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| Atlas Sound | Primary Artist |
| Paul McPherson | Wood Block, Cabasa, Hi Hat |
| Bradford Cox | Organ, Synthesizer, Acoustic Guitar, Guitar, Percussion, Piano, Electric Bass, Drums, Electric Guitar, Keyboards, Vocals, Synthesizer Bass, Wurlitzer, Rhythm Box, Telecaster |
| Andrew VanWyngarden | Organ, Piano, Background Vocals |
| Carrie-Anne Murphy | Saxophone |
| Mick Rock | Cover Photo |
| Nicolas Vernhes | Programming, Producer, Engineer |
| Bradford Cox | Composer, Programming, Producer, Engineer, Instrumentation, Collage, Sequencers, Vocal Drone |
| Kari Bauce | grooming |
| Liz Vao | Photo Production |
Editorial Reviews
All Music Guide - Heather Phares
Parallax, the visual phenomenon that affects the perception of objects' relative positions depending on the viewer's distance from them, couldn't be a more apt namesake for Bradford Cox's third officially released Atlas Sound album. Cox plays with distance, motion, and emotion on this set of songs, oscillating between the sparkling pop he does so well with this project as well as Deerhunter and the hazy experiments that are all Atlas Sound. From the start, it's clear that Parallax will spend as much time with the blurry edges of Cox's sound as with its catchy center: "The Shakes" starts things with pretty pop that has both feet more or less on the ground, but ...