Pass in Time: The Definitive Collection

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Editorial Reviews

All Music Guide - MacKenzie Wilson
BMG UK gathered nearly all of Beth Orton's brightest moments for Pass in Time: The Definitive Collection. This double-disc set does a decent job presenting Orton's undeniable gift as an artist, and those who are introduced to her for the first time here will be thoroughly impressed. Those longtime fans who already own her first three albums and the Best Bit EP might be puzzled at Pass in Time's unfashionably early arrival; however, the 24-song compilation merits the same consideration given to Orton's previous work. The second disc of B-sides, rarities, and remixes is more than enough to warrant attention, for the ten-song selection includes her stunning collaborations...
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Editorial Reviews

All Music Guide - MacKenzie Wilson
BMG UK gathered nearly all of Beth Orton's brightest moments for Pass in Time: The Definitive Collection. This double-disc set does a decent job presenting Orton's undeniable gift as an artist, and those who are introduced to her for the first time here will be thoroughly impressed. Those longtime fans who already own her first three albums and the Best Bit EP might be puzzled at Pass in Time's unfashionably early arrival; however, the 24-song compilation merits the same consideration given to Orton's previous work. The second disc of B-sides, rarities, and remixes is more than enough to warrant attention, for the ten-song selection includes her stunning collaborations with the Chemical Brothers "Where Do I Begin", Terry Callier "Dolphins", and William Orbit "Water from a Vine Leaf". The original B-side to "She Cries Your Name," "It's Not the Spotlight" was exclusively reworked for Pass in Time, but the biggest surprise lies in the inclusion of two tracks from her Superpinkymandy album. With a little nudge from Orbit, Orton first introduced herself with this experimental-dance effort, which was only available in Japan and is now out of print. The glittering electronic twist of John Martyn's "Don't Wanna Know 'Bout Evil" and the gentle humming of "Where Do You Go?" give a glimpse of Orton's pre-commercial solo days. Pass in Time is a worthwhile collection, but the time of its release remains in question. Orton has just gotten started and her work is far from conclusive.
Blender - Clark Collis
Beth Orton can... claim a surprisingly diverse back catalog for a supposed folkie.
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Product Details

  • Release Date: 10/7/2003
  • Label: Arista
  • UPC: 828765616324
  • Catalog Number: 56163

Album Credits

Performance Credits
Beth Orton Primary Artist, Acoustic Guitar, Guitar, Vocals, Track Performer
Dr. John Piano
Mordy Ferber Acoustic Guitar
William Orbit Guitar, Keyboards, Track Performer
Terry Callier Guitar, Vocals, Background Vocals
Martin Duffy Organ, Piano
Caroline LaVelle Conductor
Scott Minor Percussion
Henry Olsen Bass, Electric Bass
Adam Peters Conductor, Keyboards
Dean Ross Piano
Fred Smith Electric Bass
Sebastian Steinberg Bass Guitar
Ben Watt Guitar, Keyboards, Sounds
Lucy Wilkins Violin
Ali Friend Bass Guitar, Double Bass
Dave Williams Violin
Calina de la Mare Violin
Sara Wilson Cello
Lascelles Gordon Percussion
Daniel Moreno Percussion
Oliver Kraus Cello
Nia Bevan Violin
Dave Boulter Organ, Harmonium
Beki Doe Violin
Howard Gott Violin
Tasha Lee McCluney Background Vocals
Sean Read Piano, Harmonium, Keyboards
Lee Spencer Keyboards
Ted Barnes Acoustic Guitar, Bouzouki, Guitar, Mandolin, Electric Guitar
Dave Friedman Vibes
Ryan Adams Piano, Electric Guitar, Vocals, Guest Appearance
Will Blanchard Drums, Tambourine
Andy Nice Cello
Becca Ware Viola
Catherine Browning Violin
Bosco d'Olivera Percussion
Jacqueline Norrie Violin
Peven Everett Keyboards
Ruth Gottlieb Violin
Brian G. Wright Violin
Tim Myall Violin
Richard George Violin
Ben Harper & the Innocent Criminals Guitar
Sophie Sarota Viola
Wendy DeSaint Paer Violin
Vincent Greene Viola
Christopher Koh Violin
Y Cee Flute
Electric Strings Strings
Jerry Meyhan Bass Guitar
Robert Spriggs Viola
Dmitri VanZwanenburg Violin
Matt Johnson Drums
Technical Credits
John Martyn Composer
Fred Neil Composer
Ellie Greenwich Composer
John Wood Vocal Engineer
William Orbit Composer, Producer, beats, Collaboration
Terry Callier Collaboration
Gerry Goffin Composer
Barry Goldberg Composer
Youth Producer
Phil Spector Composer
Jeff Barry Composer
Giles Hall Vocal Engineer
Johnny Marr Composer
Sean O'Hagan Liner Notes
Brian O'Shaughnessy Producer, Engineer
Adam Peters String Arrangements
Trevor Smith Engineer
Sebastian Steinberg Composer
Victor Van Vugt Programming, Producer, Engineer
Ben Watt Programming, Producer, Engineer, beats
Andrew Weatherall Re-produced
Ali Friend Composer
Dick Meaney Engineer
The Chemical Brothers Producer, Collaboration
Beth Orton Composer, Producer, Rhythm King
Ed Simons Composer
Sara Wilson String Arrangements
Robert Howard Producer
Oliver Kraus String Arrangements
Beki Doe String Arrangements
Howard Gott String Arrangements
Jerome Sydenham Producer, Remixing
Keith Tenniswood Engineer
Sean Read Composer, Engineer
Ted Barnes Composer
Hugo Nicholson Engineer
Federico Panero Engineer
Toby Bush Engineer
Will Blanchard Composer
Joachim "Joe" Clausell Producer, Remixing
James Blackwell Engineer
Ian Gimble Producer
Gideon Schaltman Engineer
Jan "Stan" Kybert Digital Editing
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Pass in time: The definitive collection

    One of her nicest CDs. She's got a voice like an angel, and Sugar Boy is an especially lovely song.

    Was this review helpful? Yes  No   Report this review
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