Pebble to a Pearl

( 1 )

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Like every other new millennium nu-soul diva, Nikka Costa wound up being overshadowed by Amy Winehouse, the neo-soul singer who catapulted over all her rivals with Back to Black, an impeccable updating of classic soul whose modern updates were flair, not foundation. It was the inverse of the formula Costa and her producer/husband Justin Stanley pursued beginning with her 2001 debut Everybody Got Their Something, which not so coincidentally was co-produced by Mark Ronson, Winehouse's producer; a bit of history that had to sting for Nikka. Ronson's influence can be heard on Costa's third album, 2008's Pebble to a Pearl, but not to the extent it was on Everybody ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Like every other new millennium nu-soul diva, Nikka Costa wound up being overshadowed by Amy Winehouse, the neo-soul singer who catapulted over all her rivals with Back to Black, an impeccable updating of classic soul whose modern updates were flair, not foundation. It was the inverse of the formula Costa and her producer/husband Justin Stanley pursued beginning with her 2001 debut Everybody Got Their Something, which not so coincidentally was co-produced by Mark Ronson, Winehouse's producer; a bit of history that had to sting for Nikka. Ronson's influence can be heard on Costa's third album, 2008's Pebble to a Pearl, but not to the extent it was on Everybody Got Their Something, when his DJ roots shone through. Here, it's his adoption of the Daptones as house band and subsequent revival of '60s soul that provide Costa and Stanley with their template, but the duo take it far further than Ronson did with Winehouse, who retained a bit of modernity in his tight, sequenced rhythms, in favor of an old-school vibe built upon live instruments. Costa's freedom to move is as much as a reaction to Winehouse as it is to her clean break from Virgin records who by definition needed her to compete with Christina Aguilera, and her move to Stax records, the storied Southern soul label whose legacy looms large on Pebble to a Pearl. This is grounded in the earthy, down-home funk of Stax/Volt, a vibe that's retained even when Costa dips into a bouncier beat or girly harmonies straight out of Motown. That's because Pebble to a Pearl is at its heart a groove album, one that's all about feel, how the rhythm runs, and how the band plays. That includes Nikka Costa, too, as she is freed by this live, loose atmosphere to really belt the hell out of the songs and she does, unleashing a fire she always hinted at beneath the gloss of her other records. It makes for a record that feels so right that it seems a bit churlish to say that it could use a bit more song sense to go with its sound, just a track or two that grabs instead of grows -- not so much a "Rehab" but a "Doin' The Boom Boom," a cut that helps pull in listeners to Eli "Paperboy" Reed's Roll with You, an album that's a kissing cousin to Pebble to a Pearl in its faithful yet fiery devotion. It could have used a song like that, but even without it, Pebble to a Pearl is a bit of a gem, a true blast of retro-soul that helps push Costa out of the nu-diva pack and into her own distinct groove.
New York Daily News - Jim Farber
The latest from the throatiest white female soul shooter around.
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Product Details

  • Release Date: 10/14/2008
  • Label: Stax
  • UPC: 888072309425
  • Catalog Number: 30942
  • Sales rank: 263,535

Album Credits

Performance Credits
Nikka Costa Primary Artist, Piano, Vocals, Background Vocals
Charlie Bisharat Violin
Chris Bruce Guitar
Keith Ciancia Clavinet, Moog Synthesizer, Voice Box
Jason Falkner Guitar, Sitar
James Gadson Drums
J.J. Johnson Drums
James Poyser Piano, Hammond Organ, Clavinet, Moog Synthesizer, Hammond B3
Justin Stanley Guitar, Piano, Drums, Mellotron
Cameron Stone Cello
John Shanks Banjo
Jamie Lidell Background Vocals
Printz Board Trumpet, Saxophone
Tim Izo Orindgreff Trumpet, Saxophone
Paul Searles Wurlitzer
Dmitri Kourka Viola
Elizabeth Lea Trombone
Keith Megna Acoustic Guitar
Shawn Davis Bass
Jon Gries Harmonica
Davey Chegwidden Percussion
Dima Kourka Viola
Jon Gries Harmonica
Tim Orindgreff Trumpet, Saxophone
Keefus Ciancia Clavinet, Moog Synthesizer, Voice Box
Technical Credits
Lamont Dozier Composer
Russell Elevado Engineer
Justin Stanley Arranger, Producer, String Arrangements
Dave Collins Mastering
Andre Recke Executive Producer
Nikka Costa Producer, Audio Production
Hans Hettich Cover Design
Justin Mitchell Stanley Audio Production
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Customer Reviews

Average Rating 5
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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    If you like old soul/R&B/bluesy jazz...

    ...you will get a bit of all of that and love and appreciate this. I won't paint myself as a professional critic as some might; I simply love the girl's music and voice. Check out the samples for yourself. I also highly recommend her 2 previous releases. Music to make you smile and dance or smile and cry. Lovely.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews