once Claudia herself was no longer able to do so.

There were times Connie had argued with her mother about it. "Wouldn't it be safer in a bank?" she had asked.

"No!" Claudia had declared heatedly. "Absolutely not."

"What if the house burns down?"

"Then I'll get a new Bible and start over," Claudia had retorted.

After her mother's death, Connie had left Claudia's Bible as it was and where it was -- in the bottom drawer of the desk. It had seemed disrespectful to her mother's memory to do anything else. Now, as Connie counted some of those carefully hoarded bills into a neat pile, she was glad she had abided by her mother's wishes. She had told no one of her mother's private stash -- not her father, not her sister, and not even her new husband.

When Connie had counted out enough money to cover her debt, she started to put the Bible back in the drawer. Then, thinking better of it, she took it with her. In the kitchen, she stuffed the Bible into her capacious purse. After hurriedly drying her hair and slathering on some makeup, she dressed and headed off for her meeting with Ken Wilson. Twenty minutes later she was standing in the foyer of the private banking offices of First Bank of the Southwest. At that point, Connie had her involuntary quaking pretty well under control.

Ken Wilson himself came out to greet her and take her back to his private office. "I hope this hasn't troubled you too much, Connie," he said kindly.

She gave her banker what she hoped passed as a supremely confident smile as he showed her to a chair. "Oh, no," she said, willing her face not to reveal the depth of her humiliation. "It's no trouble at all. I'm sure this is nothing more than an oversight on Ron's part. He was called out of town on business and ended up being gone longer than either of us intended. I expect to speak to him later on today, and we'll get this whole thing straightened out. In the meantime, I brought along enough cash to dig us out of the hole."

Carefully she counted out thirty-seven hundred-dollar bills. As she pushed them across the smooth surface of Ken's desk, the banker cleared his throat. "I took the liberty of looking at your account again," he said. "There's another four hundred dollars' worth of life insurance premiums that will be deducted within the next two days. Do you want to deposit enough to cover those as well?"

Grateful she had brought along the Bible, Connie extracted four more bills and shoved them over to Ken Wilson. "Good," he said. "Very good." He stood up. "If you'll wait just a moment, I'll be right back with your change and a receipt."

Connie nodded and then sat staring out the window at traffic rushing by until he returned. He handed her the receipt and carefully counted out the change.

"If you'll forgive my saying so," he said hesitantly, "it sounded as though you had no idea these monies were being transferred from First Bank. I trust there isn't some kind of problem. I mean, your family -- you and your parents -- have been good customers for a very long time -- since long before First Bank became First Bank, as a matter of fact. I'd hate to think we had allowed something untoward to happen, although, since the accounts were all joint accounts --"

"Oh no," Connie interrupted, answering too quickly and too brightly. She wanted to ask where the funds had gone, but she fought that one down. She didn't want to admit to Ken Wilson that she had been kept totally in the dark. She didn't want to admit to being that irresponsibly stupid. "If Ron decided to move the funds, I'm sure he must have had a good reason," she continued. "As soon as I talk to him, we'll have the whole thing ironed out."

"Good, then," Ken Wilson said. "I'm glad to hear it."

Connie grabbed her purse and fled Ken Wilson's office. She dashed through the marble-floored bank lobby and sank gratefully into the overheated leather of her mother's oversized Lincoln Town Car. Although it was not yet the end of May, the Valley of the Sun had been sweltering in triple-digit temperatures for almost two weeks. Even so, Connie felt chilled. When she switched on the engine, she quickly turned off the air conditioner and opened the window, letting in a blast of broiling outside air.

Joint accounts! she chided herself. She had done that on purpose, too. In a fit of defiance, Connie had put Ron on as a signatory to all her accounts just to spite people like her sister Maggie and the other naysayers who had told her Ron was only after her money.

Had she listened? Had she paid any of them the slightest bit of heed? No. Her father had been right after all. She was stupid -- unbelievably stupid. She had taken everything Ron Haskell told her as gospel, and he had betrayed her. Other women might have railed and cried and blamed their betrayers. Driving back home, her eyes dry and gritty with unshed tears, Constance Marie Richardson Haskell blamed only herself.

