Particular Saints: Shakespeare's Four Antonios, Their Contexts, and Their Plays

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Why do characters named Antonio proliferate on the English Renaissance stage? Why are they so often paired with other characters named Sebastian? And more significantly, why are they repeatedly characterized by Shakespeare and his contemporaries as fools for love? Particular Saints draws on church history, art history, and theater history to address these questions by illustrating that Renaissance stage Antonios are a type, representing a tradition familiar to early modern audiences and exploited by Shakespeare ...
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More About This Book

Overview

Why do characters named Antonio proliferate on the English Renaissance stage? Why are they so often paired with other characters named Sebastian? And more significantly, why are they repeatedly characterized by Shakespeare and his contemporaries as fools for love? Particular Saints draws on church history, art history, and theater history to address these questions by illustrating that Renaissance stage Antonios are a type, representing a tradition familiar to early modern audiences and exploited by Shakespeare in portraying his four major characters named Antonio. Such characters ultimately derive from the rich medieval iconography and hagiography of Saint Anthony of Egypt. How this knowledge reinforms our late-twentieth-century understanding of the four plays in question is addressed in separate chapters that range widely across each work: The Merchant of Venice, Twelfth Night, Antony and Cleopatra, and The Tempest.
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Product Details

  • ISBN-13: 9780874136302
  • Publisher: University of Delaware Press
  • Publication date: 12/28/1997
  • Pages: 256
  • Product dimensions: 6.00 (w) x 9.30 (h) x 0.80 (d)

Table of Contents

Acknowledgments 9
Introduction: Particular Saints: Shakespeare's Four Antonios and Their Contexts 13
1 "Wise men, folly-fall'n": Characters Named "Antonio" in English Renaissance Drama 20
2 "A foolish consistency": Antonio and Alienation in The Merchant of Venice 51
3 "Willing love": Antonio, Viola, and Epiphany in Twelfth Night 88
4 "The world's great snare": Antony, Cleopatra, and Game 116
5 Prospero's "false brother": Shakespeare's Final Antonio 154
Conclusion: "No way out but through": Shakespeare's Antonios and the Wisdom of This World 186
Notes 193
Bibliography 229
Index 241
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