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| Penguin Cafe Orchestra | Primary Artist, Primary Artist, Primary Artist, Primary Artist |
| Braco | Percussion, Bongos, Drums, Shaker |
| Simon Jeffes | Organ, Bass, Guitar, Percussion, Piano, Violin, Drums, Harmonium, Ukulele, Vocals, Penny Whistle, Shaker, cuatro, Dulcitone, Ring Modulator, Rubber Band |
| Giles Leaman | Oboe, Wind |
| Helen Liebmann | Strings, Cello |
| Steve Nye | Bongos, Drums, Keyboards, Electric Piano, Shaker, cuatro |
| Neil Rennie | Ukulele |
| Geoffrey Richardson | Guitar, Percussion, Bongos, Ukulele, Viola |
| Julio Segovia | Percussion, Cymbals |
| Peter Veitch | Violin, Accordion |
| Gavyn Wright | Violin |
| Johnny Smith | Composer |
| Tony Cousins | Remastering |
| Simon Jeffes | Producer, Contributor |
| Emily Young | Artwork, Cover Painting |
Editorial Reviews
All Music Guide - Ted Mills
The sophomore album from Simon Jeffes' homegrown band took over three years to record, but the signs are here that it was a labor of love. While drawing compositional and textural inspiration from both English folk and chamber music, it manages to sound like neither and a wondrous hybrid of both. "Walk Don't Run," a cover of the Ventures' classic, turns from a surf tune into a merry jig of sorts, with the violins and cellos playing the melody backed by drums, bongos, and shakers. "Telephone and Rubber Band" turns a busy signal into something full of beauty and joy. Unfailingly romantic, sunny music and an album that set the tone of all ...