From the Publisher
"A wonderful bookrich, authentic, beautifully written and, yes, passionate."Tracy Chevalier, author of Girl with a Pearl Earring
"I loved Jude Morgan's Passion, which seems to me to achieve exactly what historical fiction is for, namely to illuminate the past to the present... Compellingly written, and stylish with it"Joanna Trollope, author of Brother and Sister
"I can't remember when I last read a book that was so elegantly and stylishly written and yet at the same time so absolutely engrossing and compelling."Diane Pearson, author of The Summer of the Barshinskeys
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Immensely entertaining, Passion chronicles the glamorous, scandalous lives of the Romantic poets Lord Byron, Percy Shelley, and John Keats through the outrageous exploits of the passionate women who shared their world and their beds.
Hedonistic rogue Lord Byron perfects the art of seduction, practicing on the irrepressible Lady Caroline Lamb, and later on his own half sister. Young Mary Godwin, daughter of the feminist crusader Mary Wollstonecraft, decamps with the married Shelley on a European odyssey, taking her stepsister along for the ride. The freethinking ménage meets up with Byron, attracting the unfavorable notice of society and fermenting dangerous jealousies from within. Back in England, Fanny Brawne strives through sheer force of will to sustain the ailing Keats, the only one of the three poetic masters whose infamy will not rival his literary legacy.
The grand adventures of these men and their astonishing women are played out against the palatial backdrop of English Regency opulence, aristocratic social conventions, and the familial expectations of a culture that refuses to yield to the avant-garde arrangements of the gifted but reckless young writers. These unconventional artists developed legendary reputations, but even more remarkable is the early age at which they achieved fame and, subsequently, perished. Morgan has created a fantastical tapestry of epic proportions; equal parts history, romantic comedy, and tragedy, this book is impossible to put down.
(Holiday 2005 Selection)
What could have been mere melodramatic set-piece after set-piece, a bodice-ripper in pentameter, becomes an exploration of mind and emotion, art and heart. Whatever his true surname, this Jude the Obscure deserves to be widely acknowledged as a writer to be read.
The attempted suicide of Mary Wollstonecraft opens this carefully researched, deeply imagined and gorgeously written novel about the Romantic poets, as seen by the women who loved them: Mary Wollstonecraft's daughter, Mary Shelley, who fell scandalously in love with then-married Percy Bysshe Shelley and wrote Frankenstein at age 19; the passionate but untethered Lady Caroline Lamb, who never got over her love for Lord Byron; charming Fanny Brawne, devoted to her consumptive fianc , Keats; and Augusta Leigh, half-sister to Byron, notorious for her incestuous affair with him. Dense, empathetic, detailed portraits of each woman lift them above their iconography; even Byron, in all his famous charm, is convincingly rendered. The poets, of course, are doomed-Byron, fighting in the Greek war of independence, dies of fever; Shelley perishes in a boating accident; and Keats succumbs to consumption. Morgan concludes with a series of carefully crafted plateaus that evocatively capture the women in varied states of acceptance, ambivalence and longing after their losses. Augusta, whose appealing calm and optimism is all the more paradoxical in light of her taboo-shattering decision to sleep with her half-brother, Byron, makes for a particularly fascinating character study. Mary Shelley, clear-eyed, solemn and terribly intelligent, also emerges as three-dimensional and compelling. Morgan (The King's Touch) brings a fascinating past to brilliant light. (Nov.) Copyright 2005 Reed Business Information.
On a rainy October evening in 1795, a desperate young woman hurls herself off London's Putney Bridge only to be pulled from the cold, dark Thames by two passing boatmen. Little do they know they have just saved Mary Wollstonecraft, authoress, educator, and future wife of the celebrated radical thinker William Godwin. Thus begins this tale of impossibly tangled lives, disastrous intrigues, and tragic ends of the great Romantic poets-Lord Byron, Percy Shelley, and John Keats-as told by the women in their lives. Mary Shelley, Caroline Lamb, Augusta Leigh, and Fanny Brawne, in spite of their vast differences in station and temperament, recount similar tales of all-consuming involvement with men who lived as passionately and vividly as the poetry they wrote. Morgan's (The King's Touch) deft characterizations of these women and their relationships is a tour de force, though the dialog and detail that render it so vivid slow the pacing and may diminish the force of the narrative for readers not enamored with the people and period. Recommended for larger fiction collections.-Cynthia Johnson, Cary Memorial Lib., Lexington, MA Copyright 2005 Reed Business Information.