Once in the house, Connie saw the blinking light on the answering machine as soon as she put her car keys and purse down on the kitchen counter. Hurrying to the machine, she punched the play button. First came Ken Wilson's message, which she had already heard but had failed to erase. She fast-forwarded through that one. Then, after a click, she heard Ron's voice, and her heart leaped in her throat.

"Connie," he said. "It's Ron. I don't know if you're there or not. If you are, please pick up." There was a pause, then he continued. "I guess you're not. I don't know where to start, Connie, honey. I'm so sorry. About everything. I'm at a place called Pathway to Paradise. I thought these people could help me, and they are -- helping me, that is. It's going to take time, and I want to talk to you about it, Connie. I want to explain. Maybe you'll be able to forgive me, or maybe not. I don't know.

"I can't leave here, because I've made a commitment to stay for the full two months, but it would mean so much to me if you would come here to see me. That way I can be the one to tell you what happened instead of your having to hear it from somebody else. Please come, Connie. Please, preferably this evening. Pathway to Paradise is at the far end of the Chiricahua Mountains, just outside Portal on the road to Paradise. It's north of town on the righthand side of the road. You'll see the sign. Wait for me along the road, sometime between nine and ten, and --"

At that point an operator's voice cut in on Ron's. "If you wish to speak longer you'll have to deposit an additional one dollar and sixty-five cents."

"Please," Ron added.

And then the answering machine clicked off. For almost a minute afterward, Connie stood staring blankly at the machine, then she began to quake once more.

Connie Richardson Haskell was a woman who had always prided herself on keeping her emotions under control. Her father had expected it of her. After all those years under her father's tutelage, Connie had come to expect it of herself. The whole time she had cared for her aging and at times entirely unreasonable parents, she had never once allowed herself to become angry.

But now anger roared through her system with a ferocity that left her shaken. It filled her whole being like an avalanche plunging down the throat of some narrow, rock-lined gorge. How dare he! After disappearing for two weeks without a word, after taking my money without permission, now he calls and expects me to come running the moment he crooks his finger and says he's sorry?

Finally she nodded. "I'll be happy to join you in Paradise, you son of a bitch," she muttered grimly. "But I'm going to bring along a little surprise."

With that, she turned and walked into the bedroom. There, behind one of her mother's vivid watercolors, was Stephen Richardson's hidden wall safe. Inside the safe was her father's well-oiled .357 Magnum. Connie didn't need to check to see if the gun was loaded. Stephen Richardson had always maintained that having an unloaded weapon in the house was as useless as having a plumber's helper with no handle.

Not taking the time to shut the safe or rehang the painting, Connie walked back to the kitchen, where she stuffed the pistol into her purse right next to her mother's Bible. Then, without a backward glance and without bothering to lock up the house, turn on the alarm, or even make sure the door was firmly closed, Conme went back out to Claudia's Town Car. Her father had always insisted on keeping a Rand McNally Road Atlas in the pocket behind the seat. Connie pulled out the atlas and studied the map of Arizona until she located the tiny dots that indicated Portal and Paradise. After charting a route, she put the atlas back in its spot and climbed into the driver's seat.

This time, when she switched on the engine, she turned on the air conditioner as well. Until that moment, Connie Richardson Haskell had thought the term "heat of anger" was only a figure of speech.

Now she knew better.

Slamming the big car into reverse, she tore out of the garage and headed for Pathway to Paradise to find her husband. As she drove down the citrus- and palm-tree-lined street and away from the house that had been her home her whole life, Connie didn't bother to look back, and she didn't notice that the garage door had failed to close. There was no reason to look back. It was almost as though she knew she was finished with the house and the neighborhood, and they were finished with her. No matter what happened, Connie Richardson Haskell wouldn't be returning. Ever.

Paradise Lost. Copyright © by J. Jance. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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See All Sort by: Showing 1 – 20 of 35 Customer Reviews
  • Anonymous

    Posted September 9, 2002

    WONDERFUL STORY

    Just finished the book. Could not put it down. I have ordered the rest of the Joanna Brady mysteries so I wont miss a thing. Keep up the good work JA Jance .

