Passing in the Works of Charles W. Chesnutt

Passing in the Works of Charles W. Chesnutt

Passing in the Works of Charles W. Chesnutt

Passing in the Works of Charles W. Chesnutt

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Overview

Essays by Margaret D. Bauer, Keith Byerman, Martha J. Cutter, SallyAnn H. Ferguson, Donald B. Gibson, Scott Thomas Gibson, Aaron Ritzenberg,Werner Sollors, and Susan Prothro Wright Passing in the Works of Charles W. Chesnutt is a collection that reevaluates Chesnutt's deft manipulation of the "passing" theme to expand understanding of the author's fiction and nonfiction. Nine contributors apply a variety of theories--including intertextual, signifying/discourse analysis, narratological, formal, psychoanalytical, new historical, reader response, and performative frameworks--to add richness to readings of Chesnutt's works. Together the essays provide convincing evidence that "passing" is an intricate, essential part of Chesnutt's writing, and that it appears in all the genres he wielded: journal entries, speeches, essays, and short and long fiction. The essays engage with each other to display the continuum in Chesnutt's thinking as he began his writing career and established his sense of social activism, as evidenced in his early journal entries. Collectively, the essays follow Chesnutt's works as he proceeded through the Jim Crow era, honing his ability to manipulate his mostly white audience through the astute, though apparently self-effacing, narrator, Uncle Julius, of his popular conjure tales. Chesnutt's ability to subvert audience expectations is equally noticeable in the subtle irony of his short stories. Several of the collection's essays address Chesnutt's novels, including Paul Marchand, F.M.C., Mandy Oxendine, The House Behind the Cedars, and Evelyn's Husband. The volume opens up new paths of inquiry into a major African American writer's oeuvre. Susan Prothro Wright, Marietta, Georgia, associate professor of American and British literature at Clark Atlanta University, has published on Chesnutt and other American authors in a variety of scholarly venues. Ernestine Pickens Glass, Atlanta, Georgia, is professor emerita of English at Clark Atlanta University. She is the author of Charles W. Chesnutt and the Progressive Movement. and editor of Frederick Douglass by Charles W. Chesnutt: A Centenary Edition.

Product Details

ISBN-13: 9781604734164
Publisher: University Press of Mississippi
Publication date: 02/05/2010
Series: Margaret Walker Alexander Series in African American Studies
Pages: 160
Product dimensions: 6.20(w) x 9.10(h) x 0.70(d)

About the Author

Susan Prothro Wright, associate professor of American and British literature at Clark Atlanta University, has published on Chesnutt and other American authors in a variety of scholarly venues.

Ernestine Pickens Glass is professor emerita of English at Clark Atlanta University. She is the author of Charles W. Chesnutt and the Progressive Movement and editor of Frederick Douglass by Charles W. Chesnutt: A Centenary Edition.

Table of Contents

Preface ix

Acknowledgments xiii

Charles W. Chesnutt's Historical Imagination Werner Sollors 3

Signifying the Other: Chesnutt's "Methods of Teaching" SallyAnn H. Ferguson 9

On Flags and Fraternities: Lessons in History in Charles Chesnutt's "Po Sandy" Margaret D. Bauer 23

Passing as Narrative and Textual Strategy in Charles Chesnutt's "The Passing of Grandison" Martha J. Cutter 39

The Dream of History: Memory and the Unconscious in Charles Chesnutt's The House behind the Cedars Aaron Ritzenberg 51

In the Wake of D. W. Griffith's The Birth of a Nation Chesnutt's Paul Marchand, F.M.C. as Command Performance Susan Prothro Wright 67

Performing Race: Mixed-Race Characters in the Novels of Charles Chesnutt Keith Byerman 84

A Question of Passing or a Question of Conscience: Toward Resolving the Ending of Mandy Oxendine Donald B. Gibson 93

"They Were All Colored to the Life": Historitizing "Whiteness" in Evelyn's Husband Scott Thomas Gibson 110

Contributors 127

Index 130

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