Penny Dreadfuls were popular, cheaply produced 19th century magazines filled with brutal and sensationalist tales. In her uncompromising second collection of poetry, Vancouver poet Shannon Stewart revisits their grisly spirit through a series of meditations that examine the medias obsession for luridness, be it tabloids or respectable newspapers. At the centre of the book is the story of accused serial killer Robert Pickton. In poems of great psychological risk-taking, Stewart tracks the missing women of ...
Penny Dreadfuls were popular, cheaply produced 19th century magazines filled with brutal and sensationalist tales. In her uncompromising second collection of poetry, Vancouver poet Shannon Stewart revisits their grisly spirit through a series of meditations that examine the medias obsession for luridness, be it tabloids or respectable newspapers. At the centre of the book is the story of accused serial killer Robert Pickton. In poems of great psychological risk-taking, Stewart tracks the missing women of Vancouvers East Side and describesusing a voice by turns gritty, funny, shrewd, and broken-heartedhow the gruesome details of their reported murders seep into her role as a mother and wife. Fable-like, ribald, and packing a powerful anti-puritanical punch, Penny Dreadful furnishes us with unsentimental X-rays of the contemporary world and its sundry terrors.
Shannon Stewart’s first book, The Canadian Girl (Nightwood Editions, 1998), was finalist for the Milton Acorn People’s Poetry Award and Gerald Lampert Award for Best First Book of Poetry in 1999. Shannon Stewart was born in Ottawa and raised in British Columbia. She holds an MFA in Creative Writing from the University of British Columbia, She lives in Vancouver.
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