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 3, 2014

    One of Jance's Best to Date

    This is, so far, the best of the Joanna Brady series and an entirely satisfying and engaging read. Working multiple homicide cases simultaneously makes for a real page-turner that I found hard tolut down. I also like the way the story takes on a more personal note than previous books in the series. Plus, I was not distracted by the usual typos. I would recommend this book anyone, even if they have not read the earlier books. Clearly, Jance has grown allot as an author since her first book. Stephanie Clanahan

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  • Posted December 10, 2013

    Check it out.

    Love all the Brady series by Jance especially when hooked up with Beaumont.

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  • Anonymous

    Posted October 4, 2013

    Excellent story!

    Paradise Lost was yet another great story of the life of Joanna Brady by J. A. Jance. I am reading the series in order, and this was a great installment. It is becoming like visiting with old friends everytime I read another novel in this series. Highly recommended.

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  • Anonymous

    Posted January 13, 2013

    Good read

    Overall very exciting. Kept my interest every page.

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  • Posted October 9, 2011

    Another great book.

    Reading this series in order, you can watch Joanne evolve. It is still a great read if you haven't read previous books of hers.

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  • Posted October 3, 2011

    Highly Recommended - you must check it out!!

    Addicted to this series. A must read for any Joanna Brady fan!

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  • Anonymous

    Posted March 4, 2007

    good

    i think this book is really good and you dont have to read the first couple of books cause the next one fills you in on what happened

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  • Anonymous

    Posted December 8, 2002

    WONDERFUL!!!

    This was a wonderful story. I personally have read over a dozen murder mysteries and this ranks at the top of my list of favorites! The author did a great job of bringing the reader into the book. Well done!

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  • Anonymous

    Posted August 9, 2001

    ANOTHER TOPNOTCH THRILLER FROM JANCE

    Reading the first paragraph of a J.A. Jance novel quickly tells you that a pro is at work. After penning over two dozen mysteries this author knows how to pace suspense, and when to surprise. Her characters are not larger than life but ones to whom readers can easily relate. As if this weren't enough she spins a topnotch yarn. With 'Paradise Lost' the sheriff of Cochise County, Arizona, Joanna Brady, attempts to track down a ruthless killer. But this time it's more than just sleuthing as usual because the murder victim's body was found by Jenny, Brady's 13-year-old daughter. In one of thrillerdom's greatest mismatches, Jenny has been paired with Dora Matthews for a weekend Girl Scout campout at Apache Pass. While Jenny is guileless, innocent, Dora is a pregnant young girl with an absentee father and an out-of-touch drug addicted mom. When the girls take an after lights out walk they find the body of a Phoenix heiress. It is not too long before tragedy also befalls the unfortunate Dora. What more does Brady need to realize that a whacko killer is on the loose, doing in any potential witnesses, perhaps her own daughter? Jance shines with descriptions of the stark Arizona terrain, and excels at drafting pedal to the metal suspense.

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  • Posted December 9, 2008

    more from this reviewer

    paradise found by fans of police procedurals

    In Cochise County, Arizona twelve-year-old Jenny Brady and her friend Dora Matthews sneak out of the Girl Scout¿s camp after lights are out to smoke cigarettes. However, the two mischievous girls soon find a corpse. Though she has a homicide to investigate, Jenny¿s mother Joanna, the county sheriff, is livid with her daughter, not only for sneaking out but for smoking as well. <P>However, Joanna revises her concern when a hit and run driver kills Dora. Not believing in coincidences, Joanna worries that someone wants to eliminate the witnesses to the first killing, which makes her beloved daughter a potential next victim. Joanna uses all her police skills to uncover the identity of the culprit before Jenny becomes the next casualty. <P> As expected from JA Jance (see the Beaumont mysteries as well as other novels in this series), PARADISE LOST is paradise found by fans of police procedurals. An intense personal side to Joanna leads to a taut story line that enhances the who-done-it. Both subplots converge on the heroine as her personal life and professional lives collide. Whether it is Seattle or Arizona, Ms. Jance always provides a powerhouse of entertainment. <P>Harriet Klausner

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    Posted January 21, 2012

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    Posted January 3, 2013

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    Posted January 7, 2010

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    Posted May 1, 2010

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    Posted August 2, 2011

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    Posted April 7, 2011

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    Posted April 3, 2012

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