Penpoints, Gunpoints, and Dreams: Towards a Critical Theory of the Arts and the State in Africa / Edition 1

Penpoints, Gunpoints, and Dreams: Towards a Critical Theory of the Arts and the State in Africa / Edition 1

by Ngugi wa Thiong'o
     
 

ISBN-10: 0198183909

ISBN-13: 9780198183907

Pub. Date: 04/28/1998

Publisher: Oxford University Press, USA

Penpoints, Gunpoints, and Dreams explores the relationship between art and political power in society, taking as its starting point the experience of writers in contemporary Africa, where they are often seen as the enemy of the postcolonial state. This study raises the wider issues of the relationship between the state of art and the art of the state, particularly

Overview

Penpoints, Gunpoints, and Dreams explores the relationship between art and political power in society, taking as its starting point the experience of writers in contemporary Africa, where they are often seen as the enemy of the postcolonial state. This study raises the wider issues of the relationship between the state of art and the art of the state, particularly in their struggle for the control of performance space in territorial, temporal, social, and even psychic contexts. Kenyan writer, Ngugi wa Thiong'o, calls for the alliance of art and people power, freedom and dignity against the encroachments of modern states. Art, he argues, needs to be active, engaged, insistent on being what it has always been, the embodiment of dreams for a truly human world.

Product Details

ISBN-13:
9780198183907
Publisher:
Oxford University Press, USA
Publication date:
04/28/1998
Series:
Clarendon Lectures in English Series
Edition description:
New Edition
Pages:
160
Product dimensions:
8.60(w) x 5.60(h) x 0.80(d)

Table of Contents

Preface
Introduction
1. Art War with the State: Writers and Guardians of a Postcolonial Society
2. Penpoints, Gunpoints, and Dreams: The Conflict Between the Crafts of Art and the State
3. Enacting Power: The Politics of the Performance State
4. Voicing Silence: Language, Democracy, and a New World Order
5. Renaissance or Orature: Freeing Creativity from the Literary Colonisation of Orality
Conclusion

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