People Get Ready!: A New History of Gospel Music / Edition 1

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Overview

People Get Ready!: A New History of Gospel Music is a passionate, celebratory, and carefully researched chronology of one of America’s greatest treasures. From Africa through the spirituals, from minstrel music through jubilee, and from traditional to contemporary gospel, People Get Ready! shows the links between styles, social patterns, and artists. The emphasis is on the stories behind the songs and musicians. From the nameless slaves of Colonial America to Donnie McClurkin, Yolanda Adams, and Kirk Franklin, People Get Ready! provides, for the first time, an accessible overview of this musical genre. In addition to the more familiar stories of Thomas A. Dorsey and Mahalia Jackson, the book offers intriguing new insights into the often forgotten era between the Civil War and the rise of jubilee—that most intriguing blend of minstrel music, barbershop harmonies, and the spiritual. Also chronicled are the connections between some of gospel’s precursors (Blind Willie Johnson, Arizona Dranes, and Sister Rosetta Tharpe) and modern gospel stars, including Andrae Crouch and Clara Ward. People Get Ready! knits together a number of narratives, and combines history, musicology and spirituality into a coherent whole, stitched together by the stories of dozens of famous and forgotten musical geniuses.

FROM THE INTRODUCTION
“Among the richest of the lavish gifts Africa has given to the world is rhythm. The beat. The sound of wood on wood, hand on hand. That indefinable pulse that sets blood to racing and toes to tapping. It is rhythm that drives the great American musical exports, the spiritual (and, by extension, gospel), the blues, jazz and rock ‘n’ roll. But first you must have the spirituals—religion with rhythm.
In this book, I will show the evolution of a musical style that only occasionally slows down its evolution long enough to be classified before it evolves yet again. In historical terms, spirituals emerged from African rhythm, work-songs, and field hollers in a remarkably short time—years, perhaps days—after the first African slaves landed on American shores. From the spirituals sprang not just their spiritual heir jubilee, but jazz and blues. And gospel music in its modern understanding morphed from the spirituals, the blues, jubilee and—of course—African rhythm.
What today’s gospel music is and what it is becoming is part of the continuing evolution of African American music. Religion with rhythm.”

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Product Details

  • ISBN-13: 9780826414366
  • Publisher: Continuum International Publishing Group
  • Publication date: 10/28/2004
  • Edition number: 1
  • Pages: 440
  • Product dimensions: 6.30 (w) x 9.26 (h) x 1.08 (d)

Meet the Author

Robert Darden is Assistant Professor of English at Baylor University, and Senior Editor of The Door Magazine. He was gospel music editor for Billboard magazine for 10 years and has written about religious music for most of his adult life. He lives in Waco.

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Table of Contents

Ch. 1 Why gospel music? 1
Ch. 2 Gospel's African roots 12
Ch. 3 The rise of spirituals in North America 34
Ch. 4 What spirituals are, what spirituals mean 70
Ch. 5 The American Civil War 94
Ch. 6 Reconstruction, the jubilee singers, and minstrelsy 110
Ch. 7 The foundations of gospel : the black exodus, barbershop quartets, the Pentecostals, and jack-leg preachers 130
Ch. 8 The fathers of gospel : William H. Sherwood, Charles A. Tindley, and Thomas A. Dorsey 159
Ch. 9 Chicago and the rise of gospel music 181
Ch. 10 Three divas : Rosetta Tharpe, Clara Ward, and Mahalia Jackson 196
Ch. 11 The great gospel groups : six unforgettable voices 221
Ch. 12 Gospel on the freedom highway 245
Ch. 13 Gospel's evolution : from Alex Bradford to James Cleveland to Andrae Crouch 262
Ch. 14 The last great male quartets 283
Ch. 15 Contemporary gospel : six defining voices 302
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