School Library Journal
Adult/High School-This fictionalized biography begins with the suicide attempt of Mary Wollstonecraft, early feminist and mother of the famed author of Frankenstein. The other women who are the center of the work include Mary Shelley nee Godwin (Percy Shelley's lover, then wife), Lady Caroline Lamb (Lord Byron's lover), Fanny Brawne (John Keats's lover), Claire Clairemont (Mary Shelley's half-sister and Byron's lover), and Augusta Leigh (Byron's half-sister and lover). The poets are accompanied by many assorted celebrities and famous hangers-on. The interactions include incest, infidelity, children born out of wedlock, and any and all kinds of tragedy and scandal. This may sound like a rather high-toned soap opera, but the language and the situations that Morgan imagines transform and transcend the characters' actions. The portrayals are vivid, fascinating, and utterly realistic. Events move seamlessly by way of tightly packed prose and insightful detail about these interwoven lives. Teens will be intrigued by what intelligent and strong women were doing in the early 19th century-in fact, Passion may inspire a quest to learn more about the Romantic poets and the short but uniquely creative span of English literature in which they lived.-Jane Halsall, McHenry Public Library District, IL Copyright 2006 Reed Business Information.
Three iconoclastic British poets-Byron, Keats and Shelley-are viewed through the prism of the women who defied parents, husbands and social norms to be at their sides, from the author of The King's Touch (2004). Whether historical or romantic fiction, or a melding of the two, this is a sensational story of money, marriage and, above all, high-wrought emotion. Mary Godwin, beloved daughter of philosopher William Godwin and radical writer Mary Wollstonecraft, is destined for Shelley, the married but discontented free-thinking writer who visits her household. After their elopement, Godwin ostracizes her. Caroline Ponsonby-rich, high-born and high-strung-marries William Lamb but discovers greater excitement as the lover of beautiful, rakish Lord Byron, whose Childe Harold's Pilgrimage has made him the toast of the town. Byron's half-sister Augusta marries a ne'er-do-well colonel whose spendthrift ways cause her to turn to Byron for financial help. She too becomes his lover. It is Augusta who then urges Byron to marry Annabella Milbanke, as a means of ending their illicit involvement. But after the birth of a daughter, Annabella separates from Byron, and the resulting scandal-inflamed by obsessive Caroline Lamb's disclosures-renders Byron a pariah. Ruined, he moves to Switzerland, encountering Shelley and Mary in Geneva. During nights spent together at the Villa Diodati, ghost stories are first read, then invented, inspiring Mary to write Frankenstein. Fanny Brawne and Keats put in a late, short, tragic appearance, their intense love doomed by his tuberculosis. Although engaged, they will never marry. Keats dies in Rome, Shelley drowns in Italy and Byron expires in Greece. Augusta repents,Fanny remembers, Mary returns to her father and raises her one surviving child. A sprightly, intelligent romp through chartered territory.
Read an Excerpt
If you're going to be born towards the end of the eighteenth century of the Christian era, probably the most favourable location is England, taking into account such things as infant-mortality rates, life expectancy, freedom from natural disasters and military incursions, and comparative material wealth. And the section of English society that is most favourable to be born into is, of course, the upper section. Even the best that medical science can offer is no great matter at this date, but such as it is, the upper class can command it: likewise food, clothes, room, distance from epidemic breeding-places, warmth, safety and security.
Try to be born into the aristocracy, then. Not the lower reaches, where there are quite a few out-at-elbows lordlings squatting dismally amid their mortgaged and weed-choked acres. (There is one such to be found at Newstead Abbey, in Nottinghamshire, just at this moment: the Wicked Lord Byron, as they used to call the fifth Baron, though now the old man is more strange than wicked, living off hard cheese in brooding retirement and holding discourse only with the clicking horde of crickets that infest the filthy kitchen. He is trying to train them.) Nor is it a good idea to aim higher, and be actually born into the royal family, not riven as they are by the bitter loathing between King George III and his son the Prince of Wales -- or Whales, as the satirists will soon begin to call the dandified scapegrace when fat claims him as hungrily as he would claim the throne.
No, better by far, best of all, be born into one of the highest aristocratic families -- rich as kings, only less powerful, and unhindered by responsibility. And surely the most eligible of all is the great Whig clan that includes the Duke of Devonshire, owner of no less than six country houses, and his spectacular young wife Georgiana, who has accumulated sixty thousand pounds' worth of gambling debts since her marriage and, most piquantly, is no quite sure how. So, how about Georgiana's sister, likewise a beauty but not so intensely subject to public scrutiny, and well married to a man who will be Earl of Bessborough and has no obvious vices? There will be a country place, of course, but try to be born in town, at the family's London mansion, where medical attention can be more swiftly summoned, and the rooms more easily heated, as the date appointed for the birth is November (summer with its muggy fevers being the worst season). And as the mother in this case already has two boys and fancies a change, try to be born a girl.
There. Every chance is now maximized. It is hardly possible in 1785 to enter the world more auspiciously. Draw your first breath, Caroline Ponsonby.
"Now there is a child," says the physician who has attended the birth to the accoucheur at the door of the Cavendish Square house, "who will never want for anything."
And the fairies popularly supposed to gather around the cradle -- do they hear those words, and smile ironically? Fairies, if anyone, surely know about the deceptiveness of appearances.