- Susan E. Damattos, Ph.D.
"To all those brow-knitted surveyors of Bion and object relations theoritsts (and we are many) comes Marilyn Charles to clarify, interpret, elaborate, and apply in new ways the value of their contributions. In her characteristically gracious prose, Charles elucidates the essential patterns of psychic development, how these patterns become distorted and disrupted, and how therapy can be restorative. It is no surprise, given the value Charles places on pre- and non-verbal patterns, the she reaches to comprehend the female body - and, similarly, given the value she places on language and prosody, that she does so through analyses of the work of female poets, notably Adrienne Rich and Sylvia Plath. Yet, always the clinician, she remains clear-eyed about work with patients and helps us think about what we do in new and surprising ways."
- Douglas H. Ingram, Editor, JAAP
"Scintillating, breathtaking, awesome - such are the words that come to mind in characterizing Marilyn Charles's writing as one is scorched by domains of psychic reality that her words ignite. Patterns is a paean to creativity from the depths linked to loving appreciation of sensory reality."
- Michael Eigen, Author, Damaged Bodies
“Charles . . . seeks to explore this prelexical period and unravel its epistemological and communicative mysteries. She brings special tools to this task. Not only is she a practicing psychoanalyst; she is also a gifted poet and artist and brings all three talents to bear in order to shed light on how the infant organizes and communicates his or her experiences. . . . This is not a work on esthetics so much as it is an esthetic work on psychoanalysis, one that adds dimension, clarity, and richness to it.”
- James S. Grotstein, Ph.D., Author, Who is the Dreamer, Who Dreams the Dream? (Analytic Press, 2000)